Lewis was born to the poor family of Elmo and Mamie Lewis in
Ferriday, Louisiana, and began playing piano in his youth with his two cousins,
Mickey Gilley and
Jimmy Swaggart. His parents mortgaged their farm to buy him a
piano. Influenced by a piano-playing older cousin Carl McVoy, the radio, and the sounds from the black juke joint across the tracks, Haney's Big House, Lewis developed his own style mixing
rhythm and blues,
boogie woogie,
gospel, and
country music, as well as ideas from established "country boogie" pianists like recording artists
Moon Mullican and
Merrill Moore. Soon he was playing professionally.
His mother enrolled him in
Southwestern Assemblies of God University in
Waxahachie,
Texas, secure in the knowledge that her son would now be exclusively singing his songs to the Lord. But legend has it that Lewis daringly played a boogie woogie rendition of "My God Is Real" at a church assembly that sent him packing the same night.
Pearry Green, then president of the student body, related how during a talent show Jerry played some "worldly" music. The next morning, the
dean of the school called both Jerry and Pearry into his office to expel them both. Jerry then said that Pearry shouldn't be expelled because "he didn't know what I was going to do." Years later Pearry asked Jerry "Are you still playing the devil's music?" Jerry replied "Yes, I am. But you know it's strange, the same music that they kicked me out of school for is the same kind of music they play in their churches today. The difference is, I know I am playing for the devil and they don't."
Leaving religious music behind so far as performing, he paid dues at clubs in and around Ferriday and
Natchez, Mississippi. He became a part of the burgeoning new rock and roll sound, cutting his first demo recording in
1954. He made a trip to Nashville around 1955 where he played clubs and attempted to drum up interest, but was turned down by the
Grand Ole Opry as he had been at the
Louisiana Hayride country stage and radio show in Shreveport. Recording executives in Nashville suggested he switch to playing a guitar, Lewis, even then confrontational, once recalled suggesting to one Nashville producer, "You can take your guitar and ram it up your ass!"
Two years later, at
Sun Records studio in
Memphis, Tennessee, producer and engineer
Jack Clement discovered and recorded Lewis for the
Sun label while owner
Sam Phillips was away on a trip to
Florida. He became a
session musician playing piano for Sun artists like
Billy Lee Riley and
Carl Perkins. As his own career came on the upswing, hits such as "
Great Balls of Fire" soon followed, and would become his biggest hit. Watching and listening to Jerry Lee Lewis, Elvis Presley allegedly said that if he could play the piano like that, he'd quit singing. Lewis' early billing was
Jerry Lee Lewis and his Pumping Piano.
On
December 4,
1956, Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. The three started an impromptu
jam session, and Phillips left the tapes running. He later telephoned
Johnny Cash and brought him in to join the others. These recordings, almost half of which were gospel songs, survived, and have been released on CD under the title
Million Dollar Quartet. Tracks also include
Chuck Berry's "Brown Eyed Handsome Man",
Pat Boone's "Don't Forbid Me" and Presley doing an impersonation of
Jackie Wilson (who was then with
Billy Ward and the Dominoes) singing "
Don't Be Cruel. In
1957, his piano and the pure rock and roll sound of "
Whole Lotta Shakin' Goin' On" (which in
2005 was selected for permanent preservation in the
National Recording Registry at the Library of Congress) propelled him to international fame.
Lewis, though not the first pianist in that style, was a pioneer of
Piano rock, not only through his sound but also through his dynamic performance. He would often kick the piano bench out of the way to play standing, rake his hands up and down the keyboard for dramatic accent, and even sit down on the instrument. His frenetic performance style can be seen in films such as
High School Confidential (he sang the title song from the back of a flatbed truck), and
Jamboree. He has been called "rock & roll's first great wild man and also rock & roll's first great eclectic."
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:oxkxu3q5an6k~T1 These performance techniques have been adopted by later
Piano rock artists, notably admirers
Elton John,
Billy Joel, and
Ben Folds.