Photograph of Henry Chettle.
Henry Chettle

Overview

Henry Chettle (c. 1564 – c. 1607) was an English dramatist and miscellaneous writer of the Elizabethan era.

The son of Robert Chettle, a London dyer, he was apprenticed in 1577 and became a member of the Stationer's Company in 1584, traveling to Cambridge on their behalf in 1588. His career as a printer and author is shadowy. He may have set up some of the tracts printed in response to Martin Marprelate. In 1591, he entered into partnership with William Hoskins and John Danter, two stationers. They published a good many ballads, and some plays, including a surreptitious and botched first quarto of Romeo and Juliet, to which it is suggested Chettle added lines and stage directions.

In 1592 Greene’s Groatsworth of Wit, supposedly the work of the recently deceased, and very popular, Robert Greene, was published, having been entered in the register of the Stationer's Company "at the peril of Henry Chettle". This offended at least two contemporary writers, including (it is thought) Christopher Marlowe and William Shakespeare. Although he denied it in the preface to his Kind Heart's Dream, published soon after, Chettle was widely suspected of having been the author, and some modern textual studies support this suspicion. The general tenor of his work with Hoskins and Danter also suggests the plausibility of such a deceit.

He seems to have been generally in debt, judging from numerous entries in Philip Henslowe's diary of advances for various purposes, on one occasion (January 17, 1599) to pay his expenses in the Marshalsea prison, on another (March 7, 1603) to get his play out of pawn. He made a greater number of small borrowings from Henslowe than any other person. These and Henslowe’s casual records of them suggest some friendship between them, though in 1602 Chettle seems to have been writing for both Worcester's Company and the Admiral's, despite signing a bond to write exclusively for the latter.

As early as 1598 Francis Meres includes Chettle in his Palladis Tamia as one of the "best for comedy," and Henslowe lists payments to him for thirty-six plays between 1598 and 1603, and he may been involved in as many as fifty plays, although only a dozen seem to be his alone. Chettle had regular association with Henry Porter, Thomas Dekker, and after 1600 with John Day. Of the thirteen plays usually attributed to Chettle's sole authorship only one was printed. This was The Tragedy of Hoffmann: or a Revenge for a Father (played 1602; printed 1631). It has been suggested that this piece was put forward as a rival to Shakespeare's Hamlet. There is also evidence that Chettle contributed to the play Sir Thomas More (c. 1592–1593), which is famous for containing a scene which many scholars believe to be authored by Shakespeare.

Chettle's non-dramatic writings include (besides Kind Heart's Dream) Piers Plainnes Seaven Yeres Prentiship (1595), the story of a fictitious apprenticeship in Crete and Thrace, and England's Mourning Garment (1603), in which are included some verses alluding to the chief poets of the time.

He died before 1607, when Dekker in his Knight's Conjurer described him joining the poets in Elysium: “in comes Chettle sweating and blowing by reason of his fatness”.

Bibliography

*Jenkins, H., The life and work of Henry Chettle (1934) *Carson, N., A companion to Henslowe's diary (1988) *Foakes, R. A., and Rickert, R. T., (eds). Henslowe's Diary (1961)

