Peck's first film,
Days of Glory, was released in 1944. Though many critics initially dismissed Peck's acting as wooden, he was nominated for the
Academy Award for
Best Actor five times, four of which came in his first five years of film acting: for
The Keys of the Kingdom (1944),
The Yearling (1946),
Gentleman's Agreement (1947), and
Twelve O'Clock High (1949).
Each of these early films introduced an aspect of Peck's persona.
The Keys of the Kingdom emphasized his stately presence. As the farmer Penny Barker in
The Yearling his good-humored warmth and affection toward the characters playing his son and wife confounded critics who had been insisting he was a lifeless performer.
Duel in the Sun (1946) showed his range as an actor in his first "against type" role as a cruel, libidinous gunslinger.
Gentleman's Agreement established his power in the "social conscience" genre in a film that took on the deep-seated but subtle anti-Semitism of mid-century corporate America.
Twelve O'Clock High was the first of many successful war films in which Peck embodied the brave, effective, yet human fighting man.
Among his other popular films were
Moby Dick (1956 film),
On the Beach (1959 film), which brought to life the terrors of global nuclear war,
The Guns of Navarone (1961), and
Roman Holiday (1953), with
Audrey Hepburn in her
Oscar-winning role. Peck and Hepburn were close friends until her death; Peck even introduced her to her first husband,
Mel Ferrer. Peck once again teamed up with director William Wyler in the epic Western "
The Big Country" (1958), which he co-produced.
Peck won the Academy award with his fifth nomination, playing
Atticus Finch, a Depression-era lawyer and widowed father, in a film adaptation of the
Harper Lee novel To Kill a Mockingbird. Released in
1962 during the height of the
US civil rights movement in the
South, this movie and his role were Peck's favorites. In 2003, Atticus Finch was named the top film hero of the past 100 years by the American Film Institute.
He served as the president of the
Academy of Motion Picture Arts and Sciences in
1967,
Chairman of the Board of Trustees of the
American Film Institute from
1967 to
1969, Chairman of the Motion Picture and Television Relief Fund in
1971, and National Chairman of the
American Cancer Society in
1966. He was a member of the National Council on the Arts from
1964 to
1966.
A physically powerful man, he was known to do a majority of his own fight scenes, rarely using body or stunt doubles. In fact,
Robert Mitchum, his on-screen opponent in
Cape Fear, often said that Peck once accidentally punched him for real during their final fight scene in the movie. He said that he felt the impact of the punch for days afterwards and said "I don't feel sorry for anyone dumb enough who picks a fight with him."