Photograph of Leon Schlesinger.
Leon Schlesinger

Overview

Leon Schlesinger (May 20, 1884December 25, 1949) was an American film producer, most noted for founding Leon Schlesinger Productions, which later became the Warner Bros. Cartoons studio, during the golden age of Hollywood animation.

Schlesinger was born in Philadelphia. After working at a theater as an usher, songbook agent, actor, and manager (including the Palace Theater in Buffalo, NY (source Buffalo News, April 15, 1944), he founded Pacific Title and Art in 1919, where most of his business was producing title cards for silent films. As talking pictures ("talkies") gained popularity in 1929 and 1930, Schlesinger looked for ways to capitalize on the new technology and stay in business. Legend claims that he helped finance the Warner brothers' first talkie, The Jazz Singer. He then secured a contract with the studio to produce its brand-new Looney Tunes series, and he signed animators Hugh Harman and Rudy Ising to create these cartoons with their Bosko character as the star.

Schlesinger was a shrewd businessman with a keen eye for talent. When Harman and Ising left Warner Bros. with Bosko in 1934, Schlesinger set up his own studio on the Warner Bros. lot on Sunset Boulevard. He wooed animators away from other studios, including some of those who had departed with Harman and Ising. One of these was Friz Freleng, who Schlesinger promoted to oversee production of Looney Tunes and to develop the sister series, Merrie Melodies. Freleng's talent quickly shone through, and Schlesinger's hiring of Frederick "Tex" Avery, Carl Stalling, and Frank Tashlin further increased the quality of the studio's output. He later added Bob Clampett, Chuck Jones, and Mel Blanc, and collectively these men created such famous characters as Porky Pig, Daffy Duck, and Bugs Bunny. Schlesinger largely took a "hands off" approach to the animation unit, allowing his directors freedom to create what they wished. The films only had to do well in the theaters. Schlesinger sold Pacific Title & Art in 1935 to concentrate on his animation studio.

Schlesinger's hard-nosed business practices cannot be overstated. His animators worked in a dilapidated studio (Avery's unit were briefly assigned to a bungalow they dubbed "Termite Terrace"), and Schlesinger briefly shut down the studio in 1941 and 1942 when unionized employees demanded a pay raise. On another occasion, he boycotted the Academy Awards for what he claimed was preferential treatment for Walt Disney Studios. He also farmed some of the Looney Tunes out to his brother-in-law, Ray Katz for tax breaks. Schlesinger was also known (among his animators, at least) for his lisp. In fact, Mel Blanc patterned the voices of both Daffy Duck and Sylvester the cat on Schlesinger, something the producer never acknowledged noticing. Animators who worked with him also found him conceited and somewhat foppish, wearing too much cologne and dressing like a dandy.

Leon Schlesinger appeared as himself in Freleng's 1940 short You Ought to Be in Pictures, a short that combines live action with animation. In this short, Daffy Duck, angling to become the biggest star in the studio (Bugs Bunny had yet to make his debut), convinces Porky Pig that there is a bigger future in feature films than in cartoons. Porky takes his contention to "the boss" - Schlesinger himself.

Schlesinger remained head of the animation studio until 1944 when he sold his assets to Warner Bros. He continued to market the characters until his death from a viral infection on Christmas Day, 1949 at age 65. Schlesinger also produced a number of B-movie Westerns in the 1930s. After Warner Bros. bought Schlesinger's studio, Eddie Selzer assumed Schlesinger's position as producer.
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That biography says:

He attended Compton High School from 1925 through 1928. Hanna started his career in 1932 when he learned that Leon Schlesinger Productions, producers of animated cartoons for Warner Bros., were hiring staff. He gained his employment without any formal training and soon became head of their Ink and Paint Department...

This biography says:

...Freleng's talent quickly shone through, and Schlesinger's hiring of Frederick "Tex" Avery, Carl Stalling, and Frank Tashlin further increased the quality of the studio's output. He later added Bob Clampett, Chuck Jones, and Mel Blanc, and collectively these men created such famous characters as Porky Pig, Daffy Duck, and Bugs Bunny...

That biography says:

...It was a wild place with an almost college fraternity-like atmosphere. Animators would frequently pull pranks such as gluing paper streamers to the wings of flies. Leon Schlesinger, who rarely ventured there, was reputed on one visit to have remarked in his lisping voice, "Pew, let me out of here! The only thing missing is the sound of a flushing toilet!!"...

