Photograph of Joan Fontaine.
Joan Fontaine

Overview

Joan Fontaine (born October 22 1917) is an Academy Award-winning American actress, who became an American citizen in April 1943.

Early life

She was born Joan de Beauvoir de Havilland in Tokyo, Japan, the younger daughter of Walter de Havilland, and the former Lilian Augusta Ruse, a British actress known by her stage name of Lilian Fontaine, who married in 1914. Fontaine's father, Walter, was a British patent attorney with a practice in Japan.

She is the younger sister of actress Olivia de Havilland, from whom she has been estranged since 1975; both attended Los Gatos High School and the Notre Dame Convent Roman Catholic girls school in Belmont, California.

Joan's parents divorced when she was two. Joan was a sickly child and had developed anemia following a combined attack of the measles and a streptococcic infection. Upon the advice of a physician, Joan's mother moved her and her sister to the United States where they settled in the town of Saratoga, California.

Joan's health improved dramatically and she was soon taking diction lessons along with her sister. She was also an extremely bright child and scored 160 on an intelligence test when she was three. When she was fifteen, Joan returned to Japan and lived with her father for two years.

Stage career

Joan made her stage debut in the West Coast production of Call It A Day in 1935 and was soon signed to an RKO contract. In later life she appeared on Broadway in Forty Carats.

Film career

Her film debut was a small role in No More Ladies (1935). She was selected to appear in a major role alongside Fred Astaire in his first RKO film without Ginger Rogers: A Damsel in Distress (1937) but audiences were disappointed and the film flopped. She continued appearing in small parts in about a dozen films but failed to make a strong impression and her contract was not renewed when it expired in 1939, the same year she married her first husband, the late British actor Brian Aherne. That marriage was not a success.

Her luck changed one night at a dinner party when she found herself seated next to producer David O. Selznick.

She and Selznick began discussing the Daphne du Maurier novel Rebecca, and Selznick asked her to audition for the part of the unnamed heroine. She endured a grueling six-month series of film tests, along with hundreds of other actresses, before securing the part.

Rebecca marked the American debut of British director Alfred Hitchcock. In 1940, the film was released to glowing reviews and Joan was nominated for an Academy Award for Best Actress.

She didn't win that year (Ginger Rogers took home the award for Kitty Foyle) but Fontaine did win the following year for Best Actress in Suspicion, which was also directed by Hitchcock. This is the only Academy Award winning performance directed by Hitchcock.

Sibling rivalry

Olivia de Havilland was the first to become an actress; when her sister, Joan, tried to follow her lead, their mother, who allegedly favoured Olivia, refused to let her use the family name. So Joan was forced to invent a name (Joan Burfield, and later Joan Fontaine, utilizing her own mother's former stage name).

Biographer Charles Higham records that the sisters have always had an uneasy relationship, starting in early childhood, when Olivia would rip up the clothes that Joan had to wear as hand-me-downs, forcing Joan to sew them back together. A lot of the feud and resentment between the sisters stems from Joan's perception of Olivia being their mother's favorite child.

Both Olivia and Joan were nominated for an Academy Award for Best Actress in 1942. Joan won first for her role in Alfred Hitchcock's Suspicion (1941) over Olivia's nomination for Hold Back the Dawn (1941). Higham states that Joan "felt guilty about winning; given her lack of obsessive career drive..."

Higham has described the events of the awards ceremony, stating that, as Joan stepped forward to collect her award, she pointedly rejected Olivia's attempts at congratulating her and that Olivia was both offended and embarrassed by her behavior. Several years later, Olivia would remember the slight and exact her own by brushing past Joan, who was waiting with her hand extended, because Olivia had allegedly taken offense at a comment Joan had made about Olivia's then-husband.

Olivia's relationship with Joan continued to deteriorate after the incident at the Academy Awards in 1942. Higham has stated that this was the near final straw for what would become a lifelong feud, but the sisters did not completely stop speaking until 1975.

According to Joan, Olivia did not invite her to a memorial service for their mother, who had recently died. Olivia claims she told Joan, but that Joan had brushed her off, claiming that she was too busy to attend.

