Photograph of Emilia Plater.
Emilia Plater

Overview

Countess Emilia Plater (13 November, 180623 December, 1831) was a revolutionary from the lands of the Grand Duchy of Lithuania. She fought in the November Uprising and is considered a national hero in Belarus, Lithuania, and Poland, which were former parts of the Polish-Lithuanian Commonwealth.

Biography

Emilia Plater was born in Vilnius, into an aristocratic family of Livonian extraction. Her parents, Franciszek Ksawery Plater and Anna née Mohl, divorced when she was nine years old. She was brought up by distant relatives, the Plater-Żyberk family, in their family's manor Liksana, in Vitebsk Governorate, former Polish Livonia. Well-educated, Plater was brought up in the cult of Tadeusz Kościuszko and the poet Adam Mickiewicz. She also admired Bobolina, a woman who became one of the icons of the Greek uprising against the Ottomans, and Joan of Arc. These pursuits were accompanied by an early interest in equestrianism and marksmanship, quite uncommon for early 19th century girls from aristocratic families.

In 1829, Emilia Plater began to take a grand tour throughout the historical Polish-Lithuanian Commonwealth, but had to return home due to the death of her mother. After the outbreak of the November Uprising against Imperial Russia, lands of the former Grand Duchy of Lithuania were initially unaffected by the fighting and during the initial stages, there were still no anti-Tsarist units formed there. Emilia Plater decided to form one of the first such partisan Lithuanians units herself. She cut her hair, prepared a uniform for herself and organized and equipped a group of volunteers. The unit was composed of roughly 280 infantry, 60 cavalry and several hundred peasants armed with war scythes. From the area of Dyneburg (Daugavpils) she crossed the border to Samogitia, where in April of 1831 her unit seized the town of Zarasai. Her unit headed back for Dyneburg, but after a reconnaissance mission discovered that the city was defended by a strong garrison and was impregnable to attack by such a small force as her own unit.

After that she returned to Samogitia and headed for Panevėžys, where she joined her forces with the unit commanded by Karol Załuski. Shortly afterwards General Dezydery Chłapowski entered the area with major forces and took command over all units fighting in the former Grand Duchy. According to a popular legend, he advised Emilia Plater to stand down and return home. She allegedly replied that she had no intention of taking off her uniform until the fatherland was fully liberated.

Her choice was accepted and she was made the commanding officer of 1st company of the Polish 1st Lithuanian Infantry Regiment. She fought with distinction and was promoted to the rank of captain, the highest rank awarded to a woman at that time. After the Polish units were defeated by the Russians, Gen. Chłapowski decided to cross the border with Prussia and get interned there. Emilia Plater refused to follow the orders and decided to try to break through to Lithuania to continue her struggle instead. However, during the break through the forests, Emilia Plater became seriously ill and died December 23, 1831 in a manor of Abłamowicze family in Justianów. She was buried in the small village of Kapčiamiestis near Lazdijai.

Legacy

Her death was widely publicised shortly afterwards and Emilia Plater became one of the symbols of the uprising. The symbol of the fighting girl became quite widespread both in Poland, Lithuania and abroad. Adam Mickiewicz immortalized her in one of his poems, Śmierć pułkownika (Death of a Colonel), although the description of her death is a pure poetical fiction and was only loosely based on her real life. Other literary works based on her life were published, mostly abroad, both by Polish emigres and by foreigners. Among them were Georg Büchner, Konstanty Gaszyński, Antoni E. Odyniec and Władysław Buchner and Józef Straszewicz, who published three successive versions of her biography in French. She also became the theme of paintings by several artists of the epoch, among them Hyppolyte Bellange, Achille Deveria, Philipp Veit, Francois de Villain and Wojciech Kossak. In 1842 J. K. Salomoński published a short biography of Emilia Plater in New York, under the title of Emily Plater, The Polish Heroine; Life of the Countess Emily Plater.

She was shown on the Second Polish Republic's notes (20 zloty). During the World War II, a Polish female support unit (1 Samodzielny Batalion Kobiecy im. Emilii Plater) in Polish 1st Tadeusz Kościuszko Infantry Division; its former members founded a village (Platerówka) in Lower Silesia. In 1959 she was made the name-sake of M/S Emilia Plater, a 10,000 BRT ship built for the Polish Oceanic Lines. She has a street named after her in most major towns of Poland.

External links

Who is Emilia Plater connected to?
Add a Connection
How is Emilia Plater connected to Georg Büchner? Tell the world.
How is Emilia Plater connected to Tadeusz Kościuszko? Tell the world.

This biography says:

...She was brought up by distant relatives, the Plater-Żyberk family, in their family's manor Liksana, in Vitebsk Governorate, former Polish Livonia. Well-educated, Plater was brought up in the cult of Tadeusz Kościuszko and the poet Adam Mickiewicz. She also admired Bobolina, a woman who became one of the icons of the Greek uprising against the Ottomans, and Joan of Arc...

That biography says:

...Beside Konrad Wallenrod and Pan Tadeusz, noteworthy is the long poem Grażyna, describing the exploits of a Lithuanian chieftainess against the Teutonic Knights. It was said by Christien Ostrowski to have inspired Emilia Plater, a military heroine of the November 1830 Uprising who found her grave in the forests of Lithuania. A fine vigorous Oriental piece is Farys...
How is Emilia Plater connected to Laskarina Bouboulina? Tell the world.

This biography says:

...She also admired Bobolina, a woman who became one of the icons of the Greek uprising against the Ottomans, and Joan of Arc. These pursuits were accompanied by an early interest in equestrianism and marksmanship, quite uncommon for early 19th century girls from aristocratic families...