Photograph of Ira Gershwin.
Ira Gershwin

Overview

Ira Gershwin (6 December 189617 August 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century.

With George he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm," "Embraceable You," "The Man I Love" and "Someone to Watch Over Me," and the opera Porgy and Bess.

The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George; and he wrote further hit songs with composers Jerome Kern ("Long Ago (And Far Away)", Kurt Weill and Harold Arlen.

His critically-acclaimed book Lyrics on Several Occasions of 1959, an amalgam of autobiography and annotated anthology, is an important source for studying the art of the lyricist in the golden age of American popular song.

Biography

Ira Gershwin (born Israel Gershowitz) was reportedly shy as a young boy and spent most of his time at home reading. However, from grammar school through college he played a prominent part in several school newspapers and magazines. He graduated from Townsend Harris High School where he met Yip Harburg. He graduated from City College of New York. While his younger brother began composing and “plugging” in Tin Pan Alley from the age of eighteen, Ira worked as a cashier in his father’s Turkish baths. It was not until 1921 that Ira became involved in the music business. Alex Aarons signed Ira to write the music for his next show (ultimately produced by Abraham Erlanger), Two Little Girls in Blue, with co-composers Vincent Youmans and Paul Lannin. His lyrics were well received and allowed him to successfully enter the theatre world with just one show.

It wasn’t until 1924 that Ira and George teamed up to write the music for their first Broadway hit, Lady, Be Good! Once the brothers joined together, their combined talents became one of the most influential forces in the history of American Musical Theatre. Together, they wrote the music for over twelve shows and four films. Some of their more famous works include “The Man I Love”,Fascinating Rhythm”,Someone to Watch Over Me”,I Got Rhythm”Summertime” and “They Can't Take That Away from Me”. Their partnership continued up until George’s sudden death from a brain tumor in 1937.

Following his brother’s death, Ira waited nearly three years before writing again. After this interlude, he teamed up with such accomplished composers as Jerome Kern, Kurt Weill, and Harold Arlen. Over the next fourteen years, Ira continued to write the lyrics for many film scores and a few Broadway shows.

Ira died on August 17, 1983, and is now interred in the Westchester Hills Cemetery, Hastings-on-Hudson, New York. Together, the Gershwin siblings left behind a legacy that would help shape American Musical Theatre. Solely, Ira played a huge part in bringing about a new type of song lyric: a smart, witty, vernacular style that the common man could relate to and enjoy.

American singer, pianist, musical historian Michael Feinstein worked for Ira in the lyricist's latter years, helping him with his archive. Several lost musical treasures were unearthed during this period and Feinstein performed some of the material.

Legacy

The music of George and Ira Gershwin runs deep in the American consciousness. The opening clarinet glissando from Rhapsody in Blue, the taxi horn theme from An American in Paris and the songs – "I Got Rhythm", "Embraceable You", "The Man I Love", "Someone to Watch Over Me", "Fascinating Rhythm", and many others – are instantly recognizable.

Ira Gershwin was a joyous listener to the sounds of the modern world. He noted in a diary: "Heard in a day: An elevator's purr, telephone's ring, telephone's buzz, a baby's moans, a shout of delight, a screech from a 'flat wheel', hoarse honks, a hoarse voice, a tinkle, a match scratch on sandpaper, a deep resounding boom of dynamiting in the impending subway, iron hooks on the gutter."

In 1987, Ira's widow, Lenore Gershwin, established the Ira Gershwin Literacy Center. Lenore Gershwin provided $10,000 to establish this literacy center for primarily Hispanic and Chinese Americans at University Settlement, a century-old institution at 185 Eldridge Street on the Lower East Side, where the Pulitzer Prize-winning lyricist and his younger brother George, the composer, spent many after-school hours.

