Photograph of Otis Rush.
Otis Rush

Overview

Otis Rush (born April 29, 1934 in Philadelphia, Mississippi) is a blues musician, singer and guitarist. His distinctive guitar style features a slow burning sound, jazz-style arpeggios and long bent notes. With similar qualities to Luther Allison, Magic Sam, Buddy Guy and Albert King, his sound became known as West Side Chicago blues and became an influence on Michael Bloomfield, Eric Clapton, Peter Green and Stevie Ray Vaughan.

Rush is left-handed and, unlike many left-handed guitarists, plays a right-handed instrument upside-down without restringing it. It is widely believed that this contributes to his distinctive sound. Other guitarists who use this method include Albert King, Dick Dale, Doyle Bramhall II, Coco Montoya and Lefty Dizz. He has a wide-ranging, powerful tenor voice.

Career

After moving to Chicago in 1948, Rush made a name for himself playing in clubs on both the South Side and West Side blues scenes. From 1956 to 1958, he recorded for the Cobra label. His first single "I Can't Quit You Baby" in 1956 reached No. 6 on the Billboard's R&B Chart. During his tenure with Cobra, he recorded some of his well known songs such as "Double Trouble" and "All Your Love (I Miss Loving)" (both covered by Eric Clapton).

After Cobra Records went bankrupt in 1959, Rush landed a contract with Chess Records in 1960. He recorded 8 tracks for the label, but none of them were released at the time. (6 tracks came out on "Door To Door" album, a compilation with Albert King in 1969) He also went into the studio for Duke Records in 1962, but only one single "Homework" (known to rock fans by a cover done by The J. Geils Band) b/w "I Have To Laugh" (Duke 356) was released from the label. In 1965, he recorded for Vanguard which can be heard on the label's compilation album Chicago/The Blues/Today! Vol.2.

In the 60's, Rush began playing in other cities in the U.S. and also to Europe, most notably the American Folk Blues Festival.

In 1969, the album Mourning in the Morning was released on Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites of Electric Flag. The sound that incorporated soul and rock was a brand new direction for Rush.

In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol somehow decided not to release it. The album finally saw the light of day in 1976 when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records in the U.S. released it in the U.S. soon after. The album generally has since gained a reputation as one of the best work by Rush.

In the 70's, he also released some albums from Delmark Records and also from Sonet Records in Europe, but by the end of the decade, he literally stopped performing and recording.

Rush made a come back in 1985 making a U.S. tour and releasing the live album Tops recorded at the San Francisco Blues Festival.

In 1994, Rush released Ain't Enough Comin' In, the first newly recorded studio album in 16 years. Any Place I'm Goin' followed in 1998, and Rush earned his first Grammy Award for Best Traditional Blues Album in 1999.

Though he has not recorded new studio album since, he continued to tour and perform. However, he suffered a stroke in 2004 which has kept him from performing. It has been reported that he has since recovered, (albeit not to the extent that would allow resuming his career).

In 2006, Rush released his latest CD, Live and From San Francisco on Blues Express Records, a live recording from 1999. A video footage of the same show had been released as DVD Live Part 1 in 2003 from the label.

Rush has two daughters, Lena and Sophia.

Discography

Original Albums
*Mourning In The Morning 1969 (Cotillion) *Screamin' And Cryin' 1974 (Black And Blue) *Cold Day In Hell 1975 (Delmark) *So Many Roads 1976 (Delmark) *Right Place, Wrong Time 1976 (Bullfrong) *Troubles Troubles 1978 (Sonet) *Tops 1989 (Blind Pig) *Blues Interaction -Live In Japan1986- 1989 (P-Vine) *Ain't Enough Comin' In 1994 (This Way Up) *Any Place I'm Going 1998 (House Of Blues) *Live and From San Francisco 2006 (Blues Express)
Compilations
*I Can't Quit You Baby - The Cobra Sessions 1956-1958 (P-Vine) *Good 'Uns - The Classic Cobra Recordings 1956-1958 (Westside) *Door To Door 1969 (Chess) (coupled with Albert King) *The Essential Otis Rush - The Classic Cobra Recordings 1956-1958 2000 (Fuel 2000) *All Your Love I Miss Loving - Live at the Wise Fools Pub, Chicago 2005 (Delmark) *Live At Montreux 1986 2006 (Eagle Rock Entertainment) (Joint performance with Eric Clapton and Luther Allison)

References

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This biography says:

...It is widely believed that this contributes to his distinctive sound. Other guitarists who use this method include Albert King, Dick Dale, Doyle Bramhall II, Coco Montoya and Lefty Dizz. He has a wide-ranging, powerful tenor voice.

That biography says:

...In 1969 Blues Creation made a self-titled album of American blues covers, featuring songs written by Sonny Boy Williamson, Memphis Slim, Chester Burnett, J. Mayall-E. Clapton, Blind Willie Johnson, Willie Dixon and Otis Rush. In August 1971 they released the all original Demon & Eleven Children. This album was heavily influenced by Cream, Deep Purple and Black Sabbath and oddly enough; released the same day as Carmen Maki & Blues Creation, which had the band fronted by young female pop star Carmen Maki...

That biography says:

...Along for the Ride appeared in 2001, credited to John Mayall and Friends with twenty names listed on the cover, including some Bluesbreakers, old and new, and also Gary Moore, Jonny Lang, Steve Cropper, Steve Miller, Otis Rush, Billy Gibbons, Chris Rea, Jeff Healey, Shannon Curfman and a few others....

