Photograph of Petrarch.
Petrarch

Overview

Francesco Petrarca (July 20, 1304July 19, 1374), known in English as Petrarch, was an Italian scholar, poet, and one of the earliest Renaissance humanists. Petrarch is often popularly called the "father of humanism". Based on Petrarch's works, and to a lesser extent those of Dante and Boccaccio, Pietro Bembo in the 16th century created the model for modern Italian, later endorsed by the Accademia della Crusca. Petrarch is credited with perfecting the sonnet, making it one of the most popular art forms to date.

Biography

Petrarch was born in Arezzo the son of a merchant, and spent his early childhood in the village of Incisa, near Florence. His father, Ser Petracco, had been exiled from Florence in 1302 (along with Dante) by the Black Guelphs. Petrarch spent much of his early life at Avignon and nearby Carpentras, where his family moved to follow Pope Clement V who moved there in 1309 to begin the Avignon Papacy. He studied at Montpellier (1316–20) and Bologna (1320–26), where his father insisted he study the law. However, Petrarch was primarily interested in writing and Latin literature.

When his father died in 1326, Petrarch went back to Avignon, where he worked in numerous different clerical offices. This work gave him much time to devote to his writing. With his first large scale work, Africa, an epic in Latin about the great Roman general Scipio Africanus, Petrarch emerged as a European celebrity. In 1341 he brought back the poet laureate tradition from antiquity, and was crowned in Rome. He was the first man since antiquity to be given this honor. He traveled widely in Europe and served as an ambassador. He was a prolific letter writer, and counted Giovanni Boccaccio among his notable friends.

During his travels, he collected crumbling Latin manuscripts and was a prime mover in the recovery of knowledge from writers of Rome and Greece. He encouraged and advised Leontius Pilatus's translation of Homer, from a manuscript purchased by Boccaccio; although he was severely, and perhaps unfairly, critical of the result. Petrarch had acquired a copy, which he did not entrust to Leontius, but he knew no Greek; Homer, Petrarch said, "was dumb to him, while he was deaf to Homer". In 1345 he personally discovered a collection of Cicero's letters not previously known to have existed, the collection ad Atticum. He remarked:

:Each famous author of antiquity whom I recover places a new offence and another cause of dishonor to the charge of earlier generations, who, not satisfied with their own disgraceful barrenness, permitted the fruit of other minds, and the writings that their ancestors had produced by toil and application, to perish through insufferable neglect. Although they had nothing of their own to hand down to those who were to come after, they robbed posterity of its ancestral heritage.

Disdaining what he believed to be the ignorance of the centuries preceding the era in which he lived, Petrarch is credited with creating the concept of a historical "Dark Ages".



Petrarch claimed that on April 26, 1336, with his brother and two servants, he climbed to the top of Mont Ventoux (1,909 m; 6,263 ft). He wrote an account of the trip, composed considerably later as a letter to his friend Dionigi di Borgo San Sepolcro. The accuracy of Petrarch's account is open to question; particularly the assertion that he was the first to climb a mountain for pleasure since Philip V of Macedon, and that an aged peasant had warned him off the unclimbable mountain. Jean Buridan had climbed the same mountain a few years before, and other ascents are recorded from the Middle Ages, including Anno II, Archbishop of Cologne. Jakob Burckhardt's rhapsody on the subject has been often repeated since.

The later part of his life he spent in journeying through northern Italy as an international scholar and poet-diplomat. Petrarch's career in the Church did not allow him to marry, but he did father two children by a woman or women unknown to posterity. A son, Giovanni, was born in Avignon in 1337, and a daughter, Francesca, was born in Vaucluse in 1343.

Giovanni died of the plague in 1361. Francesca married Francescuolo da Brossano (who was later named executor of Petrarch's testament) that same year. In 1362, shortly after the birth of a daughter, Eletta, they joined Petrarch in Venice, to flee the plague then ravaging parts of Europe. A second grandchild, Francesco, was born in 1366, but died before his second birthday. Francesco and her family lived with Petrarch in Venice for five years from 1362 - 1367 at Palazzo Molina; although Petrarch continued to travel in those years.

About 1368 Petrarch and his daughter Francesca (with her family) moved and settled in Padua, where he passed his remaining years in religious contemplation. He died in Arquà in the Euganean Hills on July 19, 1374.

