.. and recording for Blue Note
Simultaneous with his time in the Miles Davis quintet, Shorter recorded several albums for
Blue Note Records, featuring almost exclusively his own compositions, with a variety of line-ups, quartets and larger groups including Blue Note favourites such as
Freddie Hubbard. His first Blue Note album (of nine in total) was
Night Dreamer recorded at
Rudy Van Gelders studio in 1964 with
Lee Morgan, McCoy Tyner, Reggie Workman and
Elvin Jones.
JuJu and
Speak No Evil are two more well known recordings from this era. Shorter's compositions on these albums are notable for their use of:
*
pentatonic melodies harmonised with
pedal points and complex harmonic relationships;
*structured
solos that reflect the composition's melody as much as its harmony;
*long
rests as an integral part of the music, in contrast with other, more effusive, players of the time such as John Coltrane. Indeed the rhythm section on these albums included
Elvin Jones and
McCoy Tyner of Coltrane's classic quartet that had recorded
A Love Supreme the previous year.
The later album
The All-Seeing Eye was a free-jazz workout with a larger group, while
Adam's Apple of 1966 was back to carefully constructed melodies by Shorter leading a quartet. Then a sextet again in the following year for
Schizophrenia with his Miles Davis band mates Hancock and Carter plus trombonist
Curtis Fuller, alto saxophonist/flautist
James Spaulding and strong rhythms by drummer
Joe Chambers. These albums have recently been remastered by
Rudy Van Gelder.
Shorter also recorded occasionally as a
sideman (again, mainly for Blue Note) with
Donald Byrd, McCoy Tyner, Grachan Moncur III, Freddie Hubbard, Lee Morgan, and bandmates Hancock and Williams.