Photograph of Apuleius.
Apuleius

Overview

:Apuleius should not be confused with Lucius Appuleius Saturninus, a Roman demagogue or with Pseudo-Apuleius, an author.

Lucius Apuleius Platonicus (c. AD 123/125-c. AD 180), an utterly Romanized Berber who described himself as "half-Numidian half-Gaetulian", is remembered most for his bawdy picaresque Latin novel the Metamorphoses, otherwise known as The Golden Ass or, in Latin, the Aureus Asinus (where the Latin word aureus - golden - connoted an element of blessed luckiness).

He was born in Madaurus (now Mdaourouch, Algeria), a Roman colony in Numidia on the North African coast, bordering Gaetulia. This is the same colonia where Saint Augustine later received part of his early education, and, though located well away from the Romanized coast, is today the site of some pristine Roman ruins. Details regarding his life come mostly from his defense speech (see below) and a work entitled "Florida," which consists of snippets taken from some of his best speeches.

Apuleius inherited a substantial fortune from his father, a provincial magistrate. Apuleius studied with a master at Carthage (where he later settled) and later at Athens, where he studied Platonic philosophy among other subjects. He subsequently went to Rome to study Latin oratory and, most likely, to declaim in the law courts for a time before returning to his native North Africa. He also travelled extensively in Asia Minor and Egypt, studying philosophy and religion, burning up his inheritance while doing so.

Apuleius was an initiate in several cults or mysteries, including the Dionysian mysteries. He was a priest of Aesculapius and, according to Augustine, sacerdos provinciae Africae (i.e. priest of the province of Carthage).

After being accused of using magic to gain the attentions (and fortune) of the wealthy widow he married (the mother of a school chum from his days in Athens), he declaimed and then distributed a witty tour de force in his own defense before the proconsul and a court of magistrates convened in Sabratha, near Tripoli. This is known as the Apologia (A Discourse on Magic). The work has very little to do with magic, and a lot to do with making mincemeat of his opponents, with hilarity and panache. It is among the funniest works that have come down to us from Antiquity -- it is certainly the most entertaining example of Latin courtroom oratory to survive, though some fans of Cicero might disagree -- and firmly places Apuleius among the great humorists of his day.

His other works include On the God of Socrates, Apologia, Florida, On Plato and his Doctrine, and possibly On the Universe.

The Metamorphoses is the only Latin novel that has survived in its entirety. It is an imaginative, irreverent, and amusing work that relates the ludicrous adventures of one Lucius, who experiments in magic and is accidentally turned into an ass. In this guise he hears and sees many unusual things, until escaping from his predicament in a rather unexpected way. Within this frame story are found multiple digressions, the longest among them being the well-known tale of Cupid and Psyche.

The Metamorphoses ends with the hero, Lucius, eager to be initiated into the mystery cult of Isis, abstains from forbidden foods, bathes and purifies himself. Then the secrets of the cult's books are explained to him, and further secrets revealed before going through the process of initiation which involves a trial by the elements in a journey to the underworld. Lucius is then asked to seek initiation into the cult of Osiris in Rome, and eventually is initiated into the pastophoroi—a group of priests that serves Isis and Osiris.

References

External links

* *Apulei Opera (Latin texts of all the surviving works of Apuleius) at The Latin Library *English translation of Florida by H. E. Butler (PDF) *English translation of the Apologia by H. E. Butler *English translation of the Apologia by H. E. Butler (PDF) *Apuleius - Apologia: Seminar (Latin text of the Apologia with H. E. Butler's English translation and an English crib with discussion and commentary) *Apology as Prosecution: The Trial of Apuleius * Apuleius' works: text, concordances and frequency list
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That biography says:

...(Description of the Methods Adopted by the Duke Valentino when Murdering Vitellozzo Vitelli, Oliverotto da Fermo, the Signor Pagolo, and the Duke di Gravina Orsini, 1502) *Discorso sopra la provisione del danaro (1502) *Decennale primo (1506, poem in terza rima) *Ritratti delle cose dell'Alemagna (1508-1512) *Decennale secondo (1509) *Ritratti delle cose di Francia (1510) *Discorsi sopra la prima deca di Tito Livio (Discourses on Livy - 3 vols., 1512-1517) *Il Principe (The Prince, 1513) *Andria (1517, comedy translated from Terence) *Mandragola (The Mandrake - 1518, prose comedy in five acts, with prologue in verse) *Della lingua (1514, dialogue) *Clizia (1525, comedy in prose) *Belfagor arcidiavolo (1515, novel) *Asino d'oro (The Golden Ass - 1517, poem in terza rima, a new version of the classic work by Apuleius) *Dell'arte della guerra (The Art of War, 1519-1520) *Discorso sopra il riformare lo stato di Firenze (1520) *Sommario delle cose della citta di Lucca (1520) *Vita di Castruccio Castracani da Lucca (The Life of Castruccio Castracani of Lucca, 1520) *Istorie fiorentine (Florentine Histories - 8 books, 1520-1525, commissioned by Giulio di Giuliano de' Medici who went on to become Pope Clement VII)...

