Photograph of Jerome Kern.
Jerome Kern

Overview

Jerome David Kern (January 27, 1885November 11, 1945) was an American composer of popular music. He wrote around 700 songs, including such classics as Ol' Man River, A Fine Romance, Smoke Gets in Your Eyes, and The Way You Look Tonight and more than 100 complete scores for shows and films, including Show Boat, in a career lasting from 1902 until his death.

Jerome Kern was born in New York City. His parents, Fanny and Henry Kern, were both German Jews. They named him Jerome because they lived near Jerome Park, a favorite place of theirs. (Jerome Park was named after Leonard Jerome, who was the father of Jennie Jerome, mother of British Prime Minister Winston Churchill.) Fanny encouraged her son to take piano lessons. Henry was a merchandiser and sold pianos among other items. Although Henry wanted his son to go into business with him, Jerome insisted on staying with music.

Kern grew up on East 56th Street in Midtown Manhattan, where he attended public schools. He studied at the New York College of Music and then briefly in 1904 in Heidelberg, Germany. From 1905, Kern spent a lot of time in London, and he married in Walton-on-Thames in 1910. In New York, he started working as a rehearsal pianist, initially contributing numbers for interpolation into other composers' scores, and by 1915 he was represented in many Broadway shows. On May 1 of that year, he was meant to accompany Charles Frohman to London on board the RMS Lusitania, but overslept after being kept up late playing requests at a party.

Kern's biggest hit at that time was the song "They Didn't Believe Me", with lyric by Edward Laska. It was interpolated into the show The Girl from Utah.

In 1920, he wrote the entire score for the musical Sally. Otto Harbach wrote the script and lyrics. From this popular show came the song "Look for the Silver Lining", performed by the rising Broadway star Marilyn Miller.

1925 was a major turning point in Kern's career when he met Oscar Hammerstein II with whom he would entertain a lifelong friendship and collaboration. Their first show (written together with Harbach) was Sunny, which featured the song "Who (Stole My Heart Away)?". The by-now renowned Marilyn Miller played the title role in Sunny, as she had in Sally. Kern and Hammerstein next wrote the famous Show Boat in 1927, which includes the well-known songs "Ol' Man River" and "Can't Help Lovin' Dat Man." Based on the book of the same name by Edna Ferber, "Show Boat" deviated from the usual musical revue of that era and featured an unusually dramatic plot highlighting racism and miscegenation, a taboo subject in musicals then. (A 1946 revival would also try to integrate choreography into the show, in the manner of Richard Rodgers and Oscar Hammerstein II, as would the 1993 Harold Prince revival.) Several of the songs from "Show Boat" were arranged by Charles Miller into the orchestral work Scenario for Orchestra: Themes from Show Boat in 1941. This was premiered and first recorded by the Cleveland Orchestra conducted by Artur Rodziński, the first instance that such an honor had been paid to music from a Broadway show.

Show Boat remains Kern's most often revived work. In his album notes for the 3-CD 1988 recording of the show, musical theatre historian Miles Kreuger hailed Show Boat as the greatest single step forward in American musical theatre, enabling composers, lyricists and librettists to introduce more mature subject matter into their shows.

Music in the Air (1932) was another Kern-Hammerstein collaboration. This musical is remembered for "The Song Is You". Another tune from the show, "In Egern on the Tegern See," is parodied by the song "In Izzenschnooken on the Lovely Essenzook Zee" in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.

The musical Roberta (1933) by Kern and Harbach gave us "Smoke Gets in Your Eyes" and featured, among others, Bob Hope, Fred MacMurray, George Murphy, and Sydney Greenstreet, all in the early stages of their careers.

In 1930, Jerome Kern was placed under contract by Warner Bros. to produce a series of musicals. Jerome Kern worked on Men of the Sky which was released in 1931. Unfortunately, in 1931 the public was apathetic towards musicals and the film was virtually ignored. Consequently, the Warner Bros. bought out his contract and he returned to the stage. In 1935, when musical films had become popular once again, Kern moved to Hollywood and started working on music for films but continued working on Broadway productions, too. His last Broadway show was the rather unsuccessful Very Warm for May in 1939; the score included another Kern–Hammerstein classic, "All The Things You Are". In 1985, the centenary of his birth, a rediscovered recording of a radio production featuring the original cast received a Grammy Nomination as Best Cast Show Album. It was Kern's last Broadway show; he suffered a heart attack in 1939 and was told by his doctors to concentrate on film scores - a less stressful task since Hollywood songwriters were not as involved with the production of films as Broadway songwriters were with the production of stage musicals.

