Photograph of Alexandre Benois.
Alexandre Benois

Overview

Alexandre Nikolayevich Benois () (May 4, 1870, St. Petersburg–February 9, 1960, Paris), was a prominent member of the St. Petersburg artistic intellectual Benois family, an influential art critic, artist, preservationist, and founding member of Mir iskusstva. His influence on the modern ballet and stage design is considered seminal.

Alexandre's father Nicholas Benois and brother Leon Benois were noted Russian architects. Alexandre didn't plan to devote his life to art and graduated from the Faculty of Law, St. Petersburg University in 1894. Three years later, while in Versailles, he painted a series of watercolors depicting Last Promenades of Louis XIV. When exhibited by Pavel Tretyakov in 1897, they brought him to attention of Sergei Diaghilev and Leon Bakst. Together they founded the art magazine and movement Mir iskusstva which aimed at promoting the Aesthetic Movement and Art Nouveau in Russia.

During the first decade of the new century, Benois continued to edit Mir iskusstva but also pursued his scholarly interests. He prepared and printed several monographs on the 19th-century Russian art and Tsarskoye Selo. From 1918 to 1926, he ran the gallery of Old Masters in the Hermitage Museum, to which he secured his brother's heirloom—Leonardo's Madonna Benois. In 1903, he printed his illustrations to Pushkin's Bronze Horseman which have since been recognized as one of the landmarks in the genre.

In 1901, Benois was appointed scenic director of the Mariinsky Theatre. Since then, he devoted most of his time to stage design and decor. Sets and costumes he designed for Ballets Russes productions of Les Sylphides (1909), Giselle (1910), and Petrushka (1911) are counted among his greatest triumphs. Although he worked primarily with Diaghilev for the Ballets Russes, he simultaneously collaborated with the Moscow Art Theatre and other notable theatres of Europe. His Memoirs were published in two volumes in 1955. The Russian artists Eugene Lanceray and Zinaida Serebriakova were his nephew and niece, and the British actor Sir Peter Ustinov was his grand nephew.

References

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Katerina Clark, Petersburg: Crucible of the Cultural Revolution (Cambridge, MA, 1995). John E. Bowlt, The Silver Age: Russian Art of the Early Twentieth Century and the “World of Art” Group (Newtonville, MA, 1982). Janet Kennedy, The Mir Iskusstva Group and Russian Art, 1898-1912 (New York, 1978). Sergei Makovskii, Stranitsy khudozhestvennoi kritiki – Kniga vtoraia: Sovremennye Russkie khudozhniki (Petersburg, 1909). Gregory Stroud, Retrospective Revolution: A History of Time and Memory in Urban Russia, 1903-1923 (Urbana-Champaign, 2006). </div>

Works

<gallery> Image:Royalpromenade.jpg|Royal Promenade at Versailles, 1906 Image:Elizabenois.jpg|Promenade of Empress Elizabeth through the Noble Streets of St. Petersburg, 1903 Image:Alexandre Benois 004.jpg|Illustration to Alexander Pushkin's Bronze Horseman, 1904 Image:Benoisoldiers.jpg|Soldiers of Catherine II Image:Peter benois.jpg|Peter the Great Meditating the Idea of Building St. Petersburg at the Shore of the Baltic Sea Image:Paulparade.jpg|Military Parade of Emperor Paul in front of Mikhaylovsky Castle, 1907 Image:Benois-petrushka.jpg|Set for Stravinsky's Petrushka, 1911 Image:Nemetskaya.jpg|At the German Quarter, 1911 </gallery>
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This biography says:

...Although he worked primarily with Diaghilev for the Ballets Russes, he simultaneously collaborated with the Moscow Art Theatre and other notable theatres of Europe. His Memoirs were published in two volumes in 1955. The Russian artists Eugene Lanceray and Zinaida Serebriakova were his nephew and niece, and the British actor Sir Peter Ustinov was his grand nephew.

That biography says:

...Her grandfather, Nikolay Leontyevich Benois, was a famous architect, chairman of the Society of Architects and member of the Russian Academy of Science. Her uncle, Alexandre Benois, was a famous painter, founder of the Mir iskusstva art group. Her father, Yevgeny Nikolayevich Lanceray, was a well-known sculptor, and her mother, who was Alexandre Benois' sister, was good at drawing...

That biography says:

...Somov studied at the Imperial Academy of Arts under Ilya Repin from 1888 to 1897. While at the Academy, he befriended Alexandre Benois, who would introduce him to Sergei Diaghilev and Leon Bakst. When the three founded the World of Art, Somov liberally contributed to its periodicals...

