Charlie Lee Byrd (September 16, 1925 - November 30, 1999), better known as Charlie Byrd, was a famous American jazz and classical guitarist born in Suffolk, Virginia. Byrd collaborated on the famous 1962 album "Jazz Samba" with Stan Getz, a recording which pushed bossa nova into the mainstream of American music.

During the late 1950s he toured Europe with Woody Herman as part of a United States State Department "goodwill tour". Byrd also led his own groups that at times featured his own brother Joe Byrd. His earliest and most influentual musical influence was Django Reinhardt, the famous gypsy guitarist.

Charlie Byrd was born in Suffolk, Virginia in 1925 and grew up in the town of Chuckatuck, Virginia. His father—a mandolin player—taught him how to play the acoustic steel guitar at age 10. He had three brothers, Oscar, Jack and one fellow musician, Joe Byrd. In 1942 he entered the Virginia Polytechnic Institute ('lag did not know this!) and played in the school orchestra there. By 1943 he had been drafted into the United States Army for World War II and subsequently saw combat, then was stationed in Paris in 1945 and played in an Army Special Services band. He returned to the United States and went to New York, where he studied composition and jazz theory at the Harnett National Music School in Manhattan, New York. During this time he began using a classical guitar. After moving to Washington, D.C. in 1950, he left for Italy in 1954 and became a pupil of the Spanish classical guitarist Andres Segovia. Byrd's earliest influence was the gypsy guitarist Django Reinhardt, who he saw while in Paris perform.

In 1957 Byrd met double bassist Keter Betts in a Washington, D.C. club called The Vineyard. The two began doing gigs together, and by October they were frequently performing at The Showboat. In 1959 the pair joined forced with Woody Herman's band and toured Europe for 3 weeks as part of a United States State Department sponsored "goodwill" tour. The other members of the band were Vince Guaraldi, Bill Harris, Nat Adderly and drummer Jimmy Campbell.

Following a trip in spring of 1961 on a diplomatic tour of South America (ie. Brazil) for the United States State Department, Charlie Byrd had returned home and met with his friend Stan Getz at the Showboat Lounge. Byrd invited Getz back to his home to listen to some bossa nova recordings he brought back from the country by João Gilberto and Antonio Carlos Jobim. Getz liked what he heard and the two decided they wanted to make an album of the songs. The task of creating an authentic sound, however, proved much more challenging than either man had anticipated.

Getz convinced Creed Taylor at Verve Records to produce the album, and Byrd and he assembled a group of musicians they both knew to create the recordings. These early sessions did not turn out to either man's liking, so Byrd gathered a group of musicians that had been to Brazil with him previously and practiced with them in Washington, D.C. until he felt they were ready to record. The group included his brother Joe Byrd, as well as Keter Betts, Bill Reichenbach and Buddy Deppenschmidt. Bill and Buddy were both drummers, and the combination made it easier to achieve authentic samba rhythms. Finally the group was deemed ready and Getz and Taylor arrived in Washington D.C. on February 13, 1962. They recorded in a building adjacent to All Souls Unitarian Church because of the excellent acoustics found there.

In April of 1962 the recordings were released as the album "Jazz Samba", and by September the recording was included on Billboard's pop album chart. By March of the following year the album had moved all the way to number one, igniting a bossa nova craze in the American jazz community as a result. It should be noted that the term bossa nova did not become used in reference to the music until later. The album remained on the charts for an amazing seventy weeks, and Getz soon beat John Coltrane in a Downbeat poll. One of the album's most popular tunes was a Jobim hit, titled "Desafinado".

In 1963 Byrd did a European tour with Les McCann and Zoot Sims, among others. Either in 1964 or 1965 Byrd appeared at the Newport Jazz Festival with Episcopal priest Malcolm Boyd, accompanying prayers from his book "Are You Running With Me Jesus?" with guitar. In 1967 Byrd brought a lawsuit against Stan Getz and MGM, contending that he was unfairly paid for his contributions to the 1962 album "Jazz Samba". The jury agreed with Byrd and awarded him half of all royalties from the album.

