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Jacob of Serugh

Overview

Jacob of Serugh (, ''''; his toponym is also spelt Serug or Sarug; c. 45129 November 521) was one of the foremost Syriac poet-theologians, perhaps only second in stature to Ephrem the Syrian and equal to Narsai. Where his predecessor Ephrem is known as the 'Harp of the Spirit', Jacob is the 'Flute of the Spirit'. He is best known for his prodigious corpus of more than seven-hundred verse homilies, or mêmrê (), of which only 225 have thus far been edited and published.

Jacob was born around the middle of the fifth century AD in the village of Kurtam on the Euphrates, in the ancient region of Serugh, which stood as the eastern part of the province of Commagene (corresponding to the modern Turkish districts of Suruç and Birecik). He was educated in the famous School of Edessa and became chorepiscopus back in the Serugh area, serving rural churches of Haura (, ''''). His tenure of this office extended over a time of great trouble to the Christian population of Mesopotamia, due to the fierce war carried on by the Sassanian Shah Kavadh I within the Roman borders. When, on 10 January 503, the city of Amid (modern Diyarbakır) was captured by the Persians after a three months' siege and all its citizens put to the sword or carried captive, a panic seized the whole district, and the Christian inhabitants of many neighbouring cities planned to leave their homes and flee to the west of the Euphrates. They were recalled to a more courageous frame of mind by the letters of Jacob.

In 519, Jacob was elected bishop of the main city of the area, Batnan da-Srugh (, ). As Jacob was born in the same year as the controversial Council of Chalcedon, he lived through the intense rifts that split the Church of the Byzantine Empire, which led to most Syriac speakers being separated from the imperial communion in what was to become the Syriac Orthodox Church. Even though imperial persecution of anti-Chalcedonians became increasingly brutal towards the end of Jacob's life, he remained surprisingly quiet on such divisive theological and political issues. However, when pressed in correspondece by Paul, bishop of Edessa, he openly expressed dissatisfaction with the proceedings of Chalcedon.

From the various extant accounts of Jacob's life and from the number of his known works, we gather that his literary activity was unceasing. According to Barhebraeus (Chron. Eccles. i. 191) he employed 70 amanuenses and wrote in all 760 metrical homilies, besides expositions, letters and hymns of different sorts. Of his merits as a writer and poet we are now well able to judge from P. Bedjan's edition of selected metrical homilies (Paris 1905-1908), containing 146 pieces. They are written throughout in dodecasyllabic metre, and those published deal mainly with biblical themes, though there are also poems on such subjects as the deaths of Christian martyrs, the fall of the idols and the First Council of Nicaea.

Of Jacob's prose works, which are not nearly so numerous, the most interesting are his letters, which throw light upon some of the events of his time and reveal his attachment to the Monophysite doctrine which was then struggling for supremacy in the Syrian churches, and particularly at Edessa, over the opposite teaching of Nestorius.

Works in modern translation

* Memre concerning the Virgin Mary — Also — * Seven memre against the Jews, of which, the sixth memra takes the form of a dispute (, '''') between personifications of the Synagogue and the Church — * Memre on the dominical feasts — * Four memre on creation — *Memra on the Veil of Moses — * Memra on Ephrem — * Memra on Simeon Stylites — * Prose homilies (turgame) — * Memre on Thomas — * Memra on Melkizedek — * Letters —
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This biography says:

* Memre concerning the Virgin Mary — Also — * Seven memre against the Jews, of which, the sixth memra takes the form of a dispute (, '''') between personifications of the Synagogue and the Church — * Memre on the dominical feasts — * Four memre on creation — *Memra on the Veil of Moses — * Memra on Ephrem — * Memra on Simeon Stylites — * Prose homilies (turgame) — * Memre on Thomas — * Memra on Melkizedek — * Letters —

This biography says:

...451 – 29 November 521) was one of the foremost Syriac poet-theologians, perhaps only second in stature to Ephrem the Syrian and equal to Narsai. Where his predecessor Ephrem is known as the 'Harp of the Spirit', Jacob is the 'Flute of the Spirit'...

That biography says:

...In this confusion, Ephrem wrote a great number of hymns defending Nicene orthodoxy. A later Syriac writer, Jacob of Serugh, wrote that Ephrem rehearsed all-female choirs to sing his hymns set to Syriac folk tunes in the forum of Edessa...

This biography says:

...Of Jacob's prose works, which are not nearly so numerous, the most interesting are his letters, which throw light upon some of the events of his time and reveal his attachment to the Monophysite doctrine which was then struggling for supremacy in the Syrian churches, and particularly at Edessa, over the opposite teaching of Nestorius.

This biography says:

...451 – 29 November 521) was one of the foremost Syriac poet-theologians, perhaps only second in stature to Ephrem the Syrian and equal to Narsai. Where his predecessor Ephrem is known as the 'Harp of the Spirit', Jacob is the 'Flute of the Spirit'...

That biography says:

...399–ca. 502) was one of the foremost of Syriac poet-theologians, perhaps equal in stature to Jacob of Serugh, both second only to Ephrem the Syrian. He is the most important writer of the Church of the East, in which he is known as the 'Harp of the Spirit'...

That biography says:

...His view of events is everywhere characterized by his belief in overruling Providence; and as he eulogizes Flavian II, the Chalcedonian patriarch of Antioch, in warmer terms than those in which he praises his great Monophysite contemporaries, Jacob of Serugh and Philoxenus of Mabbog, he was probably an orthodox Catholic....