Vidyapati is as much known for his love-lyrics as for his poetries dedicated to
Lord Shiva. He used to compose in
Maithili, a language spoken around
Mithila (a region in the north Bihar), closely related to the
abahattha form of early
Bengali.
The love songs of Vidyapati, which describe the sensuous love story of
Radha and
Krishna, follow a long line of
Vaishnav love poetry, popular in Eastern India, and include much celebrated poetery such as
Jayadeva's Gita Govinda of the
12th century. This tradition which uses the language of physical love to describe spiritual love, was a reflection of a key turn in
Hinduism, initiated by
Ramanuja in the
11th century which advocated an individual self realization through direct love. Similar to the reformation in
Christianity, this movement empowered the common man to realize
God directly, without the intervention of learned
priests. Part of the transformation was also
a shift to local
languages as opposed to the formal
Sanskrit of the religious texts.
The Maithili language should not be confused with the so-called
Brajabuli language used by
Rabindranath Tagore in the
19th century for his
Bhanusimher Padavali. The latter is an artificial literary medium formed by a mixture of archaic Bengali and Western Hindi (Brajbhasha).
The songs he wrote a prayers to Lord
Shiva are still sung in
Mithila and form a rich tradition of sweet and lovely folk songs.
Folklore says that he was such a great devotee of Lord
Shiva that the lord was really pleased with him. And once He decided to come to live in his house as a servant. As the servant He is said to have taken the name
Ugna. At several places in the region, Lord
Shiva is still worshipped by this name. It is said that the lord in form of servant had imposed a condition on Vidyapati that he could not disclose his identity to anyone else or else he would go away when Vidyapati's wife was angry at her servant and started to beat him Vidyapati could not tolerate the same and asked her wife not to beat Lord Shiva himself and since then the lord disappeared and never was he seen again. This incident is supposed to symbolize the traditional Indian saying that
"Gods are slaves to their devotees".