Melvin Jerome Blanc (May 30, 1908 – July 10, 1989) was a prolific American voice actor. Although he began his nearly six decade long career performing in radio and television commercials, Blanc is best known for his work with Warner Bros. during the Golden Age of American animation (and later for Hanna-Barbera television productions) as the voice of such iconic characters as Bugs Bunny, Daffy Duck, Porky Pig, Sylvester the Cat, Tweety Bird, Foghorn Leghorn, Yosemite Sam, Barney Rubble, Mr. Spacely and hundreds of others. Having earned the nickname "The Man of a Thousand Voices," Blanc is regarded as one of the most gifted and influential persons in his field. http://www.ochcom.org/blanc

Born in San Francisco, California to Jewish parents, he grew up in Portland, Oregon, attending Lincoln High School. At 16, he changed the spelling of his last name, from "Blank", reportedly because a teacher told him that he would amount to nothing and be, like his last name, "blank". Blanc in 1927 began his radio career as a voice actor on the KGW program The Hoot Owls, where his ability to create voices for multiple characters first attracted attention. Blanc moved to sister station KEX in 1933 to produce and host his Cobweb And Nuts program.

Moving in 1935 to Warner Bros. owned KFWB in Hollywood, California where he joined The Johnny Murray Show. Then in 1936 to CBS Radio and The Joe Penner Show. He was a regular beginning in 1937 on the NBC Red Network show The Jack Benny Program in various roles, including Benny's automobile (a Maxwell in desperate need of a tune up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk as well as the train announcer (see below).

Blanc's success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946 to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, in addition to a wide range of comical support characters. Other regular characters were played by Mary Jane Croft, Joseph Kearns, Hans Conried, Alan Reed, Earle Ross, Jim Backus and Bea Benaderet.

Blanc also appeared on other national radio programs such as The Abbott and Costello Show, Burns and Allen as the Happy Postman, August Moon on Point Sublime, Sad Sack on G.I. Journal, and later played various small parts on Benny's television show. One of Blanc's most memorable routines from Benny's radio and TV programs is called "Sy, the little Mexican" in which he spoke one word at a time. The famous "Sí...Sy...sew...Sue" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. At times, sharp-eyed audience members (and later, TV viewers) could see Benny struggling to keep a straight face; Blanc's absolutely dead-pan delivery was a formidable challenge for him.

Another famous Blanc schtick on Jack's show was the train Depot announcer who inevitably intoned, sidelong: "Train leaving on Track Five for Anaheim, Azusa, and Cucamonga". Part of that joke was the Angelino studio audience's awareness that no such train existed connecting those then-small towns (years before Disneyland opened). To the wider audience, the primary joke was the pregnant pause that evolved over time between "Cuc.." and "...amonga" -- eventually minutes would pass while the skit went on, the audience awaiting the inevitable conclusion of the word. On at least one occasion, a completely different skit followed before the inevitable "...amonga" finally appeared. For his contribution to radio, Mel Blanc has a star on the Hollywood Walk of Fame at 6385 Hollywood Blvd.

Mel Blanc joined Leon Schlesinger Productions (which made animated cartoons distributed by Warner Bros. Pictures) in 1936. Blanc liked to tell the story about how he got turned down at the Schlesinger studio by music director Norman Spencer who was in charge of cartoon voices saying that they had all the voices they needed. Then Spencer died and sound man Treg Brown took over. (Carl Stalling took over as music director.) Brown introduced Blanc to the animation directors (Tex Avery, Bob Clampett, Friz Freleng and Frank Tashlin) who loved Mel's voices. The first cartoon Blanc worked on was Picador Porky as the voice of a drunken bull. He took over as Porky Pig's voice in Porky's Duck Hunt which marked the debut of Daffy Duck also voiced by Blanc. He soon became noted for voicing a wide variety of cartoon characters, adding Bugs Bunny, Tweety Bird, Pepé Le Pew and many others. His natural voice was that of Sylvester the cat but without the lispy spray (it can be heard in an episode of The Beverly Hillbillies, which also featured frequent Blanc vocal foil Bea Benaderet; in his small appearance, Blanc plays a vexed cab-driver).