In 1973 Byrd moved to Annapolis, Maryland, and in September of that year he recorded an interesting album with Cal Tjader titled "Tambú", the only recording the two would make together. This same year Byrd joined guitarists Herb Ellis and Barney Kessel and formed the Great Guitars group, which also included drummer Johnny Rae.

From 1980 through 1996, he released several of his arrangements to the jazz and classical guitar community through Guitarist's Forum (gfmusic.com) including Charlie Byrd's Christmas Guitar Solos, Mozart: Seven Waltzes For Classical Guitar, and The Charlie Byrd Library featuring the music of George Gershwin and Irving Berlin.

His earliest trios included bassist Keeter Betts and drummers Buddy Deppinschmidt and Bertel Knox. In the early 1960s Betts joined Ella Fitzgerald and Byrd's brother Gene H. (Joe) Byrd became bassist for the group. Joe Byrd played with his brother until Charlie Byrd's death in 1999 of cancer. Byrd's trios also included drummers Billy Reichenbach for over ten years, Wayne Phillips for several years and for the last 19 years Chuck Redd.

Charlie Byrd, Joe Byrd and Chuck Redd were also a part of the famous act called "The Great Guitars" with electric guitarists Herb Ellis and Barnie Kessel. This group toured and recorded albums in the 1980s. Byrd collaborated with many famous jazz players over his lengthly career. A jazz supper club in Georgetown, DC also bore his name, "Charlie's." When he died, he was "at home" in the King of France Tavern of the Maryland Inn.

Byrd owned a jazz club in Silver Springs, Maryland called The Byrdcage. He was also co-owner of the King of France Tavern nightclub at the Maryland Inn in Annapolis for a while, and frequently gigged there. In 1992 the book "Jazz Cooks"—by Bob Young and Al Stankus—was published by Stewart, Tabori & Chang, a compilation of recipes that include a few recipes from Byrd. He also authored the 1973 publication Charlie Byrd's Melodic Method for Guitar.

Byrd loved sailboating, and owned a twenty-six foot boat called "I'm Hip" that he sailed to various parts of the world. Charlie Byrd died of lung cancer on November 30, 1999 at his home in Annapolis, Maryland. Byrd was married to Rebecca Byrd, and has two daughters from previous marriages. Carol Rose of Charlotte NC & Charlotte Byrd of Crownsville MD

Byrd played classical guitar, always with his fingers using nylon strings.

*1999 - Knighted by the government of Brazil as a Knight of the Rio Branco *1997 - deemed a "Maryland Art Treasure" by the Community Arts Alliance of Maryland

