James Bond (1962–1967, 1971, 1983)
Connery's breakthrough came in the role of secret agent James Bond. He acted in seven Bond films, six produced by
EON, followed by an unofficial
Warner Brothers Thunderball-remake: These include
Dr. No (
1962),
From Russia With Love (
1963),
Goldfinger (
1964),
Thunderball (
1965),
You Only Live Twice (
1967),
Diamonds Are Forever (
1971) and
Never Say Never Again (
1983) (unofficial).
The imposing, yet light-footed, actor was co-discovered by
Harry Saltzman, and
Albert R. Broccoli after other aspirants to the Bond role were eliminated, including
David Niven (later to play Bond in the spoof
Casino Royale, in 1967),
Cary Grant, and
James Mason; the latter two refused to commit to a film series. The low budget forced the producers to hire an unknown actor.
James Bond's creator,
Ian Fleming doubted the casting, saying, "He's not what I envisioned of James Bond looks" and "I’m looking for Commander Bond and not an overgrown stunt-man", adding that Connery (muscular, 6' 2", and a Scot) was unrefined. However, Fleming's girlfriend told him Connery had the requisite sexual charisma. Fleming changed his mind after the successful
Dr. No premiere; he was so impressed, he created a half-Scottish, half-Swiss heritage for the literary James Bond in the later novels.
Connery's portrayal of Bond owes much to stylistic tutelage from director
Terence Young, polishing the actor while using his physical grace and presence for the action. Robert Cotton wrote in one Connery biography that
Lois Maxwell (the first
Miss Moneypenny) noticed, "Terence took Sean under his wing. He took him to dinner, showed him how to walk, how to talk, even how to eat".
Cotton wrote, "Some cast members remarked that Connery was simply doing a Terence Young impression, but Young and Connery knew they were on the right track."
In June of 1967, after filming
You Only Live Twice, Connery quit the role, having tired of repetitive plots, a lack of character development, the public's demands of him, and fear of being
typecast. He also disliked the fantastic direction in which the series was headed, away from the source material. Connery reportedly wanted to be a co-producer of the series, his inspiration being
Dean Martin's role as a co-producer of the
Matt Helm series. Connery noted that
The Silencers made nowhere near as much money as
Thunderball, but Martin made more money than he did.
In 1970, United Artists agreed to finance Connery's production of
The Offence. Connery's final official appearance as 007 was in
1971's
Diamonds Are Forever; he reportedly declined £5 million to make
Live And Let Die (1973).
In 1978, owing to complex dealings between
EON Productions and
Kevin McClory (co-producer of
Thunderball and co-creator of the story in
Ian Fleming's eponymous novel), the latter obtained the right to re-make
Thunderball. McClory and Connery were to write an original Bond film, titled either
James Bond of the Secret Service or
Warhead, but EON and
United Artists blocked it in court.
The re-make was revived in the 1980s, and Connery was to play Bond for the seventh, and final, time in the 'unofficial' film
Never Say Never Again; its title is said to derive from Connery's comment after filming
Diamonds Are Forever that he'd never again play Bond. Yet, in 2005, Connery again reprised the role with his voice and physical likeness in the
video game adaptation of From Russia with Love.
His favourite Bond film is
From Russia with Love, one of the most acclaimed in the series, which he confirmed in a 2002 interview with
Sam Donaldson for ABCNews.com.; (
American Movie Classics mistakenly listed
Thunderball as Connery's favourite during a Bond retrospective).
More than forty years after playing the role, Connery's incarnation remains as the definitive cinema James Bond, despite popular interpretations by
Roger Moore,
Timothy Dalton (often considered akin to the literary Bond), and
Pierce Brosnan. Connery's feelings about James Bond range from resentment to fondness, once saying he hated the character so much that he'd have killed him, but also saying he never hated Bond, but merely wanted to portray other characters. Certainly, when the James Bond series was at its peak in the mid-1960s, his association with James Bond 007 was so great that his performances in films, such as
Alfred Hitchcock's
Marnie,
A Fine Madness, and
Sidney Lumet's
The Hill, were ignored. When asked if he'd ever escape the identification, he replied, "Never, it's with me 'til I go in the box".
At another point, he said he still cared about the future of the character and the franchise, having been its icon for too long not to care, and that all Bond films had their good points. In December of 2005, Connery supported
Daniel Craig as the latest James Bond, in
Casino Royale.