In his later years, Blanc claimed that a handful of late 1930s and early 1940s Warner cartoons that each featured a rabbit clearly a precursor of Bugs Bunny all actually dealt with a single character named Happy Rabbit. No use of this name by other Termite Terrace personnel, then or later, has ever been documented, however.

Though his best-known character was a carrot-chomping rabbit, Blanc himself did not like the taste of raw carrots, as he noted in his autobiography. Additionally, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them sounded like a carrot. So for the sake of expedience as well as personal taste, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One oft-repeated story is that he was allergic to carrots and had to spit them out to minimize any allergic reaction; but his autobiography makes no such claim; in fact, in a 1984 interview with Tim Lawson, co-author of The Magic Behind The Voices: A Who's Who of Cartoon Voice Actors (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots.

Blanc said his most challenging job was voicing Yosemite Sam; it was rough on the throat because of Sam’s sheer volume. (Foghorn Leghorn's voice was similar, and similarly raucous.) Late in life, he reprised several of his classic voices for Who Framed Roger Rabbit, but deferred to Joe Alaskey to do Yosemite Sam's and Foghorn Leghorn's voices.

Blanc's long association with the Warner Brothers theatrical cartoons was in contrast with the primarily television-oriented careers of such voice actors as Daws Butler and Don Messick. Although Butler and Messick both had voice roles in MGM theatrical cartoons (Butler being the southern talking wolf who always whistled and Don at times being "Droopy"), the two made far fewer theatrical shorts than Blanc. A closer parallel to Blanc's career can be found in that of Paul Frees, who did substantial voice work for films as well as television.

Throughout his career, Blanc was well aware of his talents and protected the rights to them contractually and legally. He (and later, his estate) did not hesitate to take civil action when his contractual rights were violated. Voice actors tended to get no screen credits at all. Blanc was a notable exception. By 1944, his contract stipulated a credit reading "Voice characterization by Mel Blanc". Blanc asked for and received screen credit from studio boss Leon Schlesinger as he objected to a pay raise.http://movies2.nytimes.com/gst/movies/filmography.html?p_id=6641 Other frequent Warner voice artists such as Arthur Q. Bryan (Elmer Fudd) and Bea Benaderet (many female voices) remained uncredited on-screen. Blanc's screen credit was noticed by radio show producers who gave Blanc more radio work as a result.

The Warner cartoons were filled with references to the popular media of film and radio, including references to the Jack Benny program, whose various gags frequently found their way into Warner scripts, voiced by Blanc. For example: *Bugs was known for repeating Benny's catchphrase, "Now cut that out!" *The "Anaheim, Azusa and Cuc...amonga" joke was once used by Daffy Duck in the cartoon Daffy Duck Slept Here. *Frank Nelson's "Yeeeeees?" would be invoked by minor characters from time to time. *Blanc's imitations of sputtering cars, squawking parrots, whinnying horses, etc., would be invoked frequently in both series. *He used his various Mexican stereotypes frequently in both series. *On the March 23, 1954 episode of Benny's radio program, Benny encounters Bugs Bunny in a dream. The ultimate clash of the mythos occurred with the 1959 release of the Warner Bros. cartoon The Mouse That Jack Built. Directed by Robert McKimson, the cartoon features the cast of the Benny radio and TV program drawn as mice. Blanc was credited as the voice of the Maxwell, and besides Benny, co-stars Mary Livingstone, Eddie "Rochester" Anderson and Don Wilson all reprised their Benny show roles.

On January 24, 1961, Blanc was involved in a near-fatal auto accident on Sunset Boulevard in Hollywood, California. Hit head-on, Blanc suffered a triple skull fracture that left him in a coma for three weeks, along with fractures of both legs and the pelvis.

The accident prompted over 15,000 get-well cards from anxious fans, including some addressed only to "Bugs Bunny, Hollywood, USA", according to Blanc's autobiography. One newspaper falsely reported that he had died. After his recovery, Blanc reported in TV interviews, and later in his autobiography, that a clever doctor had helped him to come out of his coma by talking to him as Bugs Bunny, after futile efforts to talk directly to Blanc. Although he had no actual recollection of this, Blanc's wife and son swore to him that when the doctor was inspired to ask him, "How are you today, Bugs Bunny?", Blanc answered in Bugs' voice. Blanc thus credited Bugs with saving his life.