|- align=center |align=left| First Flight || 1957 || - || |- align=center |align=left| Jazz Recital || 1957 || - || |- align=center |align=left| Blues for Night People || 1957 || - || |- align=center |align=left| Midnight Guitar || 1957 || - || |- align=center |align=left| Byrd's Word || 1958 || - || |- align=center |align=left| Mr. Guitar || 1959 || - || |- align=center |align=left| The Guitar Artistry of Charlie Byrd || 1960 || - || |- align=center |align=left| Charlie Byrd at the Village Vanguard || 1961 || live || |- align=center |align=left| Latin Impressions || 1962 || - || |- align=center |align=left| Bossa Nova Pelos Passaros || 1962 || - || |- align=center |align=left| Once More! Bossa Nova || 1963 || - || |- align=center |align=left| Charlie Byrd Trio at the Village Gate || 1964 || live || |- align=center |align=left| Brazilian Byrd || 1965 || - || |- align=center |align=left| Travellin' Man || 1965 || - || |- align=center |align=left| The Touch of Gold || 1965 || label: Columbia || |- align=center |align=left| Byrd Song || 1965 || - || |- align=center |align=left| Solo Flight || 1965 || - || |- align=center |align=left| Byrdland || 1966 || - || |- align=center |align=left| Hollywood Byrd || 1967 || - || |- align=center |align=left| More Brazilian Byrd || 1967 || - || |- align=center |align=left| Christmas Carols for Solo Guitar || 1967 || - || |- align=center |align=left| Music for "Villa Lobos" || 1967 || - || |- align=center |align=left| Delicately || 1968 || - || |- align=center |align=left| Hit Trip || 1968 || - || |- align=center |align=left| The Great Byrd || 1969 || - || |- align=center |align=left| Let It Be || 1970 || - || |- align=center |align=left| For All We Know || 1971 || - || |- align=center |align=left| The World of Charlie Byrd || 1973 || double album || |- align=center |align=left| The Stroke of Genius || 1974 || - || |- align=center |align=left| The New Wave (La Onda Nueva) || 1974 || In collaboration with venezuelan Maestro Aldemaro Romero. Label: Columbia Records || |- align=center |align=left| Byrd by the Sea || 1974 || live || |- align=center |align=left| Great Guitars || 1974 || live || |- align=center |align=left| Top Hat || 1975 || - || |- align=center |align=left| Charlie Byrd Swings Downtown || 1976 || live || |- align=center |align=left| Blue Byrd || 1978 || - || |- align=center |align=left| Sugarloaf Suite || 1979 || live || |- align=center |align=left| Great Guitars at the Winery || 1980 || - || |- align=center |align=left| Brazilville || 1981 || - || |- align=center |align=left| Brazilian Soul || 1981-1983|| with Laurindo Almeida || |- align=center |align=left| Latin Odyssey || 1981-1983|| with Laurindo Almeida || |- align=center |align=left| Charlie Byrd Christmas Album || 1982 || - || |- align=center |align=left| Isn't It Romantic || 1984 || - || |- align=center |align=left| Tango || 1985 || - || |- align=center |align=left| Byrd and Brass || 1986 || w/Annapolis Brass Quintet|| |- align=center |align=left| It's a Wonderful World || 1988 || - || |- align=center |align=left| Christmas With Byrd and Brass || 1989 || w/Annapolis Brass Quintet|| |- align=center |align=left| Tambu || 1992 || - || |- align=center |align=left| Rise and Shine || 1992 || - || |- align=center |align=left| The Washington Guitar Quintet || 1992 || - || |- align=center |align=left| Music to Dine By || 1993 || - || |- align=center |align=left| Aquarelle || 1993 || - || |- align=center |align=left| I've Got the World on a String || 1994 || - || |- align=center |align=left| Moments Like This || 1994 || - || |- align=center |align=left| Jazz & Samba || 1995 || - || |- align=center |align=left| Du Hot Club De Concord || 1995 || - || |- align=center |align=left| Great Guitars 2 || 1995 || - || |- align=center |align=left| Live At Music Room || 1996 || live || |- align=center |align=left| Au Courant || 1997 || - || |- align=center |align=left| My Inspiration: Music of Brazil || 1999 || - || |- align=center |align=left| For Louis || 2000 || - || |- align=center |align=left| Charlie Byrd || 2000 || label: Delta || |- align=center |align=left| Byrd in the Wind || 2002 || - || |- align=center |align=left| Bamba Samba Bossa Nova || 2005 || - || |- align=center |align=left| Aquarius || 2005 || - || |- align=center |align=left| Byrd at the Gate: Charlie Byrd Trio at the Village Gate || 2005 || Extended CD Release, live || |- align=center |align=left| Everybody's Doin' the Bossa Nova || 2005 || - || |- align=center |align=left| Great Guitars Concord Jazz || 2005 || label: Concord Jazz, live || |- align=center |align=left| Let Go || 2005 || - || |- align=center |align=left| Lodovico Roncalli Suites || 2005 || - || |- align=center |align=left| Music of the Brazilian Masters || 2005 || - || |- align=center |align=left| World of Charlie Byrd || 2005 || - ||

*Classic Jazz Guitar

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