That biography says:

...This long poem, resembling a mock epic, was a reworking of La Fontaine's Psyche, a subject originating from Apuleius but ingeniously stylized by Bogdanovich as a Russian folk tale. The definitive edition followed in 1783 and instantly became popular for its mildly scurrilous passages...
How is Apuleius connected to Early life of Plato? Tell the world.

That biography says:

...Her verse-novel, Aurora Leigh, in nine books is set in Florence, England and Paris, using in it her knowledge from childhood of the Bible in Hebrew, Homer, Aeschylus, Sophocles, Apuleius, Dante, Langland, Madame de Stael, and George Sand....

That biography says:

*The Royall King, and the Loyall Subject (acted circa 1600; printed 1637) *the two parts of The Fair Maid of The West; Or, A Girle Worth Gold (two parts, printed 1631) *The Fayre Maid of the Exchange (printed anonymously 1607), a play doubtfully attributed to Heywood *The Late Lancashire Witches (1634), written with Richard Brome and prompted by an actual trial in the preceding year *(A Pleasant Comedy, called) A Mayden-Head Well Lost (1634) *A Challenge for Beautie (1636) *The Wise-Woman of Hogsdon (printed 1638), the witchcraft in this case being matter for comedy, not seriously treated as in the Lancashire play *Fortune by Land and Sea (printed 1655), with William Rowley *The five plays called respectively The Golden Age, The Silver Age, The Brazen Age and The Iron Age (the last in two parts), dated 1611, 1613, 1613 and 1632, are series of classical stories strung together with no particular connection except that "old Homer" introduces the performers of each act in turn *Loves Maistresse or The Queens Masque (printed 1636) is the story of Cupid and Psyche as told by Apuleius *The tragedy of the Rape of Lucrece (1608), which chronicles the rise and fall of Tarquin as presented by a "merry lord", Valerius, who lightens the gloom of the situation by singing comic songs *A series of pageants, most of them devised for the City of London, or its guilds, by Heywood, were printed in 1637 *In volume iv of his Collection of Old English Plays (1885), A...

This biography says:

:Apuleius should not be confused with Lucius Appuleius Saturninus, a Roman demagogue or with Pseudo-Apuleius, an author....

That biography says:

The first book consists of poems written at various times between 30 and 26. His first love, the subject of book i., is called Delia in the poems, but we learn from Apuleius (A p01. 10) that her real name was Plania. As regards her station, it should be noticed that she was not entitled to wear the stola, the dress of Roman matrons (i...

That biography says:

...Apuleius identifies her as a woman named Hostia, and Propertius suggests she is a descendent of the Roman poet Hostius...

That biography says:

...270 AD *Iamblichus, De Vita Pythagorica (On the Pythagorean Life), c. 300 AD *Apuleius also writes about Pythagoras in Apologia, including a story of him being taught by Babylonian disciples of Zoroaster, c...

This biography says:

...Lucius Apuleius Platonicus (c. AD 123/125-c. AD 180), an utterly Romanized Berber who described himself as "half-Numidian half-Gaetulian", is remembered most for his bawdy picaresque Latin novel the Metamorphoses, otherwise known as The Golden Ass or, in Latin, the Aureus Asinus (where the Latin word aureus - golden - connoted an element of blessed luckiness)...

That biography says:

The poet Catullus wrote several love poems concerning a frequently unfaithful woman he called Lesbia, identified in the mid-second century AD by the writer Apuleius (Apologia 10) as a "Clodia." This practice of replacing actual names with ones of identical metrical value was not uncommon in Latin poetry of that era...

That biography says:

...Definite references do not occur before the 2nd century (Fronto, Ep. ad ~k~. Caes. i. 3; Aulus Gellius, Noct. Att. i~. 24, Xii. 10, XjX. 9 Apuleius, De magic, 30; Porphyrion, Ad Horat. carm. iii. 1, 2)....

That biography says:

...Fulgentius is a representative of the so-called late African style, taking for his models Apuleius, Tertullian, and Martianus Capella. His language is bombastic, affected and incorrect, while the lengthy and elaborate periods make it difficult to understand his meaning.

That biography says:

...According to Suetonius (Augustus, 94) he foretold the greatness of the future emperor on the day of his birth, and Apuleius (Apologia, 42) records that, by the employment of magic boys (magici pueri), he helped to find a sum of money that had been lost...

That biography says:

...Hostius is supposed by some to be the doctus avus alluded to in Propertius (iv. 20. 8), the real name of Propertius's Cynthia, according to Apuleius (Apologia x.) and the scholiasi on Juvenal (vi. 7), being Hostia (perhaps Roscia)...

That biography says:

The Golden Ass, a second century Latin novel by the North African, Lucius Apuleius, predates Theophilus's story and may have been a partial inspiration for it. In the Golden Ass, the narrator (assumed to be Apuleius as the story is told in the first person) is transformed into a donkey through his misguided experiments with sorcery...