Early career and The Saint
In the early 1950s, Moore worked as a male model, appearing in print advertisements for knitwear (earning him the amusing nickname "The Big Knit"), and a wide range of other products such as toothpaste - an element which many critics have used as typifying his lightweight credentials as an actor. His earliest known television appearance, at a time when the
BBC was the only channel, was on
27 May 1950, in
Drawing Room Detective, a one-off programme. Presented by veteran BBC announcer
Leslie Mitchell, it invited viewers at home to spot clues to a crime during a playlet, whose actors also included Alec Ross (first husband of
Sheila Hancock), and
Michael Ripper. Barring interviews, Moore has not worked for BBC television since.
Although Moore won a contract with
MGM in the 1950s, the films which followed were not a success and, in his own words, 'At MGM, RGM (Roger George Moore) was NBG [no bloody good]'. His starring role in
The Miracle, a version of the play
Das Mirakel for
Warner Bros., had been turned down by
Dirk Bogarde.
Eventually, it was television in which Moore made his name. He was the eponymous hero in the serial
Ivanhoe, a very loose adaptation of the romantic novel by
Sir Walter Scott, and he also appeared in the series
The Alaskans, as well as playing
Beau Maverick, an English cousin of frontier gambler
Bret Maverick (
James Garner) in
Maverick.
It was not until 1961 that worldwide fame arrived, when
Lew Grade cast Moore as Simon Templar in a new adaptation of
The Saint, based on the novels by
Leslie Charteris. Moore said in an interview, during 1963, that he wanted to buy the rights of Leslie Charteris's character and the trademarks, but didn't have enough money. He also joked that the role was supposed to have been meant for
Sean Connery who was unavailable. The television series was made in the UK with an eye on the American market, and its success there (and in other countries) made Moore a household name. It also established his suave, quipping style which he would carry forward to
James Bond. Moore would also go on to direct several episodes of the later series, which moved into colour in 1967. The opinion has often been expressed that the monochrome episodes of the series, which were closer adaptations of Charteris' work, were superior to the colour episodes, which displayed a stronger leaning towards fantasy and were arguably trying too hard to imitate other shows of that time.
The Saint ran for six seasons and 118 episodes, making it (in a tie with
The Avengers) the longest-running series of its kind on British television. However, Moore grew increasingly tired of the role, and was keen to branch out. He made two films immediately after the series had ended:
Crossplot, a lightweight 'spy caper' movie, and the more challenging
The Man Who Haunted Himself (1971). Directed by
Basil Dearden, it gave Moore the opportunity to demonstrate a wider versatility than the role of Simon Templar had allowed, although reviews at the time were lukewarm, and both did little business at the box office.
Television lured Moore back to star, alongside
Tony Curtis, in what has become another '
cult' series,
The Persuaders!. Even more light-hearted in tone than
The Saint, it featured the adventures of two millionaire playboys across Europe. It was for this series that Moore was paid the then unheard-of sum of one million pounds for a single series, making him the highest paid television actor in the world. However, Lew Grade claimed in his autobiography
Still Dancing, that Moore and Curtis 'didn't hit it off all that well', Curtis refusing to spend more time on set than was strictly necessary, while Moore was always willing to work overtime.
The series failed in America, where it had been pre-sold to
ABC- but it was successful in Australia and in Europe. In Germany, where the series was aired under the name "
Die Zwei" (The Two), it became a hit through a special funny dubbing that only barely used the original translations of the dialogs. And in Britain it was also popular, although on its premiere on the
ITV network, it was beaten in the ratings by repeats of
Monty Python's Flying Circus on
BBC1. When
Channel 4 repeated both
The Avengers and
The Persuaders! in 1995, it was generally agreed that the latter, which had not been seen for many years, had not aged as well as the former. It has not been seen on any of the five main UK terrestrial channels since.
Since then,
The Persuaders has enjoyed something of a renaissance both on television and DVD, with the 'rivals' Moore and Curtis reuniting to provide commentaries on the most recent issues. In
France, where the series (entitled
Amicalement Vôtre) had always been popular, the DVD releases accompanied a monthly magazine of the same name.