Photograph of Deanna Durbin.
Deanna Durbin

Overview

Deanna Durbin (born December 4, 1921) is a Canadian singer and actress from Hollywood films of the 1930s and 1940s.

Early life

Born Edna Mae Durbin at Grace Hospital in Winnipeg, Manitoba, Canada, she adopted the professional name Deanna at the commencement of her career. Her parents, James and Ada Durbin, were immigrants from Lancashire, England, and she had an older sister named Edith.

Career

Durbin signed a contract with MGM in 1935 and made her first film appearance in a short subject Every Sunday with another contractee, Judy Garland.

Durbin was released from her contract shortly thereafter as studio executive Louis B. Mayer felt her breasts were smaller than Judy Garland's. Also she had a unibrow which Mayer thought was unattractive. Hollywood legend has recorded that he instructed his staff to "drop the fat one" and that they dismissed Durbin, misunderstanding that Mayer had in fact intended to terminate the contract of Garland. Durbin was quickly signed to a contract with Universal Studios and made her first feature-length film Three Smart Girls in 1936. The huge success of her films was reported to have saved the studio from bankruptcy. In 1938 she received a special Academy Juvenile Award, along with Mickey Rooney. Such was Durbin's international fame and popularity that diarist Anne Frank pasted her picture to her bedroom wall in the Achterhuis where the Frank family hid during World War II. The picture can still be seen there today, and was pointed out by Frank's friend Hannah Pick-Goslar in the documentary film Anne Frank Remembered.

Durbin is perhaps best known for her singing voice—a voice described variously as light but full, sweet, unaffected and artless. With the technical skill and vocal range of a legitimate lyric soprano, she performed everything from popular standards to operatic arias.

She married an actor, Vaughn Paul, in 1941 and they were divorced in 1943. Her second marriage, to producer Felix Jackson in 1945, produced a daughter, Jessica Louise Jackson, and ended in divorce in 1949.

Actress Hedda Hopper alleged that Durbin had an affair with Joseph Cotten. However, the slur was completely untrue as Cotten testified in his autobiography. What brought about the rumor of an affair was that both Cotten and Durbin stayed overnight at the studio without the other one knowing it, only to realize it when they met the next morning at the commissary. Cotten was so enraged by Hopper's conduct that he kicked her chair out from underneath her just as she was about to sit down at a Hollywood function. This generated a spontaneous round of applause from spectators.

In private life, the actress continued to use her given name; salary figures printed annually by the Hollywood trade publications listed the actress as "Edna Mae Durbin, player." Her studio continued to cast her in musicals, and filmed two sequels to her original success, Three Smart Girls. The second sequel was a wartime story called Three Smart Girls Join Up, but Durbin issued a press release announcing that she was no longer inclined to participate in these team efforts and was now performing as a solo artist. The Three Smart Girls Join Up title was changed to Hers to Hold.

Durbin then tried to assume a more sophisticated film persona in such films as the film noir Christmas Holiday (1944) and the whodunit Lady on a Train (1945), but the public preferred her in light musicals. In 1947, her employers merged with two other companies to create Universal-International, and the new regime discontinued most of Universal's familiar product, including musicals, westerns, and comedies. Durbin stayed on for only two more pictures (Something in the Wind and For the Love of Mary) before quitting the studio in 1948. Durbin's new bosses sued her for wages they had paid in advance, but Durbin settled the suit amicably by agreeing to make three more pictures, including one to be filmed on location in Paris.

Durbin did go to Paris, but not for professional reasons. She married Charles David, who had directed her in Lady on a Train. Durbin vowing that she would never return to show business, so the three films were never made.

She and her husband raised Durbin's second child, Peter David. Since then she has resisted numerous offers to perform, including several by Mario Lanza, and has granted only one brief interview in 1983, to film historian David Shipman, steadfastly asserting her right to privacy. She maintains that privacy today, declining to be profiled on Internet websites.

Her husband, director Charles David, died in Paris on March 1, 1999.

Deanna Durbin has a star on the Hollywood Walk of Fame at 1722 Vine Street.