Blanc returned home from the UCLA Medical Center on March 17 to the cheers of more than 150 friends and neighbors. On March 22, he filed a $500,000 lawsuit against the city of Los Angeles. His accident, one of 26 in the preceding two years at the intersection, resulted in the city quickly providing money to restructure curves at the dangerous corner.

Years later Blanc would reveal that during his recovery, his son Noel "ghosted" several Warner Bros. cartoons' voice tracks for him. At the time of the accident, Blanc also served as the voice of Barney Rubble on ABC's The Flintstones. His absence from the show would be relatively brief; Daws Butler provided the voice of Rubble for a few episodes, after which the show's producers set up recording equipment in Blanc's house to allow him to work from his residence. He also returned to The Jack Benny Program to film the program's 1961 Christmas show, moving around via crutches and/or a wheelchair.

In the early 1960s, after the expiration of his exclusive contract with Warner Bros., Blanc went to Hanna-Barbera and continued to voice various characters, with Barney Rubble from The Flintstones (whose dopey laugh is very similar to Foghorn Leghorn's booming chuckle) and Mr. Spacely from The Jetsons (similar to Yosemite Sam, but not as raucous) being his most famous. Daws Butler and Don Messick were Hanna-Barbera's top voice men and Blanc was the newcomer to H-B. However, all of the 1930s and 1940s theatrical cartoons from Warner Brothers were making their way to Saturday morning TV to compete with the made-for-TV Hanna-Barberas and Blanc was once more deemed relevant. Blanc did these voices plus the ones he did for the ensemble cartoons like Wacky Races and The Perils of Penelope Pitstop for Hanna-Barbera. Blanc even shared the spotlight with his two professional rivals and personal friends, Daws Butler and Don Messick. In a short called Lippy the Lion, Butler was Lippy while Blanc was his side-kick, Hardy Har-Har. In the short Ricochet Rabbit, Messick provided the voice of the gun slinging rabbit while Blanc was his sidekick, Deputy Droop-a-Long. In addition, Blanc was the first person to play Toucan Sam in Froot Loops commercials, using a slightly cartoonish version of his own natural voice. The ad agency later decided to give Sam an upper-crust English accent, and replaced Blanc with Paul Frees.

Blanc reprised some of his Warner Bros. characters when the studio contracted to make first-run cartoon shorts for TV in the late '60s. For these, Blanc primarily voiced Daffy Duck and Speedy Gonzales or Tweety and Sylvester (since he was forbidden by Hanna-Barbera to voice Bugs Bunny).

Contrary to popular belief, Blanc was not one of hundreds of individuals that George Lucas auditioned to provide the voice for the character of C-3PO for his 1977 motion picture Star Wars; that instead fell to fellow voice actor Stan Freberg. And it was Freberg who ultimately suggested that the producers use mime actor Anthony Daniels' own voice in the role.



After spending most of two seasons voicing the robot Twiki in Buck Rogers in the 25th Century, Blanc's last original character was Heathcliff, who spoke a little like his famed Bugs Bunny but with a more street tough demeanor, in the early 1980s. Blanc continued to voice his famous characters in commercials and TV specials for most of the decade, although he increasingly left the "yelling" characters like Yosemite Sam, Foghorn Leghorn and the Tasmanian Devil to other voice actors as performing these were too hard on his throat and voice by the time of his old age in the 1980s. One of his last recording sessions was for a new animated theatrical version of The Jetsons.

Blanc's death from cardiovascular disease at age 81 was considered a significant loss to the cartoon industry because of his skill, expressive range, and the sheer volume of continuing characters he portrayed, which are currently taken up by several other voice talents; no one individual can currently match the vocal range Blanc was able to establish. Indeed, as movie critic Leonard Maltin once pointed out, "it is astounding to realize that Tweety Bird and Yosemite Sam are the same man!". That range was partially aided by recording technology—for instance, Blanc's standard Daffy Duck voice is essentially his Sylvester voice played a few percent faster than it was recorded to give it a higher pitch. Blanc would later develop the skill to reproduce such "sped up" voices himself live as necessary. Other character voices that were given this special treatment included Porky Pig, Henery Hawk, and Speedy Gonzales.

