Photograph of Lalo Schifrin.
Lalo Schifrin

Overview

Lalo Schifrin (born June 21, 1932) is an Argentine pianist and composer, most famous for composing the "burning-fuse" theme tune from the Mission: Impossible television series. His style is characterized by an often fast-, then slow-paced, catchy beat within simple 4/4 time (although the Mission: Impossible theme was in 5/4).

Biography

Early life & education
Schifrin was born Boris Claudio Schifrin in Buenos Aires of Jewish heritage. His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades. At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan-Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention. At age 20, he successfully applied for a scholarship to the Paris Conservatoire. While there, he attended Olivier Messiaen's classes and formally studied with Charles Koechlin, a disciple of Maurice Ravel. At night he played jazz in the Paris clubs. In 1955, Schifrin represented his country at the International Jazz Festival in Paris.
Career
After returning home to Argentina, Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV. Schifrin also began accepting other film, television and radio assignments. In 1956, Schifrin met Dizzy Gillespie and offered to write an extended work for Gillespie's big band. Schifrin completed the work, Gillespiana, in 1958. Later that year Schifrin began working as an arranger for Xavier Cugat's popular dance orchestra.

While in New York in 1960, Schifrin again met Gillespie, who had by this time disbanded his big band for financial reasons. Gillespie invited Schifrin to fill the vacant piano chair in his quintet. Schifrin immediately accepted and moved to New York City. In 1963, MGM, which had Schifrin under contract, offered the composer his first Hollywood film assignment with the African adventure, Rhino!. Schifrin moved to Hollywood late that year.
Scores
To date, he has written more than 100 scores for films, television and video games. Among the classic scores are Mission: Impossible, The Rise and Fall of the Third Reich, Mannix, The Fox, Cool Hand Luke, Bullitt, Enter the Dragon, THX 1138, The Four Musketeers, Dirty Harry, The Big Brawl, The Cincinnati Kid, The Man from U.N.C.L.E. (Schifrin wrote music for two episodes of the television series, although the main theme was composed by Jerry Goldsmith), Voyage of the Damned, Rollercoaster, The Amityville Horror and The Osterman Weekend.

Recent film scores include Tango, Rush Hour, Rush Hour 2,Rush Hour 3, Bringing Down the House, The Bridge of San Luis Rey, After the Sunset, and Abominable. He also wrote the songs for Splinter Cell: Pandora Tomorrow.

In 1970, he composed the Paramount Television logo jingle "Color I.D." It was an 8-note jingle featuring horns, woodwinds and timpani. This music would have a long run in Paramount's TV production logos through 1987.

Schifrin's "Tar Sequence" from his Cool Hand Luke score was the longtime theme for the Eyewitness News broadcasts on New York station WABC-TV and other ABC affiliates, as well as National Nine News in Australia. CBS Television used part of the theme of his St. Ives soundtrack for its golf broadcasts in the 1970s and early 1980s.

Schifrin's working theme music for 1973's The Exorcist was shamelessly rejected by the film's director William Friedkin (other music was used instead).

To date, Lalo Schifrin has won four Grammy Awards (with twenty-one nominations), one Cable ACE Award, and received six Oscar nominations, and has a star on the Hollywood Walk of Fame.

He is also widely sampled in hip-hop and trip-hop songs, see Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident."

References

Who is Lalo Schifrin connected to?
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That biography says:

...They play locally and travel abroad with the sultan (although not to Salafi Saudi Arabia, because the orchestra mixes male and female musicians). Argentine composer Lalo Schifrin was commissioned to compose a work entitled Symphonic Impressions of Oman and is particularly enthusiastic about the pipe organ...

The other connection says:

On his father's side, Max is a distant cousin to  Grammy Award-winning composer, Lalo Shifrin.

That biography says:

...Smith recorded with a full orchestra and worked with arrangers and conductors such as Lalo Schifrin, Claus Ogerman, and Oliver Nelson. He also worked in small groups such as organ trios that featured jazz musicians such as Kenny Burrell, Donald "Duck" Bailey, Grady Tate, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean and Stanley Turrentine...

This biography says:

...Schifrin completed the work, Gillespiana, in 1958. Later that year Schifrin began working as an arranger for Xavier Cugat's popular dance orchestra....

That biography says:

...Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, and Victor Young....