Filmography

References

External links

* *The Deanna Durbin Page *YouTube - Deanna Durbin "The Turntable Song" Something in the Wind - The opening scene of Something in the Wind where Deanna Durbin sings "The Turntable Song" *Photographs of Deanna Durbin
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That biography says:

...'Gee, that sounds keen,' I told him. I got the part." Stack's first film, which teamed him with Deanna Durbin was First Love in 1939. He was the first actor to give Durbin an on screen kiss. As hard to believe today, this film was considered controversial at the time...

That biography says:

...During this period she was the studio's most popular star, "an accomplishment duplicated only by Deanna Durbin years later." Her best remembered film is arguably the silent classic The Cat and the Canary (1927), although she also achieved acclaim for Skinner's Dress Suit) (1926 with Reginald Denny, the part-talkie The Love Trap (1929), directed by William Wyler, and the 1929 part-talkie film version of Show Boat (1929), adapted from the novel of the same name by Edna Ferber...

This biography says:

...Durbin was released from her contract shortly thereafter as studio executive Louis B. Mayer felt her breasts were smaller than Judy Garland's. Also she had a unibrow which Mayer thought was unattractive...

This biography says:

...In 1938 she received a special Academy Juvenile Award, along with Mickey Rooney. Such was Durbin's international fame and popularity that diarist Anne Frank pasted her picture to her bedroom wall in the Achterhuis where the Frank family hid during World War II...

This biography says:

...Actress Hedda Hopper alleged that Durbin had an affair with Joseph Cotten. However, the slur was completely untrue as Cotten testified in his autobiography...

This biography says:

...The huge success of her films was reported to have saved the studio from bankruptcy. In 1938 she received a special Academy Juvenile Award, along with Mickey Rooney. Such was Durbin's international fame and popularity that diarist Anne Frank pasted her picture to her bedroom wall in the Achterhuis where the Frank family hid during World War II...

That biography says:

...He was featured in the MGM musical Anchors Aweigh, which starred Gene Kelly and Frank Sinatra, as well as several other MGM movies, including one with Deanna Durbin....

That biography says:

...In the 1930s Cummings worked (under his own name) as a contract player and appeared in a number of minor roles. He achieved stardom in 1939 in Three Smart Girls Grow Up opposite Deanna Durbin. His many film comedies also include: The Devil and Miss Jones (1941) with Jean Arthur, and The Bride Wore Boots (1946) with Barbara Stanwyck...

That biography says:

...Though she started out as MGM's answer to Deanna Durbin (with films such as Seven Sweethearts and Anchors Aweigh), she proved herself a top star in "Thousands Cheer", "Anchors Aweigh' and "Two Sisters From Boston"...

That biography says:

...Although he would write a few other books (including a novelisation of his screenplay for the Deanna Durbin mystery-comedy Lady on a Train, and the English translation of Juan Belmonte: Killer of Bulls by Manuel Chaves Nogales) his lifework — at least in the literary world — would consist primarily of Simon Templar Saint adventures, which would be relayed in novel, novella, and short story format over the next 35 years (with other authors ghost writing the stories on Charteris' behalf for another 20 years thereafter; Charteris acted as an editor for these books, approving stories and making revisions when needed)...

That biography says:

...Stokowski appeared as himself in the motion picture The Big Broadcast of 1937, conducting two of his Bach transcriptions. That same year he also conducted and acted in One Hundred Men and a Girl, with Deanna Durbin and Adolphe Menjou. In 1939, Stokowski collaborated with Walt Disney to create the motion picture for which he is best known: Fantasia...

This biography says:

Durbin signed a contract with MGM in 1935 and made her first film appearance in a short subject Every Sunday with another contractee, Judy Garland....

That biography says:

...She is related to the British animator and puppeteer Oliver Postgate, as George Lansbury is also his grandfather. Her earliest theatrical influences were teen-aged coloratura Deanna Durbin, screen star Irene Dunne, and her own mother, who encouraged her daughter's ambition by taking her to plays at the Old Vic and removing her from South Hampstead High School for Girls in order to enroll her in the Ritman School of Dancing and later the Webber-Douglas School of Singing and Dramatic Art...

That biography says:

...More successful however were the two comedies he made with Deanna Durbin, It Started with Eve (1941) and Because of Him (1946). He also seemed to enjoy himself both as a blood-thirsty pirate in Captain Kidd (1945) and as a malevolent judge in Alfred Hitchcock's The Paradine Case (1948)...

