Photograph of Charles Baudelaire.
Charles Baudelaire

Overview

Charles Pierre Baudelaire (IPA: ; French IPA: ) (April 9, 1821August 31, 1867) was an influential nineteenth century French poet, critic, and acclaimed translator.

Life and work

Baudelaire was born in Paris. His father, a senior civil servant and amateur artist, died early in Baudelaire's life in 1827. In the following year, his mother married a lieutenant colonel Jacques Aupick, who later became a French ambassador to various courts. Baudelaire was educated in Lyon and at the Lycée Louis-le-Grand in Paris. Upon gaining his degree in 1839, he decided to embark upon a literary career, and for the next two years led an irregular life. He may have contracted syphilis during this period. In the hope of reforming him, his guardians sent him on a voyage to India in 1841, but he never arrived. When he returned to Paris, after less than a year's absence, he received a small inheritance, but he spent it within a few years. His family obtained a decree to place his property in trust. During this time he met Jeanne Duval, who was to become his longest romantic association.

His art reviews of 1845 and 1846 attracted immediate attention for their boldness; many of his critical opinions were novel in their time, but have since been generally accepted. He took part in the Revolutions of 1848, and for some years was interested in republican politics, but his political convictions spanned the anarchism of Pierre-Joseph Proudhon, the history of the Raison d'Ėtat of Giuseppe Ferrari, and ultramontane critique of liberalism of Joseph de Maistre.

Baudelaire was a slow and fastidious worker, and it was not until 1857 that he published his first and most famous volume of poems, Les Fleurs du mal ("The Flowers of Evil"). Some of these poems had already appeared in the Revue des deux mondes (Review of Two Worlds), when they were published by Baudelaire's friend Auguste Poulet Malassis, who had inherited a printing business at Alençon. The poems found a small appreciative audience, but greater public attention was given to their subject matter. The principal themes of sex and death were considered scandalous, and the book became a byword for unwholesomeness among mainstream critics of the day. Baudelaire, his publisher, and the printer were successfully prosecuted for creating an offense against public morals. In the poem "Au lecteur" ("To the Reader") that prefaces Les fleurs du mal, Baudelaire accuses his readers of hypocrisy and of being as guilty of sins and lies as the poet:

:... If rape or arson, poison, or the knife :Has wove no pleasing patterns in the stuff :Of this drab canvas we accept as life— :It is because we are not bold enough!

::(Roy Campbell's translation)

Six of the poems were suppressed, but printed later as Les Épaves ("The Wrecks") (Brussels, 1866). Another edition of Les fleurs du mal, without these poems, but with considerable additions, appeared in 1861.

His other works include Petits Poèmes en prose ("Small Prose poems"); a series of art reviews published in the Pays, Exposition universelle ("Country, World Fair"); studies on Gustave Flaubert (in L'Artiste, October 18, 1857); on Théophile Gautier (Revue contemporaine, September, 1858); various articles contributed to Eugene Crepet's Poètes francais; Les Paradis artificiels: opium et haschisch ("French poets; Artificial Paradises: opium and hashish") (1860); and Un Dernier Chapitre de l'histoire des oeuvres de Balzac ("A Final Chapter of the history of works of Balzac") (1880), originally an article entitled "Comment on paye ses dettes quand on a du génie" ("How one pays one's debts when one has genius"), in which his criticism turns against his friends Honoré de Balzac, Théophile Gautier, and Gérard de Nerval.

Baudelaire learned English in his childhood, and Gothic novels, such as Lewis's The Monk, became some of his favourite reading matter. In 1846 and 1847 he became acquainted with the works of Edgar Allan Poe, in which he found tales and poems which had, he claimed, long existed in his own brain but never taken shape. From this time until 1865, he was largely occupied with translating Poe's works; his translations were widely praised. These were published as Histoires extraordinaires ("Extraordinary stories") (1852), Nouvelles histoires extraordinaires ("New extraordinary stories") (1857), Aventures d'Arthur Gordon Pym (see The Narrative of Arthur Gordon Pym), Eureka, and Histoires grotesques et sérieuses ("Grotesque and serious stories") (1865). Two essays on Poe are to be found in his Oeuvres complètes ("Complete works") (vols. v. and vi.).