Higham records that Joan has an estranged relationship with her own daughters as well, possibly because she discovered that they were secretly maintaining a relationship with their aunt Olivia.

Both sisters have refused to comment publicly about their feud and dysfunctional family relationships.

Career rise

She went on to continued success in the 1940s, during which she excelled in romantic melodramas. Among her memorable films during this time were The Constant Nymph (1943), Jane Eyre (1944), Ivy (1947), and Letter From An Unknown Woman (1948). Her film successes slowed a bit during the 1950s and she also began appearing in television and on the stage. She won good reviews for her role on Broadway in 1954 as Laura in Tea and Sympathy, opposite Anthony Perkins.

During the 1960s, she continued her stage appearances in several productions, among them Private Lives, Cactus Flower and an Austrian production of The Lion in Winter. Her last theatrical film was The Witches (1966), which she also co-produced. She made sporadic television appearances throughout the 1970s and 1980s and was nominated for an Emmy for the soap opera, Ryan's Hope in 1980.

She resides in Carmel, California, in relative seclusion.

She published her autobiography, No Bed of Roses, in 1979.

Marriages and personal life

Joan Fontaine was married four times:

* Brian Aherne (1939 - 1945) * William Dozier (1946 - 1951) * Collier Young (1952 - 1961) * Alfred Wright, Jr. (1964 - 1969), a magazine editor.

She has one daughter, Deborah Leslie Dozier (born in 1948), from her union with Dozier, and another daughter, Martita, a Peruvian adoptee, who ran away from home. Joan Fontaine has a star on the Hollywood Walk of Fame at 1645 Vine Street.

With the death of Katharine Hepburn in 2003, many consider Joan Fontaine and her sister Olivia de Havilland to be the last remaining great leading ladies of 1930s and 1940s Hollywood.

Sources

*Fontaine, Joan. No Bed of Roses. Berkley Publishing Group, (1979) ISBN 0-425-05028-9 *Higham, Charles. Sisters: The Story of Olivia De Haviland and Joan Fontaine. Coward McCann, May 1984, 257 pages. *Current Biography 1944. H.W. Wilson Company, 1945.

External links

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Who is Joan Fontaine connected to?
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This biography says:

...She is the younger sister of actress Olivia de Havilland, from whom she has been estranged since 1975; both attended Los Gatos High School and the Notre Dame Convent Roman Catholic girls school in Belmont, California...

That biography says:

Olivia Mary de Havilland (born July 1, 1916) is a two-time Academy Award winning actress and is the last surviving principal cast member from Gone with the Wind. She is the sister of Academy Award winning actress Joan Fontaine.

That biography says:

...Addams was "sociable and debonair", and described by a biographer as "A well-dressed, courtly man with silvery back-combed hair and a gentle manner, he bore no resemblance to a fiend." Figuratively a lady killer, Addams squired celebrities such as Greta Garbo, Joan Fontaine and Jacqueline Kennedy on social occasions....

That biography says:

...industry's links with Nazi Germany. He also wrote Sisters: The Story of Olivia De Haviland and Joan Fontaine, in 1984, about the legendary feud between Olivia de Havilland and Joan Fontaine....

This biography says:

...*You Gotta Stay Happy (1948) *Kiss the Blood Off My Hands (1948) *Born to Be Bad (1950) *September Affair (1950) *Darling, How Could You (1951) *The Tragedy of Othello: The Moor of Venice (1952) *Something to Live For (1952) *Ivanhoe (1952) *Decameron Nights (1953) *Flight to Tangier (1953) *The Bigamist (1953) *Casanova's Big Night (1954) *Hollywood Mothers and Fathers (1955) (short subject) *Serenade (1956) *Beyond a Reasonable Doubt (1956) *Island in the Sun (1957) *Until They Sail (1957) *A Certain Smile (1958) *Voyage to the Bottom of the Sea (1961) *Tender Is the Night (1962) *The Witches (1966) *Busby Berkeley (1974) (documentary) *The Users (1978) (TV movie) *All By Myself: The Eartha Kitt Story (1982) (documentary) *Good King Winceslas (1994) (TV movie)

That biography says:

...Playing Mattie, she appeared next in Repeat Performance. In 1948 appeared in Letter from an Unknown Woman starring Joan Fontaine. Later she played a German woman in Billy Wilder's comedy romance A Foreign Affair starring Marlene Dietrich...