This biography says:

...Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites of Electric Flag. The sound that incorporated soul and rock was a brand new direction for Rush....

That biography says:

...Jacobs frequently appeared as a harmonica sideman behind others in the Chess stable of artists, including Jimmy Rogers, John Brim, Rocky Fuller (aka Louisiana Red/Iverson Minter), Memphis Minnie, The Coronets, Johnny Shines, Floyd Jones, and Bo Diddley, and Shel Silverstein, and on other record labels backing Otis Rush, Johnny Young, and Robert Nighthawk.

This biography says:

...With similar qualities to Luther Allison, Magic Sam, Buddy Guy and Albert King, his sound became known as West Side Chicago blues and became an influence on Michael Bloomfield, Eric Clapton, Peter Green and Stevie Ray Vaughan....

That biography says:

...Barton left the band in 1978 to pursue a solo career, followed by Reno in 1979. The three remaining members started performing under the name Double Trouble, inspired by an Otis Rush song of the same name. Vaughan became the band's lead singer....

That biography says:

...Copley has performed and recorded with Lou Rawls, the Fabulous Thunderbirds, Stevie Ray Vaughan, Ruth Brown, Jimmy Witherspoon, Snooks Eaglin, John Hammond Jr., Big Mama Thornton, George "Harmonica" Smith, Otis Rush, Big Walter Horton, Helen Humes, Benny Waters, Hal Singer, Arnett Cobb, Scott Hamilton, Big Jay McNeely, Roy "Good Rockin" Brown and a host of others.

This biography says:

...His distinctive guitar style features a slow burning sound, jazz-style arpeggios and long bent notes. With similar qualities to Luther Allison, Magic Sam, Buddy Guy and Albert King, his sound became known as West Side Chicago blues and became an influence on Michael Bloomfield, Eric Clapton, Peter Green and Stevie Ray Vaughan...

That biography says:

...King influenced many later blues guitarists including Eric Clapton, Jimi Hendrix, Mick Taylor, Mike Bloomfield, Gary Moore, and especially Stevie Ray Vaughan, who also covered many of King's songs. He also had a profound impact on contemporaries Albert Collins and Otis Rush. Clapton has said that his work on the 1967 Cream hit "Strange Brew" and throughout the album Disraeli Gears was inspired by King...

That biography says:

...He grew up in a music friendly environment playing piano and rehearsing with his friends at his home. Some of his childhood influences were Ray Charles, Bobby Bland, Jimmy Reed and Otis Rush. He was given the nickname "The Beak" by his friends because of his prominent nose. He and three friends started a band when he was fifteen that was originally named the Rebels but changed to The Revols in deference to Duane Eddy and the Rebels...

This biography says:

...His distinctive guitar style features a slow burning sound, jazz-style arpeggios and long bent notes. With similar qualities to Luther Allison, Magic Sam, Buddy Guy and Albert King, his sound became known as West Side Chicago blues and became an influence on Michael Bloomfield, Eric Clapton, Peter Green and Stevie Ray Vaughan...

That biography says:

...Soon after moving to Chicago in 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. Soon afterwards he recorded for Cobra Records. He recorded sessions with Junior Wells for Delmark Records under the pseudonym Friendly Chap in 1965 and 1966...

This biography says:

...With similar qualities to Luther Allison, Magic Sam, Buddy Guy and Albert King, his sound became known as West Side Chicago blues and became an influence on Michael Bloomfield, Eric Clapton, Peter Green and Stevie Ray Vaughan....

That biography says:

...While at Muscle Shoals, Allman was featured on releases by a number of artists, including Clarence Carter, King Curtis, Aretha Franklin, Otis Rush, Percy Sledge, Johnny Jenkins, Boz Scaggs, Delaney & Bonnie and jazz flautist Herbie Mann. Shortly after he recorded his lead break in "Hey Jude," he recorded all of the lead guitar in Boz Scaggs' "Loan Me A Dime." His soloing in the song is noted as some of the best he ever laid down on record...

That biography says:

...Throughout this early period, Turner became a recording scout and A&R man for independent record companies including Sun Records - where "Rocket 88" was recorded, helping the likes of Howlin' Wolf, Sonny Boy Williamson, Elmore James and Otis Rush get signed. He also became a sideman playing guitar for these blues acts and more. Musically, Turner was known for his hard-hitting guitar style...

That biography says:

...Naaftalin has also recorded with many famous blues players including John Lee Hooker, Otis Rush, Percy Mayfield, Lowell Fulson, Big Joe Turner, James Cotton, Mike Bloomfield, and dozens of others -- and as a sideman on over 100 albums...

This biography says:

...It is widely believed that this contributes to his distinctive sound. Other guitarists who use this method include Albert King, Dick Dale, Doyle Bramhall II, Coco Montoya and Lefty Dizz. He has a wide-ranging, powerful tenor voice.

That biography says:

...Blues and R&B were very popular in Los Angeles in the 1950’s, and most kids listened to the black stations to hear shows by deejays Hunter Hancock, Art Laboe, Johnny Otis and Huggy Boy. “I used to go to South Central L.A. and Watts to buy my records. Howlin’ Wolf, Otis Rush, Buddy Guy, John Lee Hooker, Muddy Waters and all the great blues artists”, he says....