His financial difficulties increased, particularly after his publisher Poulet Malassis went bankrupt in 1861, and in 1864 he left Paris for Belgium, partly in the hope of selling the rights to his works. For many years he had a long-standing relationship with a mixed-race woman, Jeanne Duval, whom he helped to the end of his life. He smoked opium, and in Brussels he began to drink to excess. He suffered a massive stroke in 1866 and paralysis followed. The last two years of his life were spent in "maisons de santé" in Brussels and in Paris, where he died on August 31, 1867. Many of his works were published posthumously.

He is buried in the Cimetière du Montparnasse, Paris.

Influence

Baudelaire's influence on the direction of modern French- and English-language literature was considerable. The most significant French writers to come after him were generous with tributes; four years after his death, Arthur Rimbaud praised him in a letter as 'the king of poets, a true God'. In 1895, Stéphane Mallarmé published a sonnet in Baudelaire's memory, 'Le Tombeau de Charles Baudelaire'. Marcel Proust, in an essay published in 1922, stated that along with Alfred de Vigny, Baudelaire was 'the greatest poet of the nineteenth century'.

In the English-speaking world, Edmund Wilson credited Baudelaire as providing an initial impetus for the Symbolist movement, by virtue of his translations of Poe. In 1930 T.S. Eliot, while asserting that Baudelaire had not yet received a 'just appreciation' even in France, claimed that the poet had 'great genius' and asserted that his 'technical mastery which can hardly be overpraised ... has made his verse an inexhaustible study for later poets, not only in his own language.'

At the same time that Eliot was affirming Baudelaire's importance from a broadly conservative and explicitly Christian viewpoint, left-wing critics such as Wilson and Walter Benjamin were able to do so from a dramatically different perspective. Benjamin translated Baudelaire's Tableaux Parisiens into German and published a major essay on translation as the foreword. In the late 1930s, Benjamin used Baudelaire as a starting point and focus for his monumental attempt at a materialist assessment of 19th century culture, Das Passagenwerk. For Benjamin, Baudelaire's importance lay in his anatomies of the crowd, of the city and of modernity.

Baudelaire was also an influence on H. P. Lovecraft, serving as a model for Lovecraft's decadent and evil characters in both The Hound and Hypnos.

Online texts

*FleursDuMal.org Definitive online presentation of Fleurs du mal, featuring the original French alongside multiple English translations *Selected works at Poetry Archive *Another selection *The Rebel poem by Baudelaire *Les Foules (The Crowds) - English Translation * *http://www.onedit.net/issue8/seanb/seanb.html Sean Bonney's experimental translations of Baudelaire

References

External links

* Charles Baudelaire Info – Information magazine about Charles Baudelaire * www.baudelaire.cz, poems and prose in French and Czech, biography, CV, photos… * Charles Baudelaire International Association * (French only as of January 2007) *A large site in English *A comprehensive website *Baudelaire's Paris, An ebook literary tour with suggested poems in English and French at each location *Poetes.com * A large site in italian * Works by Baudelaire: text, concordances and frequency list *Podcast: Audio reading of the poem «Albatros» *20 different English translations of Baudelaire's "The Balcony"
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That biography says:

...Throughout high school, she read heavily (with encouragement from her mother and father). She was particularly influenced by Arthur Rimbaud, Charles Baudelaire, Henry Miller, Fyodor Dostoevsky, Che Guevara, and the Beat poets, especially Allen Ginsberg.

That biography says:

...Throughout it all, Thurman was a voracious reader, writing his first novel at the age of 10. He enjoyed the works of Plato, Aristotle, Shakespeare, Havelock Ellis, Flaubert, Charles Baudelaire and many others. He attended the University of Utah from 1919 to 1920 as a pre-medical student...

That biography says:

...Dutch 17th century masters profoundly influenced him, and on meeting the Dutch painter Johan Jongkind, who already made his mark in French artistic circles, Boudin was advised by his new friend to paint outdoors (en plein air). He also worked with Troyon and Isabey, and in 1859 met Gustave Courbet who introduced him to Charles Baudelaire, the first critic to draw Boudin’s talents to public attention when the artist made his debut at the 1859 Paris Salon...
How is Charles Baudelaire connected to Stefan George? Tell the world.

That biography says:

...His paintings were mainly done using watercolours. The French poet and critic Charles Baudelaire referred to his portrait series as showing "all the morals and aesthetics of the age"....