Petrarch's will (dated April 4, 1370) leaves fifty florins to Boccaccio "to buy a warm winter dressing gown"; various legacies (a horse, a silver cup, a lute, a Madonna) to his brother and his friends; his house in Vaucluse to its caretaker; for his soul, and for the poor; and the bulk of his estate to his son-in-law, Francescuolo da Brossano, who is to give half of it to "the person to whom, as he knows, I wish it to go"; presumably his daughter, Francesca, Brossano's wife. The will mentions neither the property in Arquà, nor his library; Petrarch's library of notable manuscripts was already promised to Venice, in exchange for the Palazzo Molina. This arrangement was probably cancelled when he moved to Padua, the enemy of Venice, in 1368. The library was seized by the lords of Padua, and his books and manuscripts are now widely divided over Europe. Nevertheless, the Biblioteca Marciana traditionally claimed this bequest as its founding; although it was in fact founded by Cardinal Bessarion in 1468.

Works

Petrarch is best known for his Italian poetry: notably the Canzoniere and the Trionfi ("Triumphs"). However, Petrarch was an enthusiastic Latin scholar and did most of his writing in this language. His Latin writings are quite varied and include scholarly works, introspective essays, letters, and more poetry. Among them are Secretum ("My Secret Book"), an intensely personal guilt-ridden imaginary dialogue with Augustine of Hippo; De Viris Illustribus ("On Famous Men"), a series of moral biographies; Rerum Memorandarum Libri, an incomplete treatise on the cardinal virtues; De Otio Religiosorum ("On Religious Leisure") and De Vita Solitaria ("On the Solitary Life"), which praise the contemplative life; De Remediis Utriusque Fortunae ("Remedies for Fortune Fair and Foul"), a self-help book which remained popular for hundreds of years; Itinerarium ("Petrarch's Guide to the Holy Land"), a distant ancestor of Fodor's and Lonely Planet; a number of invectives against opponents such as doctors, scholastics, and the French; the Carmen Bucolicum, a collection of twelve pastoral poems; and the unfinished epic Africa. Petrarch also published many volumes of his letters, including a few written to his long-dead friends from history like Cicero and Virgil. Cicero, Virgil, and Seneca were his literary models. Unfortunately most of his Latin writings are difficult to find today. It is difficult to assign any precise dates to his writings because he tended to revise them throughout his life.

In addition Petrarch collected his letters into two major sets of books called Epistolae familiares and Seniles, a plan suggested to him by knowledge of Cicero's letters. He kept out of Epistolae familiares a special set of nineteen controversial letters called Liber sine nomine that had much criticism against the Avignon papacy. These were published "without names" to protect the recipients, all of whom had close relationships to Petrarch. The recipients of these letters included Philippe de Cabassoles, bishop of Cavaillon; Ildebrandino Conti, bishop of Padua; Cola di Rienzo, tribune of Rome; Francesco Nelli, priest of the Prior of the Church of the Holy Apostles in Florence; and Niccolà di Capoccia, a cardinal and priest of Saint Vitalis.

His "Letter to Posterity" (the last letter in Seniles) gives an autobiography and a synopsis of his philosophy in life.

While Petrarch's poetry was set to music frequently after his death, especially by Italian madrigal composers of the Renaissance in the 16th century, only one musical setting composed during Petrarch's lifetime survives. This is Non al suo amante by Jacopo da Bologna, written ca. 1350.
Laura and poetry
On 6 April 1327, Good Friday, the sight of a woman called "Laura" in the church of Sainte-Claire d'Avignon awoke in him a lasting passion, celebrated in the Rime sparse ("Scattered rhymes"). Later, Renaissance poets who copied Petrarch's style named this collection of 366 poems Il Canzoniere ("Song Book"). Laura may have been Laura de Noves, the wife of Count Hugues de Sade (ancestor of Marquis de Sade). While it is possible she was an idealized or pseudonymous character - particularly since the name "Laura" has a linguistic connection to the poetic "laurels" Petrarch coveted - Petrarch himself always denied it. Her realistic presentation in his poems contrasts with the clichés of troubadours and courtly love. Her presence causes him unspeakable joy, but his unrequited love creates unendurable desires. There is little definite information in Petrarch's work concerning Laura, except that she is lovely to look at, fair-haired, with a modest, dignified bearing.