Kern's Hollywood career was successful indeed. For Swing Time (starring Ginger Rogers and Fred Astaire), he wrote "The Way You Look Tonight" (with lyrics by Dorothy Fields), which won the Academy Award in 1936 for the best song. Other songs in the film include "A Fine Romance", "Pick Yourself Up", and "Never Gonna Dance". In 1941, he and Hammerstein wrote "The Last Time I Saw Paris", in homage to the French city just recently occupied by the Germans. The song was used in the film Lady Be Good and won another Oscar for Best Song - the only time a song not written for the film it appears in won the Oscar. In 1944, Kern teamed up with Ira Gershwin to write the songs for one of his best-remembered film musicals, Cover Girl, starring Rita Hayworth and Gene Kelly. It featured the classic song "Long Ago and Far Away".

Although Kern generally wrote for musical theatre, the harmonic richness of his compositions lend themselves well to the jazz idiom, which typically emphasizes improvisation based on a harmonic structure; many have been adopted by jazz musicians and have become standard tunes.

Jerome Kern died of a stroke in 1945, at the age of 60 in his birthplace New York. He had been overseeing auditions for a new revival of Show Boat, and was due to compose the score for the musical Annie Get Your Gun (which task, following his death, was passed to Irving Berlin). At the time of Kern's death, MGM was filming a fictionalized version of his life, Till the Clouds Roll By, which was released in 1946 starring Robert Walker as Kern.

Complete Work for Broadway

Note: All shows are musical comedies for which Kern was the sole composer unless otherwise specified.

During his first phase of work for Broadway theater (1904-11), Kern wrote songs that were featured in revues or other collaborative musicals and occasionally co-wrote comic musicals with one or two other composers. In some cases, the show had opened in London, and Kern contributed additional music for songs interpolated into the New York production. During visits to London in 1905-10 he also composed songs that were first performed in London shows.

*Mr. Wix of Wickham (1904) - co-composer and co-lyricist *The Catch of the Season (1905) - contributing composer *The Earl and the Girl (1905) - featured songwriter *The Rich Mr. Hoggenheimer (1906) - featured songwriter *The Dairymaids (1907) - featured songwriter *The Girls of Gottenberg (1908) - featured songwriter for "I Can't Say That You're The Only One" *Fluffy Ruffles (1908) - co-composer (for eight out of ten songs, including "Fluffly Ruffles") *Kitty Grey (1909) - featured composer for "If The Girl Wants You (Never Mind the Color of Her Eyes)" and "Just Good Friends" *King of Cadonia (1910) - co-composer *La Belle Paree (1911) - revue - co-composer *Ziegfeld Follies of 1911 (1911) - revue - featured composer for "I'm a Crazy Daffy-Dill (Daffydil)"

Beginning in 1912, the more-experienced Kern began to work on dramatically-concerned shows, including music for plays, and for the first time in his young career, he wrote musicals as the sole composer. His regular lyricist collaborators during this period were Guy Bolton, P. G. Wodehouse, Harry B. Smith, Anne Caldwell, and Howard Dietz.

