Photograph of Bertha Lewis.
Bertha Lewis

Overview

Bertha Lewis (May 12 1887May 8 1931) was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the D'Oyly Carte Opera Company.

Life and career

Early career
Bertha Amy Lewis was born in Forest Gate, London. She studied voice at the Royal Academy of Music and had made professional appearances on the concert stage but had not acted before she joined D'Oyly Carte at the age of 19 in 1906 as Kate in The Pirates of Penzance. She soon was touring with the company as Kate, Lady Saphir in Patience, Leila in Iolanthe, Ada in Princess Ida, Vittoria in The Gondoliers, and First Bridesmaid in Trial by Jury. In 1908, at the Savoy Theatre, she played the part of Gwenny Davis in Fenn & Faraday's A Welsh Sunset, a curtain raiser to H.M.S. Pinafore. She soon added to her repertoire Leila in Iolanthe and Inez in The Gondoliers.

In 1909 she replaced Ethel Morrison as principal contralto, playing Little Buttercup in H.M.S. Pinafore, Ruth in Pirates, Lady Jane in Patience, the Queen of the Fairies in Iolanthe, Lady Blanche in Princess Ida, Katisha in The Mikado, Dame Carruthers in The Yeomen of the Guard, and the Duchess of Plaza-Toro in The Gondoliers. She left the company in 1910 to tour the UK in concerts and grand opera, appearing in the title role of Bizet's Carmen, as Delilah in Camille Saint-Saëns's Samson and Delilah, and as Amneris in Verdi's Aida.
Principal contralto and untimely death
She returned to the company in 1914, replacing Louie Rene as principal contralto. Derek Oldham later reported that, in 1920, at the instance of musical director Geoffrey Toye, Rupert D'Oyly Carte considered expanding the company's repertoire so she could play Carmen. For more than 16 years after her return, Lewis portrayed all the leading contralto roles in the company's repertory: Lady Sangazure in The Sorcerer, Buttercup, Ruth, Lady Jane, Fairy Queen, Lady Blanche, Katisha, Dame Hannah in Ruddigore, Dame Carruthers, and the Duchess of Plaza-Toro.

Lewis died at the age of 43 after sustaining fatal injuries in a car accident. She was travelling from Manchester to Cambridge in a car driven by Henry Lytton in a rainstorm. Lytton was injured in the accident but recovered and returned to performing after a few months. Lewis was in the hospital for five days before succumbing to her injuries. Queen Mary made personal enquiries, and the newspapers and the BBC gave daily news reports about her condition.

Lewis is often cited as the greatest contralto in the history of the D'Oyly Carte Opera Company. Her powerful voice (preserved on recordings), crisp diction and formidable stage personality were well documented. She was married to the singer Herbert Heyner. Of her performance in the refurbished production of The Mikado in 1926, The Times wrote that she "was majestic as Katisha. ...getting a serious dramatic significance into her part and illustrating the fact that the humour of Gilbert and Sullivan comes out best by serious treatment."

Recordings

With the D'Oyly Carte Opera Company, Lewis recorded Buttercup (part in 1922, all in 1931), Ruth (1931), Lady Jane (1930), Queen of the Fairies (1929), Lady Blanche (1924), Katisha (1926), and Dame Hannah (1924). She participated in a 1926 BBC radio broadcast of The Mikado, and appeared as Katisha in a four-minute silent promotional film made to promote the Charles Ricketts-redressed Mikado in 1926.

References

* Introduction by Martyn Green * *Obituary of Bertha Lewis, Musical Times, Vol. 72, No. 1060 (June 1, 1931), p. 559
Who is Bertha Lewis connected to?
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How is Bertha Lewis connected to Giuseppe Verdi? Tell the world.

This biography says:

...She participated in a 1926 BBC radio broadcast of The Mikado, and appeared as Katisha in a four-minute silent promotional film made to promote the Charles Ricketts-redressed Mikado in 1926.

That biography says:

...Going against mayor Michael Bloomberg, Borough President Marty Markowitz and developer Bruce Ratner, James opposed the use of eminent domain to evict her constituents, selling the MTA's Atlantic Yards property below the market value, and keeping the planning of the project out of the New York City Council. Perhaps the most surprising turn of events for the arena project was when Bertha Lewis, a Working Families Party and ACORN founder, decided to endorse the stadium development once Bruce Ratner accepted her plan for affordable housing...
How is Bertha Lewis connected to Georges Bizet? Tell the world.
How is Bertha Lewis connected to Mary of Teck? Tell the world.

This biography says:

...Lewis died at the age of 43 after sustaining fatal injuries in a car accident. She was travelling from Manchester to Cambridge in a car driven by Henry Lytton in a rainstorm. Lytton was injured in the accident but recovered and returned to performing after a few months...

That biography says:

...In 1931, Lytton was injured in a car accident in which D'Oyly Carte principal contralto Bertha Lewis was killed. Martyn Green, his understudy and eventual successor, took over Lytton's roles until Lytton's return a few months later...

This biography says:

She returned to the company in 1914, replacing Louie Rene as principal contralto. Derek Oldham later reported that, in 1920, at the instance of musical director Geoffrey Toye, Rupert D'Oyly Carte considered expanding the company's repertoire so she could play Carmen...
How is Bertha Lewis connected to Camille Saint-Saëns? Tell the world.

This biography says:

* Introduction by Martyn Green * *Obituary of Bertha Lewis, Musical Times, Vol. 72, No. 1060 (June 1, 1931), p...

That biography says:

...He sang the part of Cox in Cox and Box in a 1929 BBC radio broadcast. In 1931, Lytton was injured in a car accident in which D'Oyly Carte principal contralto Bertha Lewis was killed. Green took over Lytton's nine patter roles until Lytton's return. Afterwards, two of the roles – Major-General Stanley in The Pirates of Penzance and Robin Oakapple in Ruddigore – were assigned to Green permanently...

This biography says:

She returned to the company in 1914, replacing Louie Rene as principal contralto. Derek Oldham later reported that, in 1920, at the instance of musical director Geoffrey Toye, Rupert D'Oyly Carte considered expanding the company's repertoire so she could play Carmen...