Reputation and Theories for the Cause of Anne's Demise
Historians still debate over why Anne's fall from the throne took place. There are four main theories about Anne Boleyn's demise, which the Oxford historian Steven J. Gunn described as historical "trench warfare".
* Guilty as charged: The English historian George W. Bernard is the only modern historian to argue that Anne was guilty of adultery and treason. In 1991 he wrote, "Perhaps the safest guess for a modern historian is that Anne had indeed committed adultery with Norris and briefly with
Mark Smeaton and that there was enough circumstantial evidence to cast reasonable doubt on the denials of the others."
* A romantic victim: The traditional theory is that Anne was the victim of her husband's cruelty and that her failure to produce a son meant that Henry would stop at nothing to get rid of her. The famous Tudor historian, Sir
Geoffrey Elton believed that "Anne and five men were put to death by due process of law because the king wished to marry again...Henry had now so far discarded scruple that to get his way he was prepared to appear as a cuckold and a victim of witchcraft".
* A political attack: The most popular theory is that Anne was removed by a palace plot orchestrated by her enemies. An alliance with Spain was becoming desirable for various reasons, and Anne was so unpopular with the Spanish royal family that her presence was a serious obstacle to progress. Thomas Cromwell, her one-time supporter and the King's chancellor, therefore realized Anne would have to go. He was more than prepared to sacrifice five innocent men to do it (who were also Anne's friends and might, therefore, object to her destruction if they were left alive).
* Sexual heresy: This theory was first promoted by American academic,
Retha Warnicke, in 1989. She argues that there is circumstantial evidence to suggest that the fetus Anne miscarried in January 1536 may have appeared deformed to 16th century eyes; this led to the belief that the queen might have links to perverse sexual practices and the Occult. Her so-called lovers were, probably,
homosexual and were thus equally likely to be victimised by 16th century sexual prejudices. Warnicke's theories are not widely accepted in academic circles, but several books by David Loades and
John Guy suggested that they could be taken seriously.
For twenty years after her death, Anne was seldom discussed, although in ultra-Catholic circles several dark legends were deliberately nurtured - particularly the stories of her deformities which were concocted to prove that she had been linked to the
Devil through
witchcraft.
An exiled Jesuit priest, Father
Nicholas Sander, published his history of Henry VIII in 1576 which was republished in 1988 under the title
The Rise and Growth of the Anglican Schism by Tan Books. Although Sander does not mention Anne's being a witch (instead, saying that she "embraced the
heresy of Luther to make her life and opinions consistent"), he did make allegations that Anne Boleyn had actually been the king's biological daughter and was very sexually promiscuous. According to Sander, Anne was born while Thomas Boleyn was away in France for two years, that Henry VIII himself intervened to prevent Thomas from separating from his wife after he returned and found Anne, and that Thomas' wife admitted to him that it was the king who fathered her daughter. Also, Sander wrote that Anne had been sexually active from the age of fifteen, sleeping with her father's butler and chaplain, and that at the French court she was known as the "English mare" and (after becoming acquainted with the French King), "the mule of the King of France". However, this could be classified as libel, since it was not Anne but her sister Mary who was known by these names. The most basic research reveals this fact. Mary Boleyn had been at the French court with Anne for some time, but was called home due to her unchaste behavior. Sander's book appears to form the basis for later work in the 17th century, where Catholic historians of the Reformation charged that Anne had simply been a promiscuous and immoral woman, but stopped suggesting that she had been a witch. This critical view has been expressed by various historians since, although generally they no longer present their views based on a politico-religious bias. The extreme criticisms of Anne formed the (very) imaginative basis of the bestselling British novel,
The Other Boleyn Girl.
After 1558, Anne was venerated as a martyr and heroine by English Protestantism, particularly through the works of
John Foxe, who argued that Anne had saved England from the evils of Roman Catholicism and that God had provided proof of her innocence and virtue by making sure her daughter,
Elizabeth I, later became Queen regnant. As a result of this view, many English nobles displayed pictures of Anne in their homes, in order to show their loyalty to the Queen and the Protestant monarchy. Although this veneration of Anne diminished in the 18th and 19th centuries, the idea of her as a Protestant heroine was recently resurrected by an English historian, Joanna Denny.
A more common view in the 18th and 19th centuries was the image of Anne as a romantic victim; a strong-willed and beautiful woman who was destroyed by her husband, who was presented as a brutal tyrant by most popular historians. A 19th century biography of Anne by Margaret Benger was particularly full of praise for Anne, as was one entitled
Star of the Court, by Serena Banbury. Famous writers and novelists who subscribed to this view of Anne (which persisted into the 20th century) included
Jane Austen, Agnes Strickland, Jean Plaidy and
Maxwell Anderson. The play and Oscar-winning movie
Anne of the Thousand Days is inspired by this interpretation of Anne's life, as is Donizetti's opera
Anna Bolena. Various popular novels have also adopted this sympathetic idea of Anne Boleyn.
Finally, in the latter half of the 20th century, academic historians who were determined to study Henry VIII's government and court as serious political and cultural institutions argued that Anne Boleyn had been one of the most ambitious, intelligent and important queens in European history. They researched her political sympathies, patronage network and influence over foreign policy and religious affairs. This led to several academic studies of her life, the most famous of which are the two biographies written by the British historian,
Eric Ives. David Starkey is another historian who keenly promotes this interpretation of Anne. Combined with the intellectual force of feminism, which has interpreted Anne Boleyn in a highly favourable light, most academic histories write about her with respect and sympathy. The work of American academic,
Retha Warnicke, focuses on the gender prejudices of the early 16th century and their role in Anne Boleyn's rise and fall.
There have been various treatments of her life by popular historians like Marie Louise Bruce, Hester W. Chapman,
Norah Lofts, Carolly Erickson, Alison Weir, Lady
Antonia Fraser and Joanna Denny. In film, television and the performing arts, she has been played by a variety of well-known actresses, including
Clara Kimball Young, Merle Oberon (Oscar-nominated),
Geneviève Bujold (Oscar-nominated), Dame
Dorothy Tutin, Dame
Joan Sutherland, Charlotte Rampling, Vanessa Redgrave, Helena Bonham Carter, Jodhi May, Natalie Portman (Oscar-nominated) and
Natalie Dormer.