After his death, Blanc's voice continued to be heard in newly released properties. In particular, a recording of his Dino the dinosaur bark from the 1960s Flintstones series was used without a screen credit in the 1994 live-action theatrical film based upon the series. This resulted in legal action against the film studio by the Blanc estate, which claimed his recordings were used without permission or proper credit. The credit was later added to the home release of the movie. Less problematic was the retention of older recordings of Blanc as Uncle Orville and a pet bird in the 1994 update of the Carousel of Progress attraction at Walt Disney World, despite cast changes in other roles. Blanc's distinctive voice can still be heard in the Audio-Animatronic presentation.

Blanc died in Los Angeles, California at the age of 81, and is interred in the Hollywood Forever Cemetery in Hollywood, California. Blanc's will stated his desire to have the inscription on his gravestone read, "THAT'S ALL FOLKS", considered by some to be one of the most famous epitaphs in the world.

Blanc trained his son, Noel, in the field of voice characterization. While Noel Blanc has performed his father's characters (particularly Porky Pig) on some programs, he chose not to become a full-time voice artist.

When asked about voicing any of his numerous characters, Mel Blanc stated that he merely managed the characters. At first Mel Blanc said those things so the kids would still watch the show, he was afraid they wouldn't if they knew they weren't real. That set a standard most actors have followed. The year that Blanc first played the character is noted in parentheses.

#Porky Pig (1936-1989, assumed from Joe Dougherty) #The Maxwell (Jack Benny's car) #Daffy Duck (1937) #Bugs Bunny's prototype (1938) #Bugs Bunny (1940-1989) #Woody Woodpecker (1940) #Cecil Turtle (1941) #Tweety Bird (1942-1989) #Private Snafu, numerous World War II related cartoons (1943) #Yosemite Sam (1945-1989) ("Hare Trigger") #Pepé Le Pew (1945-1989) #Sylvester (1946-1989) aka Thomas (1947) in some films #Foghorn Leghorn (1946-1989) #The Barnyard Dawg (1946-1989) #Henery Hawk (1946-1989) #Charlie Dog (1947) # Mac (of Mac & Tosh) (1947) # K-9 (1948) (sidekick to Marvin the Martian) #Marvin the Martian (1948) #Road Runner (1949) #Beaky Buzzard (1950) #Elmer Fudd (1950, 1958, 1970s and 1980s) #Bruno the Bear (1951) #Wile E. Coyote (silent until 1952, first spoke in the short "Operation: Rabbit") #Speedy Gonzales (1953) #The Tasmanian Devil (1954) #Barney Rubble (1960-1989) #Dino (1960-1989) (Fred Flintstone's pet.) #Cosmo G. Spacely (1962) #Hardy Har Har (1962-1964) #Secret Squirrel (1965-1966) #Frito Bandito (1967-1971) #Bubba McCoy from "Where's Huddles?" #Chug-a-Boom/The Ant Hill Mob/The Bully Brothers from "The Perils of Penelope Pitstop (1969)" #Speed Buggy (1973) #Tucker the Mouse from "A Cricket in Times Square (1973)" #Captain Caveman (1977) #Twiki from Buck Rogers in the 25th Century (1979) #Heathcliff (1980, appeared in syndication from 1984-1987) Sy the Mexican

