Shaffer's first play,
The Salt Land (1954) was presented on the BBC. Encouraged by this success, Shaffer continued to write and established his reputation as a playwright in 1958 with the production of
Five Finger Exercise which opened in London under the direction of
John Gielgud and won the Evening Standard Drama Award. When
Five Finger Exercise moved to New York in 1959, it was equally well-received and landed Shaffer the Drama Critics Award.
Shaffer's canon contains a unique mix of philosophical dramas and satirical comedies.
The Royal Hunt of the Sun (1964) presents the tragic conquest of
Peru by the Spanish, while
Black Comedy (1965) takes a hilarious look at the antics of a group of characters feeling their way around a pitch black room — although the stage is, of course, actually flooded with light.
Equus (1973) won Shaffer the 1975
Tony Award for Best Play as well as the New York Drama Critics Circle Award. An electrifying journey into the mind of a 17-year-old stableboy who had plunged a spike into the eyes of six horses,
Equus ran for over 1000 performances on Broadway and has been revived by
Massachusetts' Berkshire Theatre Festival in the summer of
2005, staged by
Scott Schwartz, with
Victor Slezak as
Dr Martin Dysart and
Randy Harrison as
Alan Strang. (
Roberta Maxwell, who originated the role of
Jill,
Alan's would-be girlfriend, in the original Broadway production in the
1970s, played
a judge in this revival.) and in 2007, with
Richard Griffiths and
Daniel Radcliffe in the leading roles. The play was directed by
Thea Sharrock, and opened in
London in
February 2007 at the
Gielgud Theatre. The casting of Radcliffe, still associated with films intended for general audiences, caused some major controversy, since the role of Alan Strang required him to appear naked on stage.
Shaffer followed this success with Amadeus (1979) which won the Evening Standard Drama Award and the Theatre Critics Award for the London production.
Amadeus tells the story of
Wolfgang Amadeus Mozart and court composer
Antonio Salieri who, overcome with jealousy at hearing the "voice of God" coming from an "obscene child," sets out to destroy his rival. When the show moved to Broadway, it won the 1981 Tony Award for Best Play and, like
Equus, ran for more than 1000 performances.