That biography says:

...Upon his release he began using the name Roy Fontaine - as a homage to actress Joan Fontaine, of whom he was a fan - and working as a butler, occasionally returning to prison for sentences incurred after more pilfering of jewels...

That biography says:

...Selznick had originally wanted -- in the lead role of Hitchcock's 1940 film Rebecca. Rebecca won the award for Best Picture at the 1941 Academy Awards and launched the career of Joan Fontaine.

That biography says:

The famous actresses Olivia de Havilland and Joan Fontaine were sisters while his father Charles and their father Walter were half-brothers....

That biography says:

...He played supporting roles in prestige productions such as Rebecca, in which he goaded the sinister Judith Anderson as Mrs Danvers, in her persecution of Joan Fontaine. He also played leading roles in lesser pictures such as Rage in Heaven. During this time he was also the lead in both The Falcon and The Saint film series...

That biography says:

...A Damsel in Distress was adapted in the 1937 film starring Fred Astaire, George Burns, Gracie Allen and Joan Fontaine. A 1962 film adaptation of The Girl On The Boat starred Norman Wisdom, Millicent Martin and Richard Briers...

That biography says:

*Dann schon lieber Lebertran (1931 short) *The Company's in Love (1931) *The Bartered Bride (Die verkaufte Braut - 1932) *Liebelei (1933) *Love Story (Une histoire d'amour - 1933) *Laughing Heirs (Lachende Erben - 1933) *On a volé un homme (1933) *Everybody's woman (La signora di tutti) (1934) starring Isa Miranda *Divine (1935) *Komedie om geld (1936) *Ave Maria (1936, short) *La tendre ennemie (1936) *Valse brillante de Chopin (1936 short) *Yoshiwara (1937) *Werther (1938) based on The Sorrows of Young Werther by Goethe *There's No Tomorrow (Sans lendemain - 1939) starring Edwige Feuillère *L'école des femmes (1940) play by Molière *De Mayerling à Sarajevo (1940) starring Edwige Feuillère *The Exile (1947) starring Douglas Fairbanks Jr. *Letter from an Unknown Woman (1948) starring Joan Fontaine, Louis Jourdan *Caught (1949) starring Barbara Bel Geddes, James Mason *The Reckless Moment (1949) starring James Mason, Joan Bennett *La Ronde (1950) starring Anton Walbrook, Simone Signoret, Gérard Philipe *Le Plaisir (1952) starring Danielle Darrieux, Jean Gabin *The Earrings of Madame de.....

That biography says:

...She was offered the standard seven-year contract at Columbia Pictures which she quickly refused afraid of Hollywood's typecasting policies for Hispanics. Instead she free-lanced at Warner Bros. with Mario Lanza and Joan Fontaine in Serenade (1956) directed by Anthony Mann and at RKO in Samuel Fuller's Run of the Arrow (1957), opposite Rod Steiger and Charles Bronson...

That biography says:

...There is a 1994 television film entitled Good King Wenceslaus which is a highly fictional account of his early life. The film stars Jonathan Brandis in the title role, supported by Leo McKern, Stefanie Powers, and Joan Fontaine as Ludmila....

This biography says:

...Her luck changed one night at a dinner party when she found herself seated next to producer David O. Selznick....

That biography says:

...His business activities included loaning out to other studios for large profits the high-powered talent he had under contract including Hitchcock, Ingrid Bergman, Vivien Leigh and Joan Fontaine. He also developed film projects and sold the packages to other producers. In 1944 he returned to producing pictures with the huge success Since You Went Away, which he wrote...