This biography says:

...Three years later, while in Versailles, he painted a series of watercolors depicting Last Promenades of Louis XIV. When exhibited by Pavel Tretyakov in 1897, they brought him to attention of Sergei Diaghilev and Leon Bakst. Together they founded the art magazine and movement Mir iskusstva which aimed at promoting the Aesthetic Movement and Art Nouveau in Russia...

That biography says:

...He had already entered an influential circle of artists who called themselves the Pickwickians: Alexandre Benois, Walter Nouvel, Konstantin Somov, Dmitri Filosofov and Léon Bakst. Although not instantly received into the group, Benois aided Diaghilev by developing his knowledge of Russian and Western Art...
How is Alexandre Benois connected to Peter I of Russia? Tell the world.

This biography says:

...Although he worked primarily with Diaghilev for the Ballets Russes, he simultaneously collaborated with the Moscow Art Theatre and other notable theatres of Europe. His Memoirs were published in two volumes in 1955. The Russian artists Eugene Lanceray and Zinaida Serebriakova were his nephew and niece, and the British actor Sir Peter Ustinov was his grand nephew.

That biography says:

...Lanceray was born in Pavlovsk. His father was a prominent sculptor, and his uncle was Alexandre Benois, an essential figure in the artistic world of Europe. Lanceray was enrolled at the Académie Colarossi and Académie Julian between 1895 and 1898...
How is Alexandre Benois connected to Paul I of Russia? Tell the world.

That biography says:

...Petersburg. There his stage costumes were designed by none other than the legendary theatrical artist Alexandre Benois. Yui Lavrov also continued his acting studies. In 1924, he joined the troupe of "Molodoi Theatre of Leningrad" together with his fellow actress, Olga Gudim-Levkovich...

That biography says:

...His first well-known work was The Dream (1910), which sparked a discussion among contemporary Russian artists. The main defender of the painting was Alexandre Benois, and his main detractor - Ilya Repin (thus, the work was discussed by two major Russian painters of the time)...

This biography says:

<gallery> Image:Royalpromenade.jpg|Royal Promenade at Versailles, 1906 Image:Elizabenois.jpg|Promenade of Empress Elizabeth through the Noble Streets of St. Petersburg, 1903 Image:Alexandre Benois 004.jpg|Illustration to Alexander Pushkin's Bronze Horseman, 1904 Image:Benoisoldiers.jpg|Soldiers of Catherine II Image:Peter benois.jpg|Peter the Great Meditating the Idea of Building St. Petersburg at the Shore of the Baltic Sea Image:Paulparade.jpg|Military Parade of Emperor Paul in front of Mikhaylovsky Castle, 1907 Image:Benois-petrushka.jpg|Set for Stravinsky's Petrushka, 1911 Image:Nemetskaya.jpg|At the German Quarter, 1911 </gallery>

That biography says:

...After the mid-1890s he became a member of the circle of writers and artists formed by Sergei Diaghilev and Alexandre Benois, which later became the Mir Iskusstva art movement....

This biography says:

...Three years later, while in Versailles, he painted a series of watercolors depicting Last Promenades of Louis XIV. When exhibited by Pavel Tretyakov in 1897, they brought him to attention of Sergei Diaghilev and Leon Bakst. Together they founded the art magazine and movement Mir iskusstva which aimed at promoting the Aesthetic Movement and Art Nouveau in Russia...
How is Alexandre Benois connected to Louis XIV of France? Tell the world.
How is Alexandre Benois connected to Elizabeth of Russia? Tell the world.

That biography says:

...Jacovleff's large group portrait On Academic Dacha was exhibited at the Baltic Exhibition in Malmö in 1912, and received praise from the critics present, including Alexandre Benois. During his student days he befriended another Academy student, Vladimir Shukhaev. They were almost inseparable, and received the nickname of The Twins...

That biography says:

...The benefit of the uniman speech for Tchaikovsky was overwhelming. Before it, Alexandre Benois writes in his memoirs, "it was considered obligatory [in progressive musical circles] to treat Tchaikovsky as a renegade, a master overly dependent on the West." He drew a cult following among the young intelligentsia of St...

This biography says:

...The Russian artists Eugene Lanceray and Zinaida Serebriakova were his nephew and niece, and the British actor Sir Peter Ustinov was his grand nephew.

That biography says:

...Her father Leon Benois was an imperial Russian architect and owner of Leonardo's painting Madonna Benois. His more famous brother Alexandre Benois was an outstanding stage designer who worked with Stravinsky and Diaghilev. Their paternal ancestor Jules-César Benois was a chef who had left France for St Petersburg during the French Revolution and became a chef to Tsar Paul...