Laura and Petrarch had little or no personal contact. According to his "Secretum", she refused him for the very proper reason that she was already married to another man. He channeled his feelings into love poems that were exclamatory rather than persuasive, and wrote prose that showed his contempt for men who pursue women. Upon her death in 1348, the poet finds that his grief is as difficult to live with as was his former despair. Later in his "Letter to Posterity", Petrarch wrote: "In my younger days I struggled constantly with an overwhelming but pure love affair - my only one, and I would have struggled with it longer had not premature death, bitter but salutary for me, extinguished the cooling flames. I certainly wish I could say that I have always been entirely free from desires of the flesh, but I would be lying if I did."

Petrarch polished and perfected the known sonnet form inherited from Giacomo da Lentini and which Dante widely used in his Vita Nova to popularise the new courtly love of Dolce Stil Novo. Many of Petrarch's poems collected in the Canzoniere (dedicated to Laura) were indeed sonnets, and the Petrarchan sonnet still bears his name. Romantic composer Franz Liszt set three of Petrarch's Sonnets (47, 104, and 123) to music for voice, Tre sonetti del Petrarca, which he later would transcribe for solo piano for inclusion in the suite Années de Pèlerinage.

Philosophy

Petrarch is traditionally called the father of Humanism and considered by many to be the "father of the Renaissance." He was the first to offer a combining of abstract entities of classical culture and Christian philosophy. In his work Secretum meum he points out that secular achievements didn't necessarily preclude an authentic relationship with God. Petrarch argued instead that God had given humans their vast intellectual and creative potential to be used to their fullest. He inspired humanist philosophy which led to the intellectual flowering of the Renaissance. He believed in the immense moral and practical value of the study of ancient history and literature - that is, the study of human thought and action. While humanism later became associated with secularism, Petrarch was a devout Catholic and did not see a conflict between realizing humanity's potential and having religious faith. A highly introspective man, he shaped the nascent humanist movement a great deal because many of the internal conflicts and musings expressed in his writings were seized upon by Renaissance humanist philosophers and argued continually for the next two hundred years. For example, Petrarch struggled with the proper relation between the active and contemplative life, and tended to emphasize the importance of solitude and study. Later politician and thinker Leonardo Bruni argued for the active life, or "civic humanism." The result was that a surprising number of political, military, and religious leaders during the Renaissance were inculcated with the notion that their pursuit of personal glory should be grounded in classical example and philosophical contemplation.

Legacy

In November of 2003, it was announced that pathological anatomists would be exhuming Petrarch's body from his casket in Arquà Petrarca, in order to verify nineteenth-century reports that he had stood 1.83 meters (about 6 feet), which would have made him very tall for his period. The team from the University of Padua also hoped to reconstruct his cranium in order to obtain a computerized image of his features to coincide with the poet's 700th birthday. The tomb had been opened previously in 1873 by Professor Giovanni Canestrini, also of Padua University. When the tomb was opened, the skull was discovered in fragments and a DNA test revealed that the skull was not Petrarch's,http://www.ncbi.nlm.nih.gov/sites/entrez?tmpl=NoSidebarfile&db=PubMed&cmd=Retrieve&list_uids=17320326&dopt=Abstract prompting calls for the return of Petrarch's skull. The researchers are fairly certain that the body in the tomb is Petrarch's due to the fact that the skeleton bears evidence of injuries mentioned by Petrarch in his writings, including a kick from a donkey, when he was forty-two.http://www.upf.edu/cexs/recerca/bioevo/2007BioEvo/BE2007-Caramelli-FSI.pdf

Notes

References

*Bartlett, Kenneth R. (1992). The Civilization of the Italian Renaissance; a Source Book. Lexington: D.C. Heath and Company. ISBN 0-669-209000-7 *Bishop, Morris (1961). "Petrarch." In J. H. Plumb (Ed.), Renaissance Profiles, pp. 1-17. New York: Harper & Row. ISBN 0-06-131162-6 . *Kallendorf, Craig. "The Historical Petrarch," The American Historical Review, Vol 101, No. 1 (Feb. 1996): 130-141. *

