Miller was born in
Evansville, Indiana, the youngest daughter of Edwin D. Reynolds, a telephone lineman, and his first wife, the former Ada Lynn Thompson,. The tiny, delicate-featured blonde beauty was only four years old when, as "Mademoiselle Sugarlump," she debuted at Lakeside Park in
Dayton, Ohio as a member of her family's vaudeville act, the
Columbian Trio, which then included Marilyn's step-father, Oscar Caro Miller, and two older sisters, Ruth and Claire. They were re-christened the
Five Columbians after Marilyn and her mother joined the routine. From their home base in
Findlay, Ohio, they toured the Midwest and Europe in variety for ten years, skirting the child labor authorities, before Lee Shubert discovered Marilyn at the
Lotus Club in London in 1914.
Miller appeared for the Shuberts in the 1914 and 1915 editions of
The Passing Show, a Broadway revue at the
Winter Garden Theatre, as well as in
The Show of Wonders (1916) and
Fancy Free (1918). But it was
Florenz Ziegfeld who made her a star after she performed in his
Ziegfeld Follies of 1918, at the famed
New Amsterdam Theatre on
42nd Street, with music by
Irving Berlin. Sharing billing with
Eddie Cantor, Will Rogers and
W.C. Fields, she brought the house down with her impersonation of Ziegfeld's wife,
Billie Burke, in a number entitled
Mine Was a Marriage of Convenience.
She followed as a headliner in the Follies of 1919, dancing to Berlin's
Mandy, and reputedly became Ziegfeld's mistress, though this was never proven. Miller attained legendary status in the Ziegfeld production
Sally (1920) with music by
Jerome Kern, especially for her performance of Kern's
Look for the Silver Lining. The musical, about a dishwasher who joins the Follies and marries a millionaire, ran 570 performances at the New Amsterdam. After a rift with Ziegfeld, she signed with rival producer
Charles Dillingham and starred as
Peter Pan in a 1924 Broadway revival, then as a circus queen in
Sunny (1925), with music by Kern and lyrics by
Oscar Hammerstein. A box-office smash, it featured the classic
Who?, and made her the highest paid star on Broadway. In 1928, after reuniting with Ziegfeld, she starred in his production of the successful
George Gershwin musical
Rosalie then in
Smiles (1930) with
Fred Astaire, a rare Ziegfeld box office failure.
Miller's
movie career was short-lived and less successful than her stage career. She made only three films: adaptations of
Sally (
1929); and
Sunny (
1930); and
Her Majesty Love (
1931), with
W.C. Fields. Her last Broadway show, marking a major comeback, was the innovative 1933-34
Irving Berlin/Moss Hart musical,
As Thousands Cheer, in which she appeared in the production number, "Easter Parade".
As it turned out, her appearance in
As Thousands Cheer was her last professional outing. Miller quit the show after her boyfriend and future husband Chester O'Brien (a chorus dancer who served as the production's second assistant stage manager) was fired for allowing the Woolworth department store heir
Jimmy Donahue to sneak onstage during a scene in which the actress was impersonating Donahue's cousin, the heiress
Barbara Hutton.http://www.time.com/time/magazine/article/0,9171,748036,00.html At the time of her death, Miller was described has having been in retirement.