That biography says:

...Selznick also observed that she had shown no enthusiasm for the part until Olivier had been confirmed as the lead actor, and subsequently cast Joan Fontaine. He also refused to allow her to join Olivier in Pride and Prejudice (1940), and Greer Garson took the part Leigh had envisioned for herself...

That biography says:

...He starred in the 1943 film adaptation of Jane Eyre, trading credit as associate producer for top billing over Joan Fontaine. He also had a cameo in the 1944 wartime salute Follow the Boys, in which he performed his Mercury Wonder Show magic act and sawed Marlene Dietrich in half after Columbia Pictures head Harry Cohn refused to allow Hayworth to perform...

That biography says:

...Hughes was a notorious ladies' man who spent time with many famous women, including Billie Dove, Katharine Hepburn, Bette Davis, Ava Gardner, Olivia de Havilland and Gene Tierney. He also proposed to Joan Fontaine several times, according to her autobiography No Bed of Roses. Bessie Love was a mistress during his first marriage...

This biography says:

Her film debut was a small role in No More Ladies (1935). She was selected to appear in a major role alongside Fred Astaire in his first RKO film without Ginger Rogers: A Damsel in Distress (1937) but audiences were disappointed and the film flopped. She continued appearing in small parts in about a dozen films but failed to make a strong impression and her contract was not renewed when it expired in 1939, the same year she married her first husband, the late British actor Brian Aherne...

That biography says:

...In 1957's Island in the Sun there are hints of an affair between Belafonte's character and Joan Fontaine. In 1959 he starred in and produced Robert Wise's Odds Against Tomorrow, in which he plays a bank robber, uncomfortably teamed with a racist partner (Robert Ryan)...

That biography says:

...and Peter Lorre *Variety Girl (1947) with Bing Crosby and Paramount Pictures all-star cast *Where There's Life (1947) with William Bendix *Road to Rio (1947) with Bing Crosby *The Paleface (1948) with Jane Russell *Sorrowful Jones (1949) with Lucille Ball *The Great Lover (1949) with Rhonda Fleming *Fancy Pants (1950) with Lucille Ball *My Favorite Spy (1951) with Hedy Lamarr *The Lemon Drop Kid (1951) with Marilyn Maxwell *The Greatest Show on Earth (1952) (Cameo) *Son of Paleface (1952) with Jane Russell and Roy Rogers *Road to Bali (1952) with Bing Crosby *Off Limits (1953) with Mickey Rooney and Marilyn Maxwell *Scared Stiff (1953) (Cameo) *Here Come the Girls (1953) with Arlene Dahl and Rosemary Clooney *Casanova's Big Night (1954) with Joan Fontaine and Basil Rathbone *The Seven Little Foys (1955) with James Cagney as George M. Cohan *That Certain Feeling (1956) with Eva Marie Saint and George Sanders *The Iron Petticoat (1956) with Katharine Hepburn *Beau James (1957) with Vera Miles *Paris Holiday (1958) with Fernandel, Anita Ekberg, Martha Hyer, and Preston Sturges *Alias Jesse James (1959) with Rhonda Fleming and many cameos *The Five Pennies (1959) (Cameo) *The Facts of Life (1960) with Lucille Ball *Bachelor in Paradise (1961) with Lana Turner *The Road to Hong Kong (1962) with Bing Crosby and Joan Collins *Critic's Choice (1963) with Lucille Ball and Rip Torn *Call Me Bwana (1963) with Anita Ekberg *A Global Affair (1964) with Yvonne de Carlo *I'll Take Sweden (1965) with Tuesday Weld *The Oscar (1966) (Cameo) *Boy, Did I Get a Wrong Number! (1966) with Elke Sommer *Not with My Wife, You Don't! (1966) (Cameo) *Eight on the Lam (1967) with Phyllis Diller and Jonathan Winters *The Private Navy of Sgt...

This biography says:

...With the death of Katharine Hepburn in 2003, many consider Joan Fontaine and her sister Olivia de Havilland to be the last remaining great leading ladies of 1930s and 1940s Hollywood.
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