Further reading

*Bernardo, Aldo (1983). "Petrarch." In Dictionary of the Middle Ages, volume 9. *Hollway-Calthrop, Henry (1907). Petrarch: His Life and Times, Methuen. From Google Books. *Kohl, Benjamin G. (1978). "Francesco Petrarcha: Introduction; How a Ruler Ought to Govern His State," in The Earthly Republic: Italian Humanists on Government and Society, ed. Benjamin G. Kohl and Ronald G. Witt, 25-78. Philadelphia: University of Pennsylvania Press. ISBN 0-8122-1097-2 *Nauert, Charles G. (2006). Humanism and the Culture of Renaissance Europe: Second Edition. Cambridge: Cambridge University Press. ISBN 0-521-54781-4 *Rawski, Conrad H. (1991). Petrarch's Remedies for Fortune Fair and Foul A Modern English Translation of De remediis utriusque Fortune, with a Commentary. ISBN 0-253-34849-8 *Robinson, James Harvey (1898). Petrarch, the First Modern Scholar and Man of Lettershttp://books.google.com/books?vid=0FLDZfko8pkEmTlpkTo-Kd&id=mt1l5Zs7V7EC, Greenwood Press. From Google Books.

External links

* Life And All Complete Works By Francesco Petrarca - Format HTML *Petrarch and Laura Multi-lingual site including many translated works (letters, poems, books) in the public domain and biography, pictures, music. *Petrarch from the Catholic Encyclopedia. *Excerpts from his works and letters *The Petrarchan Grotto *Francesco Petrarca (Petrarch) (1304-1374) * *Poems From The Canzoniere, translated by Tony Kline. *Petrarch - the poet who lost his head April 6, 2004 article in The Guardian regarding the exhumation of Petrarch's remains. *Francesco Petrarca at The Online Library of Liberty
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This biography says:

...These were published "without names" to protect the recipients, all of whom had close relationships to Petrarch. The recipients of these letters included Philippe de Cabassoles, bishop of Cavaillon; Ildebrandino Conti, bishop of Padua; Cola di Rienzo, tribune of Rome; Francesco Nelli, priest of the Prior of the Church of the Holy Apostles in Florence; and Niccolà di Capoccia, a cardinal and priest of Saint Vitalis...

That biography says:

...While he remained in Avignon he probably was employed by a Roman political group in the curia. Again in 1342 he is in the service of the Avignonese court returning to his see in 1347. Petrarch received a canonry in the church of Padua in 1349. In 1351 Ildebrandino urged Petrarch not to go to Avignon...

That biography says:

...Propertius fell into obscurity in the Middle Ages, but was rediscovered during the Italian Renaissance alsong with the other elegists. Petrarch's love sonnets certainly show the influence of his writing, and Aeneas Silvius (the future Pope Pius II) titled a collection of his youthful elegies "Cinthia"...

That biography says:

...Shakespeare's poetic genius was allied with a practical sense of the theatre. Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch and Holinshed. He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible...

That biography says:

...In 1547 he pronounced a funeral oration for Henry VIII of England and published his first poems "Œuvres poétiques", which included translations from the first two cantos of Homer's Odyssey and the first book of Virgil's Georgics, twelve Petrarchian sonnets, three Horacian odes and a Martial-like epigram; this poetry collection also included the first published poems of Joachim Du Bellay and Pierre de Ronsard (Ronsard would include Jacques Peletier into his list of revolutionary contemporary poets "La Pléiade")...

That biography says:

...It is the first work in which the term Middle Age is used; earlier Leonardo Bruni was the first to conceptualize the concept of a three-tiered history in his History of the Florentine People and a century earlier the concept of a Dark Ages had been laid out by Petrarch.

That biography says:

...Francesco, Montefalco, filling the choir with a triple course of subjects from the life of the saint, with various accessories, including heads of Dante, Petrarch and Giotto. This work was completed in 1452, and is still marked by the style of Angelico, crossed here and there with a more distinctly Giottesque influence...

That biography says:

...Anna had no control over his editors; and from the masterpiece which placed him on the level of Petrarch and Ariosto he never derived one penny of pecuniary profit. A rival poet at the court of Ferrara undertook to revise and edit his lyrics in 1582...

That biography says:

...Like his immediate predecessors, he was devoted to France, and he demonstrated his French sympathies by refusing a solemn invitation to return to Rome from the city's people, as well as from the poet Petrarch. He however threw a sop to the Romans by reducing the Jubilee term from one hundred years to fifty. He also purchased the sovereignty of Avignon from Queen Joan I of Naples, for 80,000 crowns...

This biography says:

...Jean Buridan had climbed the same mountain a few years before, and other ascents are recorded from the Middle Ages, including Anno II, Archbishop of Cologne. Jakob Burckhardt's rhapsody on the subject has been often repeated since....

