Photograph of Jo Jones.
Jo Jones

Overview

Jo Jones (October 11,1911–September 3, 1985) (later known as Papa Jo Jones) was an American drummer, one of the most influential in the history of jazz.

Biography

Born Jonathan David Samuel Jones in Chicago, Illinois, he moved to Alabama where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1933. Jones, Basie, guitarist Freddie Green and bassist Walter Page are one of the more important rhythm sections in jazz. Jones took a brief break for two years when he was in the military. He played with the band until 1948 and performed in the Jazz at the Philharmonic concert series.

Jones split off from the band in the late 1940s and created an image for himself. He was one of the first drummers to promote the use of brushes on drums and shifting the role of timekeeping from the bass drum to the hi-hat cymbal. Jones is regarded as the premier jazz drummer of the Swing era, and the transitional figure between classic and modern jazz drumming.

He had an incalculable influence on major drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin' the Blues in 1944. In 1985 Jones was the recipient of an American Jazz Masters fellowship awarded by the National Endowment for the Arts.

Style

In contrast to drummer Gene Krupa's loud, insistent pounding of the bass drum on each beat, Jones often omitted bass drum playing altogether. Jones also continued a ride rhythm on high-hat while it was continuously opening and closing instead of the common practice of striking it while it was closed. Jones's style influenced the modern jazz drummer's tendency to play timekeeping rhythms on a suspended cymbal that is now known as the ride cymbal.

Discography

*The Drums (1973) *The Main Man (1976) *Our Man, Papa Jo! (1985)

Filmography

*Jammin’ the Blues (1944) *Born to Swing (1973) *The Last of the Blue Devils (1979)

External links

*Drummerworld - biography with images and videos *ArtistDirect - biography
Who is Jo Jones connected to?
Add a Connection

This biography says:

...He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1933. Jones, Basie, guitarist Freddie Green and bassist Walter Page are one of the more important rhythm sections in jazz...

That biography says:

...The album, Sensational Mood, included Lloyd Hunter, Reuben Floyd, and George Lott or Ted Frank on trumpets; Elmer Crumbley or Joe Edwards on trombone; Horace "Noble" Floyd and Archie Watts on alto saxophones; Harold Arnold or Dick Lewis on tenor saxophone; George Madison, piano; Herbert Hannah, banjo; Robert Welch or Wallace Wright, bass, and Pete Woods or Jo Jones on drums. It was recorded April 21, 1931 in New York. Originally issued on Vocalion 1621....

That biography says:

Manne's father and uncles were drummers. In his youth he admired many of the leading Swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement...

That biography says:

...It used well-known jazz musicians such as Herbie Mann and Nat Adderley, with a strong emphasis on percussion from the likes of Art Blakey, Jo Jones, Latin star Candido, and Chico Hamilton. The album was both popular and critically praised....

That biography says:

...Experiencing occasional discouragements of this sort, at one point Parker broke off his already constant practicing. In 1937 Parker played at a concert that included Jo Jones on drums, who tossed a cymbal at Parker's feet in impatience with his playing, and to remove him from the stand...

That biography says:

...* "Harvard Blues", Jimmy Rushing’s vocal version of George Frazier’s tune, recorded November 17 * July 24, 1942, small group session with Buck Clayton, Count Basie, and his rhythm section (Freddie Green, Walter Page, Jo Jones) recording "Royal Garden Blues" and "Sugar Blues" * August 1942 went to Hollywood with Basie's band to record for the film Reveille with Beverly * January 1943, another film "Stage Door Canteen" * November 1943, last recording with Basie * started to play in small bands in New York clubs * He played with Coleman Hawkins at the Yacht Club (1944) * Associated with beboppers such as Dizzy Gillespie, Charlie Parker, George Wallington, Oscar Pettiford and Max Roach at the Onyx Club from early 1944 * Recorded with the above under Coleman Hawkins six sides, which are said to be the first bebop recordings: "Woody 'n You", February 16 and 22, 1944...

This biography says:

In contrast to drummer Gene Krupa's loud, insistent pounding of the bass drum on each beat, Jones often omitted bass drum playing altogether...

This biography says:

...He had an incalculable influence on major drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin' the Blues in 1944...

That biography says:

...Keeping busy up until his death, some of the highlights of the bassist's later career include recording with Art Tatum and Jo Jones (1955-1956) for the Tatum Group, playing with Charles Mingus at the 1964 Monterey Jazz Festival, working with James Newton's avant-garde woodwind quintet (on tuba), and performing as a regular member of the Cheatham's Sweet Baby Blues Band...
How is Jo Jones connected to Antonia Bennett? Tell the world.

This biography says:

...He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1933. Jones, Basie, guitarist Freddie Green and bassist Walter Page are one of the more important rhythm sections in jazz...

That biography says:

...More importantly, Count Basie was a highly successful bandleader who was able to hold onto some of the most notable jazz musicians of the 1930s and early 1940s: Buck Clayton, Reunald Jones, Herschel Evans, Lester Young, and the band's rhythm section, including Walter Page, Freddie Green, and Jo Jones. He was also able to hire arrangers who knew how to accentuate the band's abilities, such as Eddie Durham and Jimmy Mundy...

That biography says:

...Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944, Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Norman Granz's film short Jammin' the Blues.

That biography says:

...He continued his education with big band drummer Chuck Flores, followed by two years of study under jazz drummer Jo Jones (also known as Papa Jo Jones) in the mid-1970s.
How is Jo Jones connected to Ivan "Boogaloo Joe" Jones? Tell the world.

This biography says:

...He had an incalculable influence on major drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin' the Blues in 1944. In 1985 Jones was the recipient of an American Jazz Masters fellowship awarded by the National Endowment for the Arts.

That biography says:

...They were happy to have somebody who knew all the old songs." Playing with Durham, one of the original members of the Count Basie band, gave Schoenberg opportunities to meet and work with jazz musicians such as Al Casey, Sammy Price, Roy Eldridge, Jabbo Smith, Eddie Barefield, Jo Jones, and Panama Francis. After two years at Manhattan School of Music, Schoenberg switched his major to saxophone...

That biography says:

...His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band....