*The Girl from Montmartre (1912) - play - co-incidental music composer *The "Mind-the-Paint" Girl (1912) - play - incidental music composer *The Red Petticoat (1912) *Oh, I Say! (1913) *When Claudia Smiles (1914) - featured co-lyricist for "Ssh! You'll Waken Mr. Doyle" *The Girl from Utah (1914) - Added five songs to the American production of this Paul Rubens musical, including the classic "They Didn't Believe Me" *90 in the Shade (1915) *Nobody Home (1915) *Cousin Lucy (1915) - play - incidental music composer *Miss Information (1915) - play - incidental music composer *Very Good Eddie (1915) **Revived in 1975 *Ziegfeld Follies of 1916 (1916) - revue - featured composer for "When the Lights Are Low", "My Lady of the Nile", and "Ain't It Funny What a Difference Just a Few Drinks Make?" *Have a Heart (1917) *Love o' Mike (1917) *Oh, Boy! (1917) *Ziegfeld Follies of 1917 (1917) - featured composer for "Because You Are Just You (Just Because You're You)" *Leave It to Jane (1917) *Oh, Lady! Lady! (1918) *Toot-Toot! (1918) *Rock-a-Bye Baby (1918) *Head Over Heels (1918) *She's a Good Fellow (1919) *The Night Boat (1920) *Hitchy-Koo of 1920 (1920) - revue *Sally (1920) **Revived in 1923, 1948 *Good Morning Dearie (1921) *The Bunch and Judy (1922) *Stepping Stones (1923) *Sitting Pretty (1924) *Dear Sir (1924)

During the last phase of his life, Jerome Kern continued to work with his previous collaborators but also met Oscar Hammerstein II and Otto Harbach, with whom Kern wrote his most lasting, memorable, and well-known works.

*Sunny (1925) *The City Chap (1925) *Criss Cross (1926) *Lucky (1927) - co-composer *Show Boat (1927) - (2 out of 19 songs were written by others; the music for the song Bill was by Kern, but the lyric was co-written by P.G. Wodehouse) **Revived in 1932, 1946, 1954, 1961, 1976, 1983, 1994 *Sweet Adeline (1929) *The Cat and the Fiddle (1931) - co-composer, co-lyricist, co-bookwriter, and outliner of orchestrations which were done by Robert Russell Bennett) *Music in the Air (1932) - composer and co-director **Revived in 1951 *Roberta (1933) *Mamba's Daughters (1939) - play - featured songwriter **Revived in 1940 *Very Warm for May (1939)

In addition to revivals of his most popular shows, the music of Jerome Kern was posthumously featured in a variety of revues, musicals, and concerts on Broadway.

*Jerome Kern Goes to Hollywood (1986) - revue consisting solely of songs composed by Kern and with lyrics by twelve different writers *Big Deal (1986) - dance revue - featured composer for "Pick Yourself Up" *Something Wonderful (1995) - concert celebrating Oscar Hammerstein II's 100th birthday - featured composer *Paul Robeson (1995) - one-man play - featured composer for "Ol' Man River" *Dream (1997) - revue - featured composer for "You Were Never Lovelier", "I'm Old Fashioned", and "Dearly Beloved" *Swing! (1999) - dance revue - featured songwriter for "I Won't Dance" *Elaine Stritch at Liberty (2002) - one-woman show - featured songwriter for "All In Fun" *Never Gonna Dance (2003) - musical consisting solely of songs composed by Kern and with lyrics by nine different writers

Trivia

*Jerry Garcia of The Grateful Dead was named after Jerome Kern. *A so-called original cast album of Very Warm for May was nominated for a Grammy in the category of Best Cast Show Album in 1985. However, it was not an original cast album in the usual sense - it was, rather, a recording of a 1939 one-hour condensed radio version of the show, featuring the original cast.

External links

*Jerome Kern's biography at the "Songwriters Hall of Fame". *Jerome Kern at the Internet Broadway Database
Who is Jerome Kern connected to?
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This biography says:

...In 1944, Kern teamed up with Ira Gershwin to write the songs for one of his best-remembered film musicals, Cover Girl, starring Rita Hayworth and Gene Kelly. It featured the classic song "Long Ago and Far Away"....

That biography says:

...He also collaborated with some of the finest composers including, Grace LeBoy Kahn (his wife), Richard Whiting, Buddy DeSylva, Al Jolson, Raymond Egan, Ted Fio Rito, Ernie Erdman, Neil Moret, Vincent Youmans, George Gershwin, Ira Gershwin, Harry Akst, Harry M. Woods, Edward Eliscu, Victor Schertzinger, Arthur Johnston, Bronislaw Kaper, Jerome Kern, Walter Jurmann, Sigmund Romberg and Harry Warren, though his primary collaborator was Walter Donaldson...