That biography says:

Avery migrated to the Leon Schlesinger studio in late 1935 and convinced the fast-talking Schlesinger to let him head his own production unit of animators and create cartoons the way he wanted them to be made...

That biography says:

...Bryan first came to prominence in his late 30s as the voice of Egghead and Elmer Fudd at Warner Brothers animation unit, headed by Leon Schlesinger....

This biography says:

...He wooed animators away from other studios, including some of those who had departed with Harman and Ising. One of these was Friz Freleng, who Schlesinger promoted to oversee production of Looney Tunes and to develop the sister series, Merrie Melodies...

That biography says:

...Looking at unemployment if the cartoon failed to generate interest, Freleng moved to New York City to work on Mintz' Krazy Kat cartoons, all the while still trying to sell the Harman-Ising Bosko picture. The cartoon finally sold to Leon Schlesinger, who soon secured Harman and Ising to star Bosko in the Looney Tunes series he was producing for Warner Bros...

This biography says:

...Schlesinger was a shrewd businessman with a keen eye for talent. When Harman and Ising left Warner Bros. with Bosko in 1934, Schlesinger set up his own studio on the Warner Bros. lot on Sunset Boulevard...

That biography says:

...The sound cartoon, which featured Bosko at odds with his animator (portrayed in live-action by Rudy Ising) impressed Leon Schlesinger, who paired Harman and Ising with Warner Bros. Schlesinger wanted the Bosko character to star in a new series of "talkie" cartoons he dubbed Looney Tunes...

This biography says:

...He then secured a contract with the studio to produce its brand-new Looney Tunes series, and he signed animators Hugh Harman and Rudy Ising to create these cartoons with their Bosko character as the star....

This biography says:

...Freleng's talent quickly shone through, and Schlesinger's hiring of Frederick "Tex" Avery, Carl Stalling, and Frank Tashlin further increased the quality of the studio's output. He later added Bob Clampett, Chuck Jones, and Mel Blanc, and collectively these men created such famous characters as Porky Pig, Daffy Duck, and Bugs Bunny...

That biography says:

...Finding few outlets in New York, Stalling rejoined Iwerks at his own studio in California, while freelancing for Disney and others. In 1936, when Iwerks was hired by Leon Schlesinger, who was under contract to produce animated shorts for Warner Bros., Stalling went with him to become a full-time cartoon music composer, with full access to the expansive Warner Bros...

This biography says:

...Freleng's talent quickly shone through, and Schlesinger's hiring of Frederick "Tex" Avery, Carl Stalling, and Frank Tashlin further increased the quality of the studio's output. He later added Bob Clampett, Chuck Jones, and Mel Blanc, and collectively these men created such famous characters as Porky Pig, Daffy Duck, and Bugs Bunny...

That biography says:

...Van Beuren, but he was just as much a drifter in his animation career as he had been as a teenager. Tashlin joined Leon Schlesinger's cartoon studio at Warner Bros. as an animator in 1932, where he was noted as a fast animator...

This biography says:

...Schlesinger also produced a number of B-movie Westerns in the 1930s. After Warner Bros. bought Schlesinger's studio, Eddie Selzer assumed Schlesinger's position as producer.

That biography says:

...After the studio was purchased from Leon Schlesinger in 1944, Selzer was assigned studio head at Termite Terrace by Jack Warner. Unlike his predecessor, he didn't take any on-screen credit as producer...

That biography says:

...In 1941, Maltese was hired by Leon Schlesinger Productions, which three years later became Warner Bros. Cartoons, Inc. (Maltese had actually appeared on camera in a 1940 Porky Pig cartoon as a guard at the Warner Brothers entrance gate, who winds up chasing Porky around the Warner's lot, entitled You Ought to Be in Pictures.)...

That biography says:

...In 1938, Melendez was hired by Walt Disney to work on animated short films and feature-length films such as Bambi, Fantasia, and Dumbo. Three years later, he joined Leon Schlesinger's team at the Warner Brothers studios, where, as a member of the Bob Clampett and Art Davis units, he animated on a number of Bugs Bunny and Daffy Duck shorts...