Rockwell Kent was born in
Tarrytown, New York, lived much of his early life in and around New York, and moved in his mid-40s to the
Adirondacks where he lived the second half of his life. He studied with the influential painters and theorists of his day, including
Arthur Wesley Dow, William Merritt Chase, Robert Henri, Abbott Thayer, and
Kenneth Hayes Miller. An undergraduate background in architecture at
Columbia University enabled Kent to work occasionally in the 1900s and 1910s as a draftsman and carpenter.
Kent's early paintings of
Mount Monadnock and
New Hampshire were first shown at the
Society of American Artists in New York in 1904. In 1905 he ventured to
Monhegan Island, Maine, where he based himself for the next five years. His first series of paintings of Monhegan were shown in 1907 at Clausen Galleries in New York to wide critical acclaim, and they form the foundation of his lasting reputation as an early modernist. In 1918-19 Kent and his eldest son ventured to
Alaska where he painted and wrote Wilderness (1920), his first of several adventure memoirs. Upon his return,
George Palmer Putnam and others formed a corporation ("Rockwell Kent, Inc.") which supported the artist in his new Vermont homestead where he completed his paintings from Alaska. A
transcendentalist and
mystic, Kent painted remote and austere lands, including
Newfoundland (1914-15),
Tierra del Fuego (1922-23), and
Greenland (1929; 1931-32; 1934-35).
Approached in 1926 by publisher
R. R. Donnelley to produce an illustrated edition of
Richard Henry Dana's Two Years Before the Mast, Kent suggested
Moby Dick instead. Published in 1930 by the Lakeside Press of Chicago, the three-volume limited edition filled with Kent's pen-and-ink drawings and title-page copper engravings sold out immediately; Random House produced a trade edition which was also immensely popular. A previously obscure book,
Moby Dick was rediscovered by critics in the 1920s. The success of the Rockwell Kent illustrated edition was a factor in its becoming recognized as the classic it is today.
Little known is Kent's talent as a
jazz age humorist. As the gifted pen-and-ink draftsman "Hogarth, Jr.", Kent created a wealth of whimsical and irreverent drawings published by
Vanity Fair,
Harper's Weekly, and the original
Life. In 1930, Kent was approached by Vernon Kilns to create china designs, adapting many of his book illustrations for pitchers, plates, and other dishes.
As the Second World War approached, Kent shifted his priorities, and became active in progressive politics. In 1938 the U.S. Post Office asked him to paint a mural in their headquarters in Washington, DC; Kent included (in
Inuit dialect and in tiny letters) an antigovernment statement in the painting, which caused some consternation . In 1939, he joined the
Harlem Lodge of the
International Workers Order (IWO), a pro-
Communist fraternal organization. A lithograph by Kent became the organization's logo in 1940, and, from 1944 to 1953, he served as the organization's President.
As a consequence of his outspoken leftist beliefs and the rise of abstract expressionism, Kent's reputation in the United States declined in the 1950s and 1960s, and he became a target of
McCarthyism. In 1960 Kent donated several hundred paintings and drawings to the Soviet people, which responded by making him an honorary member of their academy of Fine Arts and awarding him the
Lenin Peace Prize in 1967. (Although many believe that Kent donated the prize money to the people of
North Vietnam, an interview with Kent's wife Sally that appears in a 2006 documentary about his life states that he donated it to the women and children of Vietnam, both North and South.)
When Kent died, The New York Times described him as "... a thoughtful, troublesome, profoundly independent, odd and kind man who made an imperishable contribution to the art of bookmaking in the United States."
In 2001, Kent was featured in a U.S. Post Office commemorative stamp series honoring American illustrators, including
Maxfield Parrish, Norman Rockwell, Frederic Remington, and 16 others.
The story of Kent's time in
Newfoundland is fictionally depicted by Canadian author
Michael Winter his 2004 Winterset Award-winning novel
The Big Why.