This biography says:

...(Schifrin wrote music for two episodes of the television series, although the main theme was composed by Jerry Goldsmith), Voyage of the Damned, Rollercoaster, The Amityville Horror and The Osterman Weekend....

That biography says:

..."Tango" by Lalo Schifrin...

That biography says:

...Other drummers that influenced Chamberlin around the recording of Zeitgeist included Bobby Caldwell of Captain Beyond, Lalo Schifrin's Dirty Harry soundtrack, Weather Report, and Return to Forever's Lenny White. Corgan influenced Chamberlin's songwriting on The Jimmy Chamberlin Complex album Life Begins Again,, and Ned Ragget of All Music Guide said that the record was "a lot like the Smashing Pumpkins [...] there's the same sense of aggro and delicious melancholia on display, more than once suggesting what a version of Adore with Chamberlin on drums might have sounded like."

This biography says:

...While there, he attended Olivier Messiaen's classes and formally studied with Charles Koechlin, a disciple of Maurice Ravel. At night he played jazz in the Paris clubs. In 1955, Schifrin represented his country at the International Jazz Festival in Paris.

That biography says:

...Vaughan began recording for Roulette in April 1960, making a string of strong large ensemble albums arranged and/or conducted by Billy May, Jimmy Jones, Joe Reisman, Quincy Jones, Benny Carter, Lalo Schifrin and Gerald Wilson. Surprisingly, she also had some pop chart success in 1960 with "Serenata" on Roulette and a couple of residual tracks from her Mercury contract, "Eternally" and "You're My Baby"...

This biography says:

...At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan-Carlos Paz...

This biography says:

...Schifrin also began accepting other film, television and radio assignments. In 1956, Schifrin met Dizzy Gillespie and offered to write an extended work for Gillespie's big band. Schifrin completed the work, Gillespiana, in 1958...

That biography says:

...After his work with Parker, Gillespie led other small combos (including ones with Milt Jackson, John Coltrane, Lalo Schifrin) and finally put together his first successful big band. He also appeared frequently as a soloist with Norman Granz's Jazz at the Philharmonic...

This biography says:

...He is also widely sampled in hip-hop and trip-hop songs, see Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident."

This biography says:

...He is also widely sampled in hip-hop and trip-hop songs, see Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident."

That biography says:

...She moved to Los Angeles to study at the Dick Grove School Of Music, where she graduated from the Composition Program as well as the Film Music Composition Program, studying with noted composers: Dick Grove, Mundell Lowe, Lalo Schifrin, Henry Mancini, Allyn Ferguson and Jack Feirman among others. Lolita also studied privately with noted teachers Mauro Bruno, Gibner King, and Matt Dennis...

That biography says:

...She worked under most of the leading producers and musical directors in Los Angeles during that era, including David Axelrod, Brian Wilson, Michel Legrand, Phil Spector, Elmer Bernstein, Lalo Schifrin, David Rose, Dave Grusin, Ernie Freeman, Hugo Montenegro, Leonard Rosenman, John Williams, Alfred and Lionel Newman...

That biography says:

...With the luxury of larger budgets and seasoned recording producer Creed Taylor in the control booth, Tjader cut a varied string of albums. During the Verve years Tjader worked with Donald Byrd, Lalo Schifrin, Anita O'Day, Willie Bobo, Armando Peraza, a young Chick Corea, Clare Fischer, Jimmy Heath, Kenny Burrell, and others...

That biography says:

...He also chose the musical score from the Tar Sequence in the movie Cool Hand Luke (composed by Lalo Schifrin) as the news theme to WABC's Eyewitness News, a move which also exposed many other TV stations in the United States (and by extension, their viewers) to Schifrin's work...

This biography says:

...At age 20, he successfully applied for a scholarship to the Paris Conservatoire. While there, he attended Olivier Messiaen's classes and formally studied with Charles Koechlin, a disciple of Maurice Ravel. At night he played jazz in the Paris clubs. In 1955, Schifrin represented his country at the International Jazz Festival in Paris.

That biography says:

...He has been providing services to many of the best known composers working today. Among them, John Williams, Lalo Schifrin, Dominick Frontiere, Marc Shaiman, Hans Zimmer, Eliot Goldenthal, Mark Isham and Cliff Eidelman....