Henry Chettle (c. 1564 – c. 1607) was an
English dramatist and miscellaneous writer of the
Elizabethan era.
The son of Robert Chettle, a London dyer, he was apprenticed in 1577 and became a member of the
Stationer's Company in 1584, traveling to
Cambridge on their behalf in 1588. His career as a printer and author is shadowy. He may have set up some of the tracts printed in response to
Martin Marprelate. In 1591, he entered into partnership with William Hoskins and John Danter, two stationers. They published a good many ballads, and some plays, including a surreptitious and botched first
quarto of
Romeo and Juliet, to which it is suggested Chettle added lines and stage directions.
In 1592
Greene’s Groatsworth of Wit, supposedly the work of the recently deceased, and very popular,
Robert Greene, was published, having been entered in the register of the Stationer's Company "at the peril of Henry Chettle". This offended at least two contemporary writers, including (it is thought)
Christopher Marlowe and
William Shakespeare. Although he denied it in the preface to his
Kind Heart's Dream, published soon after, Chettle was widely suspected of having been the author, and some modern textual studies support this suspicion. The general tenor of his work with Hoskins and Danter also suggests the plausibility of such a deceit.
He seems to have been generally in debt, judging from numerous entries in
Philip Henslowe's diary of advances for various purposes, on one occasion (
January 17, 1599) to pay his expenses in the
Marshalsea prison, on another (
March 7, 1603) to get his play out of pawn. He made a greater number of small borrowings from Henslowe than any other person. These and Henslowe’s casual records of them suggest some friendship between them, though in 1602 Chettle seems to have been writing for both Worcester's Company and the Admiral's, despite signing a bond to write exclusively for the latter.
As early as 1598
Francis Meres includes Chettle in his
Palladis Tamia as one of the "best for comedy," and Henslowe lists payments to him for thirty-six plays between 1598 and 1603, and he may been involved in as many as fifty plays, although only a dozen seem to be his alone. Chettle had regular association with
Henry Porter, Thomas Dekker, and after 1600 with
John Day. Of the thirteen plays usually attributed to Chettle's sole authorship only one was printed. This was
The Tragedy of Hoffmann: or a Revenge for a Father (played 1602; printed 1631). It has been suggested that this piece was put forward as a rival to Shakespeare's
Hamlet. There is also evidence that Chettle contributed to the play
Sir Thomas More (c. 1592–1593), which is famous for containing a scene which many scholars believe to be authored by Shakespeare.
Chettle's non-dramatic writings include (besides
Kind Heart's Dream)
Piers Plainnes Seaven Yeres Prentiship (1595), the story of a fictitious apprenticeship in
Crete and
Thrace, and
England's Mourning Garment (1603), in which are included some verses alluding to the chief poets of the time.
He died before 1607, when Dekker in his
Knight's Conjurer described him joining the poets in
Elysium: “in comes Chettle sweating and blowing by reason of his fatness”.