This biography says:

...At the same time that Eliot was affirming Baudelaire's importance from a broadly conservative and explicitly Christian viewpoint, left-wing critics such as Wilson and Walter Benjamin were able to do so from a dramatically different perspective. Benjamin translated Baudelaire's Tableaux Parisiens into German and published a major essay on translation as the foreword...

That biography says:

...As a sociological and cultural critic, Benjamin combined ideas of historical materialism, German idealism, and Jewish mysticism in a body of work which was an entirely novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated Charles Baudelaire's Tableaux Parisiens and Marcel Proust's famous novel, In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction.

That biography says:

...Eliot's The Waste Land, which contains lines from Tristan und Isolde and refers to The Ring and Parsifal. Charles Baudelaire, Stéphane Mallarmé and Paul Verlaine worshipped Wagner. Many of the ideas his music brought up, such as the association between love and death (or Eros and Thanatos) in Tristan, predated their investigation by Sigmund Freud...

That biography says:

Her favourite authors are Victor Hugo, Oscar Wilde, Paul Auster, and Timothy Zahn; and her favourite poets are Charles Baudelaire and Tristan Tzara. Tautou's favourite music composers are Ravel, Mozart and Frédéric Chopin...
How is Charles Baudelaire connected to Endre Ady? Tell the world.

That biography says:

In interviews, Doherty has listed his favourite books as George Orwell's 1984, Brighton Rock by Graham Greene, Our Lady of the Flowers by Jean Genet, Flowers of Evil by Charles Baudelaire and the complete works of Oscar Wilde. He has also mentioned Emily Dickinson and Tony Hancock as influences; Doherty and his father were once members of the Tony Hancock Appreciation Society...

That biography says:

...Millay's most significant other relationship during this time was with the poet George Dillon, fourteen years her junior, for whom a number of her sonnets were written. Millay also collaborated with Dillon on Flowers of Evil, a translation of Charles Baudelaire's Les Fleurs du mal....

This biography says:

...The most significant French writers to come after him were generous with tributes; four years after his death, Arthur Rimbaud praised him in a letter as 'the king of poets, a true God'. In 1895, Stéphane Mallarmé published a sonnet in Baudelaire's memory, 'Le Tombeau de Charles Baudelaire'...

That biography says:

...While at Oxford, he was introduced to modernist literature and the works of James Joyce, Ezra Pound, and T.S. Eliot. He was also fascinated by Charles Baudelaire and developments in the French surrealism, and even attempted to compose some works in French. His first volume of poetry, Spectrum (1925), was written in English and published in London at his own expense...
How is Charles Baudelaire connected to Antun Gustav Matoš? Tell the world.

This biography says:

...In 1895, Stéphane Mallarmé published a sonnet in Baudelaire's memory, 'Le Tombeau de Charles Baudelaire'. Marcel Proust, in an essay published in 1922, stated that along with Alfred de Vigny, Baudelaire was 'the greatest poet of the nineteenth century'...

That biography says:

...Toward the end of Swedenborg's life, small reading groups formed in England and Sweden to study the truth they saw in his teachings and several writers were influenced by him, including William Blake, August Strindberg, Ralph Waldo Emerson, Charles Baudelaire, Balzac, William Butler Yeats and Carl Jung. The theologian Henry James Sr. was also a follower of his teachings, as was Johnny Appleseed and Helen Keller...

That biography says:

...Racine came to be dismissed as merely "an historical document" that painted a picture only of 17th century French society and nothing else; there could be nothing new to say about him. However, as writers like Charles Baudelaire and Gustave Flaubert came onto the scene to soundly shake the foundations of French literature, conservative readers retreated to Racine for the nostalgia of his simplicity...

That biography says:

...The poet Charles Baudelaire is one example of a contemporary critic of George Sand: "She is stupid, heavy and garrulous...
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Hoffmann is one of the best-known representatives of German Romanticism, and a pioneer of the fantasy genre, with a taste for the macabre combined with realism that influenced such authors as Edgar Allan Poe (1809–1849), Nikolai Gogol (1809–1852), Charles Dickens (1812–1870), Charles Baudelaire (1821–1867), and Franz Kafka (1883–1924). Hoffmann's work illuminates the darker side of the human spirit found behind the hypocritical harmony of bourgeois life, yet his wide-ranging influence upon and creative significance within the later German romantic period is frequently underestimated...
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