That biography says:

...After this, she moved to character and supporting parts, playing catty professional women - holding her own against Rosalind Russell in The Feminine Touch, for example - and as mother to rising young stars such as Deanna Durbin.

That biography says:

Sakall began a career that included "an endless succession of excitable theatrical impresarios, lovable European uncles and befuddled shopkeepers." His first Hollywood role was in the 1940 comedy It's a Date opposite Deanna Durbin. His first big hit was Ball of Fire with Gary Cooper and Barbara Stanwyck. Later, he signed a contract with Warner Brothers, where he had a number of other small roles, including in 1942's Yankee Doodle Dandy with Jimmy Cagney.

That biography says:

...In 1938, in addition to starring in Barefoot Boy, Jackie Moran and Marcia Mae Jones played supporting roles in the Deanna Durbin vehicle Mad About Music and, in Jackie's breakout picture, Marcia Mae had the relatively minor part of Tom Sawyer's bratty cousin Mary (Ann Gillis was Becky Thatcher)...

That biography says:

...Although Koster did not speak English, he convinced the studio to let him make Three Smart Girls, for which he personally coached 14-year-old star Deanna Durbin. This picture, a big success, pulled Universal out of bankruptcy. Koster's second Universal film, One Hundred Men and a Girl, with Durbin and Leopold Stokowski put the studio, Durbin, Pasternak, and Koster on top...

That biography says:

...Cohan, Claudette Colbert, and Jimmy Durante * 1933 - A Bedtime Story - with Maurice Chevalier * 1934 - We're Not Dressing - with Bing Crosby, Carole Lombard and George Burns * 1935 - The Big Broadcast of 1936 - with Ethel Merman, Bing Crosby, Richard Tauber and the first appearance of Dorothy Dandridge * 1936 - Rhythm on the Range - with Bing Crosby and Frances Farmer * 1938 - Mad About Music - with Deanna Durbin and Herbert Marshall * 1938 - The Adventures of Tom Sawyer - with Tommy Kelly and Jackie Moran * 1938 - Boys Town - with Spencer Tracy and Mickey Rooney * 1940 - Broadway Melody of 1940 - with Fred Astaire and Eleanor Powell * 1940 - Little Nellie Kelly - with Judy Garland * 1942 - A Yank at Eton - with Mickey Rooney * 1943 - Presenting Lily Mars - with Judy Garland and Van Heflin * 1944 - The Canterville Ghost - co-directed (uncredited) with Jules Dassin and starring Charles Laughton, Robert Young, Margaret O'Brien * 1948 - The Bride Goes Wild - with Van Johnson and June Allyson * 1948 - Words and Music - with June Allyson, Perry Como, Judy Garland, Gene Kelly, Mickey Rooney, and Cyd Charisse * 1950 - Please Believe Me - with Deborah Kerr, Robert Walker and Peter Lawford * 1950 - The Toast of New Orleans - with Kathryn Grayson, Mario Lanza, and David Niven * 1952 - Room for One More - with Cary Grant * 1952 - Jumping Jacks - with Jerry Lewis and Dean Martin * 1953 - The Stooge - with Jerry Lewis and Dean Martin * 1953 - The Caddy - with Jerry Lewis, Dean Martin and Donna Reed * 1954 - Living it up - with Jerry Lewis, Dean Martin and Janet Leigh * 1955 - You're Never Too Young - with Jerry Lewis and Dean Martin * 1956 - Pardners - with Jerry Lewis and Dean Martin * 1956 - The Birds and the Bees - with George Gobel, Mitzi Gaynor and David Niven * 1957 - The Fuzzy Pink Nightgown - with Jane Russell * 1959 - Don't Give Up the Ship - with Jerry Lewis * 1960 - G...

That biography says:

...During and after World War II Peer published songs such as "Deep In The Heart Of Texas " and "You Are My Sunshine" (sung by Jimmie Davis, covered by Bing Crosby and many others), "Humpty Dumpty Heart" (Glenn Miller), "You're Nobody Till Somebody Loves You" (Russ Morgan), "The Three Caballeros" ( Andrews Sisters), "Say A Prayer For The Boys Over There" (Deanna Durbin), "I Should Care" and "The Coffee Song" (both Frank Sinatra). In 1945, he published Jean Villard and Bert Reisfeld's composition "Les trois cloches" ("The Three Bells"), which was recorded by Édith Piaf...