Goldin was born in
Washington, D.C. and grew up in the DC area
suburbs in
Maryland, but ran away from home and was fostered by a variety of families. Her later schooling was at the Satya Community School in
Boston, where a teacher introduced her to the camera in
1968, when she was fifteen years old. Her first solo show was in
Boston in
1973, based on her photography among the city's
gay and
transvestite communities, to which she had been introduced by her friend David Armstrong. It was he who renamed her "Nan". She graduated from
School of the Museum of Fine Arts, Boston/Tufts University in
1977/8, where she had worked mostly with
Cibachrome prints.
After graduation, she moved to
New York City and began documentary photography of the post-
punk new-wave music scene, and the city's vibrant
gay subculture in the late 1970's and early 1980's, gradually being drawn in to the
Bowery's hard drug subculture. These photographs, taken from
1979 to
1986, form her famous work
The Ballad of Sexual Dependency. The
snapshot aesthetic images depict drug use, violent, aggressive couples and autobiographical moments. Most of her
Ballad subjects were dead by the
1990s due to either
drug overdoses or
AIDS, including close friends and often photographed subjects,
Greer Lankton and
Cookie Mueller. In addition to the
Ballad she combined her pictures in two other series
I'll Be Your Mirror and
All by Myself.
Goldin's work is most often presented in the form of a
slideshow and has been shown at film festivals. Most famous is a 45 minute show in which 800 pictures are displayed. The main themes of her early pictures are love, gender, domesticity, and sexuality, usually made with
available light.
Goldin's recent pictures (since
1995) have included a wide array of subject matter, including collaborative book projects with famed Japanese photographer
Nobuyoshi Araki; landscapes of New York skylines; uncanny landscapes (notably of people in water); her lover, Siobhan; and babies, parenthood and family life. She was the winner of the 2007
Hasselblad Award.
In September of 2007,
Northumbria Police seized the photograph
"Klara and Edda belly-dancing" before it was shown at the
Baltic Centre for Contemporary Art, on suspicion that it may have violated UK
child pornography laws. The photo shows a young girl with her legs apart. According to an article by Reuters, dated 10-26-2007, one child is nude; this fact is in the caption under the second photograph with the article, at least the AOL on-line version. The photograph was on loan from the private collection of Sir
Elton John who purchased it as part of the "Thanksgiving" installation in 1999.
According to Sir
Elton John
The photograph exists as part of the installation as a whole and has been widely published and exhibited throughout the world. It can be found in the monograph of Ms. Goldin's works entitled `The Devil's Playground' (Phaidon, 2003), has been offered for sale at Sotheby's New York in 2002 and 2004, and has previously been exhibited in Houston, London, Madrid, New York, Portugal, Warsaw and Zurich without any objections of which we are aware.
.. but a spokeswoman for London's
Saatchi Gallery has since confirmed that the picture was in fact one of the photographs which - following a complaint from
Rupert Murdoch's News of the World tabloid - the
Metropolitan Police Service's Obscene Publications Unit seized from the gallery's 2001 "I Am a Camera" exhibition.
However, at that time, the Crown Prosecution Service (CPS) deemed it not to be an indecent image.
As of October 1, 2007, in a statement from Jane Jackson, curator of the Elton John Photographic Collection: "We have made arrangements to close the 'Thanksgiving' Installation at The Baltic with immediate effect. It was always intended that the Installation be exhibited as a whole, and not on a piecemeal basis, and our decision has been made with regard to the artistic integrity of the work and the artist."
The photograph
"Klara and Edda belly-dancing" was again judged "not indecent" by the Crown Prosecution Service.
Goldin currently lives in
New York and
Paris, resulting in the
Pompidou Centre holding a major retrospective of her work in
2002. Her hand was injured in a fall in 2002, and currently remains with less ability to turn it than in the past.