That biography says:

...On his moral essays it may suffice to notice the dissertations On Nobility, On Vicissitudes of Fortune, On the Misery of Human Life, On the Infelicity of Princes and On Marriage in Old Age. These compositions belonged to a species which, since Petrarch set the fashion, were very popular among Italian scholars. They have lost their value, except for the few matters of fact embedded in a mass of commonplace meditation, and for some occasionally brilliant illustrations...

That biography says:

...It was in the name of this love that Dante gave his imprint to the Stil Novo and would lead poets and writers to discover the themes of Love (Amore), which had never been so emphasized before. Love for Beatrice (as in a different manner Petrarch would show for his Laura) would apparently be the reason for poetry and for living, together with political passions...

That biography says:

...He is among the first Romance vernacular poets of the Middle Ages, one of the founders of a tradition that would culminate in Dante, Petrarch, and Villon. Ezra Pound mentions him in Canto VIII:...

That biography says:

...The Asolani of Bembo, the collected writings of Poliziano, the Hypnerotomachia Poliphili, Dante's Divine Comedy, Petrarch's poems, a collection of early Latin poets of the Christian era, the letters of the younger Pliny, the poems of Pontanus, Sannazaro's Arcadia, Quintilian, Valerius Maximus, and the Adagia of Erasmus were printed, either in first editions, or with a beauty of type and paper never reached before, between the years 1495 and 1514...

That biography says:

...In 1368, he may have attended the wedding of Lionel of Antwerp to Violante, daughter of Galeazzo II Visconti, in Milan. Two other literary stars of the era who were in attendance were Jean Froissart and Petrarch. Around this time Chaucer is believed to have written The Book of the Duchess in honor of Blanche of Lancaster, the late wife of John of Gaunt, who died in 1369...

That biography says:

...In 1844, through the means of Foaie pentru minte, inimă şi literatură, he appealed to young writers: :"The times of Petrarch are over, gentlemen poets! The century demands progress, propaganda for the great idea, propaganda for the true charity that we lack entirely...

That biography says:

...Alberti's Latin comedy, Philodoxeos, aimed to teach that "a man dedicated to study and hard work can attain glory, just as well as a rich and fortunate man." For a short time it was passed as a genuinely antique Roman play. Like Petrarch, who had been the first famous philologist to study the works of the ancient Roman poets, Alberti loved classics, but he compared continual reading and rereading in libraries...

This biography says:

...The accuracy of Petrarch's account is open to question; particularly the assertion that he was the first to climb a mountain for pleasure since Philip V of Macedon, and that an aged peasant had warned him off the unclimbable mountain. Jean Buridan had climbed the same mountain a few years before, and other ascents are recorded from the Middle Ages, including Anno II, Archbishop of Cologne...

That biography says:

...Constantijn was unable to write poetry for months because of his anguish over his wife's death. Eventually he composed, inspired by Petrarch, the sonnet Op de dood van Sterre (On the death of Sterre). He added the poem to his Dagh-werck, which he left unfinished: the day he has described has not ended yet, but his Sterre is already dead...

This biography says:

...Petrarch had acquired a copy, which he did not entrust to Leontius, but he knew no Greek; Homer, Petrarch said, "was dumb to him, while he was deaf to Homer". In 1345 he personally discovered a collection of Cicero's letters not previously known to have existed, the collection ad Atticum. He remarked:...

This biography says:

...Petrarch spent much of his early life at Avignon and nearby Carpentras, where his family moved to follow Pope Clement V who moved there in 1309 to begin the Avignon Papacy. He studied at Montpellier (1316–20) and Bologna (1320–26), where his father insisted he study the law...

That biography says:

...But the decision proved the precursor of the long Avignon Papacy, the 'Babylonian captivity' (1309–77), in Petrarch's phrase, and marks a point from which the decay of the strictly Catholic conception of the pope as universal bishop may be dated...

That biography says:

...His portrait bust of the painter and Director of the Academy, Jean-Auguste-Dominique Ingres, executed shortly after his return to Paris in 1840, in plaster, tinted terracotta, is conserved by the École nationale supérieure des Beaux-Arts, Paris. His Travail manuel is at the Louvre Museum. Ottin's Laure de Noves (1850), Petrarch's Laura, is one of a series of Queens of France and historical ladies that had been commissioned for the Jardin du Luxembourg under Louis-Philippe...
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