Classic period, 1972–1976
Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually, the label agreed to his demands for full creative control and the rights to his own songs, and Wonder returned to Motown in March 1972 with
Music of My Mind, an album which is considered a classic of the era. Unlike most previous artist LPs on Motown, which usually consisted of a collection of singles,
b-sides, and covers,
Music of My Mind was an actual LP, a full-length artistic statement, and began a string of five albums released over a period of less than five years, that make up what is generally considered Stevie Wonder's classic period.
October
1972's love album
Talking Book featured the #1 pop and R&B hit "
Superstition", which is one of the most distinctive examples of the sound of the
clavinet. The song, originally intended for rock guitarist
Jeff Beck, features a rocking groove that garnered Wonder an additional audience on rock radio stations. Wonder also performed this song on an episode of the children's television show
Sesame Street in the 1970s. Wonder's audience was further broadened when he opened for
The Rolling Stones on their much-heralded
1972 American Tour. Wonder's pop following was not neglected, however, as "
You Are the Sunshine of My Life" followed to #1 on the pop charts and has been a staple love song for the decades since. Between them, the songs won three
Grammy Awards.
Political considerations were brought into greater focus than ever before on his third consecutive masterwork of the decade and his career,
Innervisions, featuring the driving, percolating "
Higher Ground" (#4 on the pop charts) followed by the memorable epic "
Living for the City" (#8), which found Wonder more evocatively describing a time and place in American life than he would anywhere else in his career. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole. The album generated three more Grammy Awards, including
Album of the Year.
On
August 6,
1973, just days after the release of
Innervisions, Wonder was in a serious
automobile accident while on tour, when a log from a truck went through a passenger window and struck him in the head. This left him in a
coma for four days and resulted in a permanent loss of his sense of
smell.
Despite the setback, Wonder eventually recovered all of his musical faculties, and reappeared in concert at
Madison Square Garden in March 1974 in a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "
Living for the City". The album
Fulfillingness' First Finale appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" (a political protest song) and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won. This year Wonder took part in the bootleg album which would later be known as
A Toot and a Snore in '74, the only known post-Beatles recording of
John Lennon and
Paul McCartney. He also wrote the music and produced every song on the Syreeta Wright album
Stevie Wonder Presents Syreeta, which is generally regarded as her best effort as an artist.
On
October 5 1975, Wonder performed the historical
Wonder Dream Concert in
Kingston, Jamaica, a Jamaican Institute for the Blind benefit concert. Along with Wonder
Bob Marley,
Peter Tosh and
Bunny Wailer, the three original "
Wailers", performed together for the last time.
By
1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for
Innervisions and in 1975 for
Fulfillingness' First Finale. The following year, singer songwriter
Paul Simon won the Grammy for Album of the Year for
Still Crazy After All These Years. In his Grammy acceptance speech, Simon jokingly thanked Stevie Wonder for not releasing an album that year. Simon's relief was short-lived, however; in 1977 Stevie Wonder re-took the best album Grammy Award for
Songs In The Key Of Life.
Wonder then focused his attentions on what he intended as his
magnum opus, the
double album-with-extra-
EP Songs in the Key of Life, released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to fully assimilate, yet is still regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history. Two tracks fairly jumped out of the radio with energy, however, becoming the #1 pop/r'n'b hits "
I Wish" and "
Sir Duke". The baby-celebratory "
Isn't She Lovely" was a future
wedding and
bat mitzvah fixture, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-
September 11, 2001 America: A Tribute to Heroes telethon) and the
classical "Village Ghetto Land" reflected a far more pensive mood. "Pastime Paradise" would become an interpolation for
Coolio's
"
Gangsta's Paradise" (one of the most popular hits of the 1990s), while
Will Smith would use "I Wish" as the basis for the theme song to his movie,
Wild Wild West. In addition to the Album of the Year award, Wonder garnered two other Grammys.
Possibly exhausted by this concentrated and sustained level of creativity, Wonder stopped recording for three years;
Rolling Stone Record Guide (1983) said that these albums "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade";
Rolling Stone's 2003 list of
the 500 Greatest Albums of All Time included four of the five, with three in the top 90; while in 2005
Kanye West said of his own work, "I'm not trying to compete with what's out there now. I'm really trying to compete with
Innervisions and
Songs in the Key of Life. It sounds musically blasphemous to say something like that, but why not set that as your bar?"
Also adding to Wonder's legacy were hits written or cowritten for or covered by other artists. These include the Top Ten hits "Tell Me Something Good" (Rufus with Chaka Khan),
Aretha Franklin's "Until You Come Back to Me (That's What I'm Gonna Do)", and Jermaine Jackson's "Let's Get Serious" (ranked by
Billboard as the #1 r&b single of 1980).