In 1980, Franklin's career was given a much-needed boost thanks to a cameo appearance on
The Blues Brothers, singing
Think as Mrs. Matt Murphy. That same year,
Clive Davis signed Aretha to his
Arista Records. While songs like "United Together" and "Love All The Hurt Away" - a duet with
George Benson - returned her to the Top 10 on the Billboard R&B charts, it wouldn't be until her
1982 release,
Jump To It, produced by longtime admirer
Luther Vandross, that the album's title track would give the Queen Of Soul her first R&B chart-topper and pop success since "
(Giving Him) Something He Can Feel". The
Jump To It album enjoyed a long run at #1 on Billboard's R&B Albums chart (even the
Zoomin' album only reached #3). It won an American Music Award, was nominated for a Grammy and was certified Gold in early 1983 - Aretha's first Gold disc since the 1976
Sparkle album. The following year Franklin and Vandross collaborated again on the disappointing
Get It Right. But in 1985, Franklin's sound was commercialized into a glossy pop sound as she experienced her first-ever
Platinum-certified album,
Who's Zoomin' Who?. Yielding smash hits like the
Motown-influenced "
Freeway of Love", the title track and her duet with rock duo
The Eurythmics, "
Sisters Are Doing It For Themselves", the album became the first
Platinum certification of Aretha's entire career, reintroducing her sound to a younger generation of fans. In 1986, Franklin did nearly as well with an album simply titled
Aretha which yielded her first number-one pop single in two decades with the
George Michael duet, "I Knew You Were Waiting (For Me)". The album is noteworthy for the striking cover which was Andy Warhol's last work before his death. Other hits included her cover of
The Rolling Stones' "
Jumpin' Jack Flash" and the
girl group-inspired "
Jimmy Lee". When
Aretha was taken out of print, it had sold over 9,000,000 copies.
Aretha returned to the Gospel world in 1987 with her album
One Lord, One Faith, One Baptism which was recorded live at her New Bethel Baptist Church in Detroit. However, the disc was a far cry from her 1972 Gospel effort and had middling sales. Subsequent follow-ups such as 1989's
Through The Storm and 1991's
What You See Is What You Sweat sold poorly and failed to produce any major mainstream hits - other than the former's title track Elton John duet - but her career got a slight boost in 1993 when she scored a dance-club hit with "
Deeper Love" off the
Sister Act 2: Back In The Habit soundtrack. In 1994, she scored another R&B and Pop hit with the
Babyface-produced ballad, "Willing To Forgive".
However, Franklin truly returned to prominence with the release of her 1998 album,
A Rose Is Still A Rose. The album's mixture of
Urban Contemporary, Hip-Hop and
Classic Soul was a departure from Franklin's previous material. The title track, produced by
Lauryn Hill, gave her a smash hit on the R&B and Pop charts and earned a
Gold single while also returning Aretha to
Gold album status for the first time since the 1986
Aretha release. That same year, she pulled out one of the greatest musical performances ever televised when she subbed for
Luciano Pavarotti to sing "
Nessun Dorma". Pavarotti, who was awarded a Lifetime Achievement Award that night was too sick to attend. She gave a soulful and highly improvised performance in the aria's original key, while firmly stamping out the year with a captivating performance during
VH-1's "Divas Live" telecast.