In 2007, The Library of Congress named their Prize for Popular Song after him and his brother George. Recognizing the profound and positive effect of popular music on the world’s culture, the prize will be given annually to a composer or performer whose lifetime contributions exemplify the standard of excellence associated with the Gershwins. On March 1, 2007, Paul Simon, one of America’s most respected songwriters and musicians, was announced to be the recipient of the first annual Library of Congress Gershwin Prize for Popular Song.

Further reading

*Ira Gershwin - Lyrics on Several Occasions: a selection of stage and screen lyrics written for sundry situations and now arranged in arbitrary categories, to which have been added many informative annotations and disquistions on their why and wherefore, their whom-for, their how, and matters associative (1959)

References

*

External links

* Gershwin fan site *Stage and Screen Online Audio interview with Michael Feinstein discussing his work as archivist for Ira Gershwin * Library of Congress Gershwin collection
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That biography says:

..."Fly Me to the Moon" (Bart Howard) :*3. "I've Got a Crush on You (George Gershwin, Ira Gershwin) :*4. "I've Got You Under My Skin" (Cole Porter) :*5...

That biography says:

...He also collaborated with some of the finest composers including, Grace LeBoy Kahn (his wife), Richard Whiting, Buddy DeSylva, Al Jolson, Raymond Egan, Ted Fio Rito, Ernie Erdman, Neil Moret, Vincent Youmans, George Gershwin, Ira Gershwin, Harry Akst, Harry M. Woods, Edward Eliscu, Victor Schertzinger, Arthur Johnston, Bronislaw Kaper, Jerome Kern, Walter Jurmann, Sigmund Romberg and Harry Warren, though his primary collaborator was Walter Donaldson...

This biography says:

...Recognizing the profound and positive effect of popular music on the world’s culture, the prize will be given annually to a composer or performer whose lifetime contributions exemplify the standard of excellence associated with the Gershwins. On March 1, 2007, Paul Simon, one of America’s most respected songwriters and musicians, was announced to be the recipient of the first annual Library of Congress Gershwin Prize for Popular Song.

That biography says:

...A third single was released amid controversy before Christmas 1984: a revival of "It Ain't Necessarily So", the George and Ira Gershwin classic (from Porgy and Bess) which questions the authenticity of Biblical tales. It also reached the UK Top 20...

That biography says:

...In addition to Bogart, Lazar became the agent representing the top tier of celebrities, including Lauren Bacall, Truman Capote, Cher, Joan Collins, Noel Coward, Ira Gershwin, Cary Grant, Moss Hart, Ernest Hemingway, Gene Kelly, Jessica Lange, Madonna, Walter Matthau, Larry McMurtry, Vladimir Nabokov, Clifford Odets, Gregory Peck, Cole Porter, William Saroyan, Irwin Shaw, Sharon Stone and Tennessee Williams...

That biography says:

...Kaye scored a personal triumph in 1941, in the hit Broadway comedy Lady in the Dark. His show-stopping number was "Tchaikovsky," by Kurt Weill and Ira Gershwin, in which he sang the names of a whole string of Russian composers at breakneck speed, seemingly without taking a breath...

This biography says:

...However, his mastery of songwriting continued after the early death of George; and he wrote further hit songs with composers Jerome Kern ("Long Ago (And Far Away)", Kurt Weill and Harold Arlen....

That biography says:

...1954 (49) The Musical "A Star is Born" starring Judy Garland singing the now classic, Harold Arlen and Ira Gershwin collaboration, "The Man That Got Away"...

That biography says:

...White performed with the Brooklyn Philharmonic in a concert of works by Leonard Bernstein, Aaron Copland, and George and Ira Gershwin celebrating the orchestra's 50th anniversary. She also has appeared in concert at the Kennedy Center, Carnegie Hall, and Lincoln Center and has toured internationally with her one-woman show From Brooklyn to Broadway...