* Mel Blanc was hired to perform the voice of Gideon the Cat in Walt Disney's Pinocchio. However, it was eventually decided for Gideon to be mute (just like Dopey, whose whimsical, Harpo Marx-style persona made him one of Snow White's most comic and popular characters) and all of Blanc's recorded dialogue in this film had been deleted, save for one military hiccup, which was heard three times in the film. This and Who Framed Roger Rabbit was the only work he ever did for Disney animation. * Blanc was one of three regular panelists in the 1955 game show Musical Chairs. Occasionally he was asked to sing in the style of a popular singer. * Mel once called into the game show Press Your Luck during the end credits when host Peter Tomarken mistakenly gave the answer to the question "Which cartoon character uses the phrase 'sufferin' succotash'?" as Daffy Duck. Blanc informed him that the correct answer was Sylvester. (In reality, both characters have used the phrase, though it is most commonly associated with Sylvester.) Mel spoke to Peter in Sylvester's voice explaining the error, as well as speaking to him in the voices of Speedy Gonzales and Porky Pig. Peter apologized for the error and promised that all three contestants would be allowed to return to play the game again. * Blanc was the voice of Bob and Doug McKenzie's father in the movie Strange Brew. * In 1971, he appeared as himself in an American Express charge card TV commercial. * Mel appeared in a Public Service Announcement for the Shriners Burns Institute on the dangers of burns on children. * He also played the voice as Quintro the Puppet in Snow White and the Three Stooges. * Blanc did virtually all of his famous Looney Tunes characters' voices in NFL Films' The Son of Football Follies * In addition to hundreds of credited vocal roles, Blanc also provided many brief incidental voices and vocal effects for TV sitcoms, almost never receiving screen credit. One noted example was providing the voice of the raven in The Munsters' cuckoo clock. * In his autobiography, That's Not All, Folks!, Mel confessed to a minor bit of deception regarding his nickname, "The Man of a Thousand Voices," stating that by his estimate, he had provided only 850 voices. * Mel performed his Speedy Gonzales character in Pat Boone's 1962 hit record of "Speedy Gonzales." * Mel also made many records for Capitol Records including his Warner Bros. characters and other characters,including Woody Woodpecker, with his most famous Capitol album being "Party Panic." He also performed on records with other artists including "The Sportsmen." * In the Perry Mason episode "The Case of the Perjured Parrot," Blanc provided the voice of the parrot, who even spoke in the courtroom.

* What could be a cartoon version of Mel Blanc appears in the Bugs Bunny short "Bowery Bugs" - he plays a Bowery saloon keeper who has the gorilla bouncer throw Steve Brodie out into the street. *In the Porky Pig short Curtain Razor, Mel Blanc appears as a turtle doing only 999 voices out of a thousand (which is really about 7 voices). * In the Family Guy movie, Stewie Griffin: The Untold Story, Noel Blanc (Mel Blanc's son) voiced Elmer Fudd. * A well-known lithograph was made in his honor. It shows Looney Tunes characters Bugs Bunny, Daffy Duck, Foghorn Leghorn, Yosemite Sam, Porky Pig, Pepé Le Pew, Sylvester, Tweety Bird, and Speedy Gonzales with their heads bowed in reverence, standing around a lone microphone with a spotlight shining on it. The simple inscription on the print reads: "Speechless." According to Warner Bros., it is the highest selling piece of animation art ever produced. * It has long been thought that the wise-cracking delivery Alan Alda brought to Hawkeye Pierce on the television series M*A*S*H was equal parts Groucho Marx and Blanc's Bugs Bunny character. * In the Frasier episode 'HAM Radio', a voice actor of many voices is named Mel White, a homage to Mel Blanc. * In the 1944 Warners' cartoon Russian Rhapsody (directed by Bob Clampett), Blanc appears as one of the gremlins (the one sawing around Henry Binder's hair) who are sabotaging Adolf Hitler's plane. The other gremlins are other members of the Warners' staff, including Binder, Leon Schlesinger, and Friz Freleng. * The picture "Speechless" was also made into an animated picture, with sound and changing scenes, and sold in the now defunct Warner Brothers chain of retail stores. *In the Leo Kottke song "Rings" he beckons his lover inside singing "Ring, ring, doorbell ring/Baby come on in/I've got Mel Blanc on the radio." *In the The Office episode "Take Your Daughter to Work Day", boss Michael Scott acts out Blanc's "Cucamonga" bit, even including a pause.

*Mel Blanc sings "Somebody Stole My Gal" (Capitol F2470) *40 MP3 downloads of The Mel Blanc Show

*That's Not All, Folks!, 1988 by Mel Blanc, Philip Bashe. Warner Books, ISBN 0-446-39089-5 (Softcover), ISBN 0-446-51244-3 (Hardcover) *Terrace, Vincent. Radio Programs, 1924-1984. Jefferson, NC: McFarland, 1999. ISBN 0-7864-0351-9

* * *Mel Blanc page at thegremlin.com *Hlla.com *Toonopedia article about Mel Blanc *"Speechless" lithograph