In
1956, his agent negotiated a contract for him with
Decca Records, where
Bill Haley & His Comets had risen to fame. However, this was a time when rock and roll was still in its infancy and the number of capable
record producers and arrangers in the field was extremely limited.
He left Decca to sign with
Atlantic Records (ATCO), where he wrote and arranged music for himself and others. There, after three mediocre recordings, his career took off in
1958 when he wrote and recorded "
Splish Splash"; it became an instant hit, selling more than a million copies. "Splish Splash" was written with Radio DJ Murray
Murray the K Kaufman, who bet that Darin could not write a song that started out with the words, "Splish Splash, I was takin' a bath", as suggested by Murray's mother. On a snow bound night in early 1958, Darin went in the studio alone and recorded a demo of "Splish Splash". They eventually shared writing credits with her. This was followed by more hits recorded in the same successful style.
In
1959, Bobby Darin recorded "
Dream Lover", a ballad that became a multi-million seller. With financial success came the ability to demand more so-called
creative control. His next record, "
Mack the Knife", was the classic standard from
Kurt Weill's
Threepenny Opera. Darin gave the tune a vamping jazz-pop interpretation, which he consciously modeled on the style of
Frankie Laine. The song went to #1 on the charts for nine weeks, sold over a million copies and won the
Grammy Award for Record of the Year in
1960. Darin was also voted the
Grammy Award for Best New Artist that year. "Mack The Knife" has since been honored with a
Grammy Hall of Fame Award. He followed "Mack" with "
Beyond the Sea", a jazzy English-language version of
Charles Trenet's French hit song, "
La Mer."
Propelled by the success of "Mack the Knife" and "Beyond the Sea," Darin became a hot commodity. He set all-time attendance records at the famed
Copacabana nightclub in NYC, where it was not unusual for fans to line up all the way around the block to get tickets when Darin was playing there. The Copacabana sold so many seats to Darin's shows that they had to fill the dance floor, normally part of the performance area, with extra seating. Darin also headlined at the major
casinos in
Las Vegas.
Darin was instrumental in bringing up new talent.
Richard Pryor,
Flip Wilson, and
Wayne Newton opened his night club performances when they were virtually unknown. Early on, at the Copacabana, he insisted that black comic
Nipsey Russell be his opening act. His request was grudgingly granted by
Jules Podell, the
Frank Costello (mob boss) manager of the
Copacabana.
In the
1960s, Darin also owned and operated a highly successful music publishing and production company (TM Music/Trio) and signed Wayne Newton to TM, giving him a song that was originally sent to Darin to record. That record went on to become Newton's breakout hit, "
Danke Schoen". He also was a
mentor to
Roger McGuinn, who worked for Darin at TM Music before going off to form
The Byrds. Darin also produced football great
Rosey Grier's
1964 LP,
Soul City, and "Made in the Shade" for
Jimmy Boyd.
In 1962, Darin also began to write and sing country music, with songs including "Things" (1962), "You're the Reason" and "18 Yellow Roses". He did well in that format.