That biography says:

...Between 1913 and 1947, the tall and slender performer who sang in a clear, gentle tenor, appeared in 23 Broadway shows, starting with major supporting roles and quickly progressing to leads. He introduced Irving Berlin's "Easter Parade" and George and Ira Gershwin's "I've Got a Crush on You" in Treasure Girl (1928); Arthur Schwartz and Howard Dietz's "I Guess I'll Have to Change My Plan" in The Little Show (1929) and "Louisiana Hayride" in Flying Colors (1932); and Irving Berlin's "Not for All the Rice in China" in As Thousands Cheer (1933)...

That biography says:

...Cellini was also the subject of an opera by Berlioz and a Broadway musical, The Firebrand of Florence, by Ira Gershwin and Kurt Weill, which featured Lotte Lenya (Mrs. Weill) as one of the sculptor's royal conquests...

This biography says:

...American singer, pianist, musical historian Michael Feinstein worked for Ira in the lyricist's latter years, helping him with his archive. Several lost musical treasures were unearthed during this period and Feinstein performed some of the material.

That biography says:

...After graduating from high school, he worked in local piano bars for two years, moving to Los Angeles when he was 20. Through the widow of legendary concert pianist-actor Oscar Levant, he was introduced to Ira Gershwin, who hired him to catalogue his extensive collection of phonograph records. The assignment led to a six-year musical excavation of Gershwin's home on Beverly Hills' Roxbury Drive, preserving the legacy of not just Ira but his composer brother George, who had died four decades earlier, as well...

This biography says:

...However, his mastery of songwriting continued after the early death of George; and he wrote further hit songs with composers Jerome Kern ("Long Ago (And Far Away)", Kurt Weill and Harold Arlen....

That biography says:

...Rather than continue to write in the same style that had characterized his European compositions, Weill made a study of American popular and stage music, and his American output, though held by some to be inferior, nonetheless contains individual songs and entire shows that not only became highly respected and admired, but have been seen as seminal works in the development of the American musical. He worked with writers such as Maxwell Anderson and Ira Gershwin, and even wrote a film score for Fritz Lang (You and Me, 1938). Weill himself strove to find a new way of creating an American opera that would be both commercially and artistically successful...

That biography says:

...The last song Dusty Springfield ever recorded was the George and Ira Gershwin standard "Someone to Watch over Me". This recording was made in London in 1995 for an insurance company's television advertisement and was eventually released commercially in 2000, when it was included on Simply Dusty, the extensive anthology the singer had helped plan but would not live to see released.

That biography says:

Lawrence's onstage persona inspired composers and writers. George and Ira Gershwin wrote the musical Oh, Kay! for her, which included her solo number "Someone to Watch Over Me." She was the first British actress to have a lead role on Broadway...
How is Ira Gershwin connected to Adoniran Barbosa? Tell the world.

That biography says:

...Gilbert's lyrics employ punning, as well as complex internal and two and three-syllable rhyme schemes, and served as a model for such 20th century Broadway lyricists as P.G. Wodehouse, Cole Porter, Ira Gershwin, and Lorenz Hart....

That biography says:

...Her first starring role came in the 1993 trans-Atlantic transfer of the Broadway smash Crazy for You, with a score by George Gershwin and Ira Gershwin, opening at the Prince Edward Theatre. Her performance earned her the first of four Olivier Award nominations...

That biography says:

*Alan Jay Lerner Revisited *Arthur Schwartz Revisited *Cole Porter Revisited Volume IV *DeSylva, Brown & Henderson Revisited Volume I *Frank Loesser Revisited *Harold Arlen Revisited *Harold Arlen & Vernon Duke Revisited Volume II *Ira Gershwin Revisited *Irving Berlin Revisited *Kurt Weill Revisited Volume II *Oscar Hammerstein Revisited *Rodgers & Hart Revisited Volume II *Rodgers & Hart Revisited Volume III *Rodgers & Hart Revisited Volume IV *Unpublished Cole Porter Volume II *Vernon Duke Revisited *Vincent Youmans Revisited *Hold On To Your Hats (Complete Score)
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