This biography says:

...The musical Roberta (1933) by Kern and Harbach gave us "Smoke Gets in Your Eyes" and featured, among others, Bob Hope, Fred MacMurray, George Murphy, and Sydney Greenstreet, all in the early stages of their careers....

This biography says:

...From this popular show came the song "Look for the Silver Lining", performed by the rising Broadway star Marilyn Miller....

That biography says:

...She followed as a headliner in the Follies of 1919, dancing to Berlin's Mandy, and reputedly became Ziegfeld's mistress, though this was never proven. Miller attained legendary status in the Ziegfeld production Sally (1920) with music by Jerome Kern, especially for her performance of Kern's Look for the Silver Lining. The musical, about a dishwasher who joins the Follies and marries a millionaire, ran 570 performances at the New Amsterdam...
How is Jerome Kern connected to Artur Rodziński? Tell the world.

This biography says:

...Kern and Hammerstein next wrote the famous Show Boat in 1927, which includes the well-known songs "Ol' Man River" and "Can't Help Lovin' Dat Man." Based on the book of the same name by Edna Ferber, "Show Boat" deviated from the usual musical revue of that era and featured an unusually dramatic plot highlighting racism and miscegenation, a taboo subject in musicals then...

That biography says:

...Two of these works - Show Boat and Saratoga Trunk - were developed into musicals. (When composer Jerome Kern proposed turning the very serious Show Boat into a musical, Ferber was shocked, thinking it would be transformed into a typical light entertainment of the 1920's, and it was not until Kern explained that he and Oscar Hammerstein II wanted to create a different type of musical that Ferber granted him the rights...

This biography says:

...The musical Roberta (1933) by Kern and Harbach gave us "Smoke Gets in Your Eyes" and featured, among others, Bob Hope, Fred MacMurray, George Murphy, and Sydney Greenstreet, all in the early stages of their careers....

That biography says:

...The Hickses then joined forces with producer Charles Frohman and, in his company over a period of seven years, they played the leads in a series of musicals written by Hicks, including Bluebell in Fairyland (1901 — this was continually revived as a Christmas entertainment for the next four decades), The Cherry Girl (1902) and , The Beauty of Bath (1906), which opened the Hicks Theatre (later renamed the Globe; the show included additional lyrics by a newcomer: P. G. Wodehouse and music by Jerome Kern and became one of Terriss best-loved roles), and The Gay Gordons (1907). Hicks and Terriss also starred in Quality Street<i> in 1902...

That biography says:

...In 1916, he had another short run with Cole Porter's operetta See America First, which opened at Maxine Elliott's Theatre on March 28, 1916, and closed after 15 performances on April 8, 1916. The World War I year of 1917 proved to be better, with a 233-performance run of Jerome Kern's Love o'Mike, which opened at the Shubert Theatre on January 15, 1917. After moving to Maxine Elliott's Theatre and Casino Theatre, it closed on September 29, 1917...

This biography says:

...Beginning in 1912, the more-experienced Kern began to work on dramatically-concerned shows, including music for plays, and for the first time in his young career, he wrote musicals as the sole composer. His regular lyricist collaborators during this period were Guy Bolton, P. G. Wodehouse, Harry B. Smith, Anne Caldwell, and Howard Dietz....

That biography says:

...Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song "Bill" in Show Boat and collaborated with Rudolph Friml on a musical version of The Three Musketeers.

This biography says:

...In New York, he started working as a rehearsal pianist, initially contributing numbers for interpolation into other composers' scores, and by 1915 he was represented in many Broadway shows. On May 1 of that year, he was meant to accompany Charles Frohman to London on board the RMS Lusitania, but overslept after being kept up late playing requests at a party...

That biography says:

...Frohman died in the 1915 sinking of the RMS Lusitania by the German submarine, Unterseeboot 20. Songwriter Jerome Kern was meant to accompany him on the voyage, but overslept after being kept up late playing requests at a party...

This biography says:

*Jerry Garcia of The Grateful Dead was named after Jerome Kern. *A so-called original cast album of Very Warm for May was nominated for a Grammy in the category of Best Cast Show Album in 1985...

That biography says:

Jerome John Garcia was born in San Francisco, California, on August 1, 1942, to Spanish-American Jose Ramon Garcia and Swedish/Irish-American Ruth Marie Clifford. His parents named him after the famous composer Jerome Kern. Garcia was their second and final child, preceded by Clifford "Tiff" Garcia, who was born in 1937...

This biography says:

...For Swing Time (starring Ginger Rogers and Fred Astaire), he wrote "The Way You Look Tonight" (with lyrics by Dorothy Fields), which won the Academy Award in 1936 for the best song. Other songs in the film include "A Fine Romance", "Pick Yourself Up", and "Never Gonna Dance"...

That biography says:

...In the mid-1930s, Fields started to write lyrics for films and collaborated with other composers, including Jerome Kern. With Kern, she worked on the movie version of Roberta, and also on their greatest success, Swing Time...

This biography says:

...1925 was a major turning point in Kern's career when he met Oscar Hammerstein II with whom he would entertain a lifelong friendship and collaboration. Their first show (written together with Harbach) was Sunny, which featured the song "Who (Stole My Heart Away)?"...

That biography says:

...Throughout the next forty years of his life, Hammerstein would team with many other composers, including Jerome Kern, with whom Hammerstein enjoyed a highly successful collaboration. Kern and Hammerstein's biggest hit, Show Boat, was produced in 1927...

That biography says:

...By the age of twenty he was in New York, beginning a ten-year career on Broadway as the conductor of musicals by composers such as George Gershwin, Richard Rodgers, and Jerome Kern. Then, in 1930, he accompanied Irving Berlin to Hollywood.http://www.music.vt.edu/musicdictionary/appendix/composers/N/AlfredNewman.html In Los Angeles, he had private lessons from Arnold Schoenberg.

That biography says:

...Scott Fitzgerald, Picasso, Dos Passos, Gabriele D’Annunzio, Eleanora Duse, Amelita Galli-Curci, Marguerite d'Alvarez, Leopold Stokowski, Arturo Toscanini, Mischa Levitzki, Ed Wynn, Ivor Novello, Noel Coward, Elsa Maxwell, Maurice Chevalier, Mae Murray and Pola Negri and their husbands, the soi-disant Princes David and Serge Mdivani, Jerome Kern, Cole Porter, George Gershwin, and P.G. Wodehouse, the latter four being collaborators of her second husband Guy Bolton...

That biography says:

...Her final professional appearance was a cameo on the 1988 studio recording of Jerome Kern's Show Boat starring Frederica von Stade and Jerry Hadley, in which she affectingly spoke the few lines of The Old Lady on the Levee in the final scene...

That biography says:

...Further Broadway productions with contributions from Young are Barry of Ballymore (1911), Next (1911, a play), Macushla (1912, with music by Ernest R. Ball), The Red Petticoat (1912, with music by Jerome Kern), The Isle o' Dreams (1913, with music by Ernest R. Ball), The Girl and the Pennant (1913, a play), Shameen Dhu (1914, a play), Lady Luxury (1914, with music by William Schroeder), Captain Kidd, Jr...

That biography says:

...She quit school at age fourteen in order to pursue a career on stage and achieved her first success in 1917 on Broadway in Jerome Kern's musical comedy Oh, Boy!, playing the hero's comically dour Quaker Aunt Penelope.

That biography says:

...Like most musicians growing up in the 1940s and 1950s, he was deeply influenced by Jazz, especially Bebop and Swing. He covered Thelonious Monk's 'Round Midnight on two recordings, and Jerome Kern's "All the Things you Are" on three occasions (including his first solo album)...

That biography says:

..."Whether I'm Wrong", an original song of social conscience penned in early 2003, has been featured by the UNESCO-endorsed New Songs for Peace initiative. She is also acclaimed for her interpretations of songs by a wide variety of composers, from Jerome Kern to Pearl Jam, including Lennon-McCartney and fellow Canadians Joni Mitchell and Leonard Cohen. Her cover of Cohen’s "Hallelujah" was named Record of the Week by Record of the Day (UK) in August 2004 and again in November 2005...
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