List of plays

#The Valiant Welchman, by Michael Drayton and Henry Chettle, February 1597-8. Printed in 1615. #Earl Goodwin and his Three Sons, Part I, by Michael Drayton, Henry Chettle, Thomas Dekker, and Robert Wilson, March 1598. Not printed. #Earl Goodwin, Part II, by the same authors, and under the same date in Henslowe's papers. Not printed. #Piers of Exton, by the same authors, same date. Not printed. #Black Batman of the North, Part I, by Henry Chettle, April 1598. Not printed. #Black Batman of the North, Part II, by Henry Chettle and Robert Wilson. Same date. Not printed. It is mentioned in Henslowe's diary in April 1598. No extant copies of the play are known. #The Play of a Woman, by Henry Chettle, July 1598. Not printed. #The Conquest of Brute with the first finding of the Bath, by John Day, Henry Chettle, and John Singer. Same date. Not printed. #Hot Anger Soon Cold, by Henry Porter, Henry Chettle, and Ben Jonson, August 1598. Not printed. #Catiline's Conspiracy, by Robert Wilson and Henry Chettle. Same Date. Not printed. #'''Tis no Deceit to Deceive the Deceiver, by Henry Chettle, September 1598. Not printed. #Aeneas' Revenge, with the Tragedy of Polyphemus, by Henry Chettle, February 1598-9. Not printed. #Agamemnon, by Henry Chettle and Thomas Dekker, June 1599. Not printed. Malone thought that this was the same play as "Troilus and Cressida" before mentioned. #The Stepmother's Tragedy, by Henry Chettle, August 1599. Not printed. #Patient Grissel, by Thomas Dekker, Henry Chettle, and William Haughton, December 1599. Printed in 1603. #The Arcadian Virgin, by Henry Chettle and William Haughton. Same date. Not printed. Mentioned in Philip Henslowe's diary in December 1599. #Damon and Pithias, by Henry Chettle, January 1599-1600. Not printed. #The Seven Wise Masters, by Henry Chettle, Thomas Dekker, William Haughton, and John Day, March 1599-1600. Not printed. #The Golden Ass and Cupid and Psyche, by Thomas Dekker, John Day, and Henry Chettle, April 1600. Not printed. #The Wooing of Death, by Henry Chettle. Same date. Not printed. #The Blind Beggar of Bethnal Green, by Henry Chettle and John Day. Same date. Printed in 1659. #All is not Gold that Glisters, by Samuel Rowley and Henry Chettle, March 1600. Not printed. #Sebastian, King of Portugal, by Henry Chettle and Thomas Dekker, April 1601. Not printed. #Cardinal Wolsey, Part I, by Henry Chettle, August 1601. Not printed. #Cardinal Wolsey, Part II, by Henry Chettle, May 1602. Not printed. #The Orphan's Tragedy, by Henry Chettle, September 1601. Not printed. #Too Good to be True, by Henry Chettle, Richard Hathwaye, and Wentworth Smith, November 1601. Not printed. #Love Parts Friendship, by Henry Chettle and Wentworth Smith, May 1602. Not printed. #Tobyas, by Henry Chettle. Same date. Not printed. #Jeptha, by Henry Chettle. Same date. Not printed. #A Danish Tragedy, by Henry Chettle. Same date. Not printed. #Femelanco, by Henry Chettle and ---- Robinson, September 1602. Not printed. #Lady Jane, Part I, by Henry Chettle, Thomas Dekker, Thomas Heywood, Wentworth Smith, and John Webster, November 1602. Not printed. #Lady Jane, Part II, by the same authors, Smith excepted. Same date. Not printed. #The London Florentine, Part I, by Thomas Heywoodand Henry Chettle, December 1602. Not printed. #The London Florentine, Part II, by the same authors. Same date. Not printed. #The Tragedy of Hoffman, by Henry Chettle. Same date. Printed in 1631. #Jane Shore,'' by Henry Chettle and John Day, March 1602-3. Not printed.

References

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This biography says:

...Same date. Not printed. #The Tragedy of Hoffman, by Henry Chettle. Same date. Printed in 1631. #Jane Shore,'' by Henry Chettle and John Day, March 1602-3. Not printed.

This biography says:

...This offended at least two contemporary writers, including (it is thought) Christopher Marlowe and William Shakespeare. Although he denied it in the preface to his Kind Heart's Dream, published soon after, Chettle was widely suspected of having been the author, and some modern textual studies support this suspicion...

This biography says:

...It has been suggested that this piece was put forward as a rival to Shakespeare's Hamlet. There is also evidence that Chettle contributed to the play Sir Thomas More (c. 1592–1593), which is famous for containing a scene which many scholars believe to be authored by Shakespeare...

That biography says:

...His friend Erasmus, who (though not a Protestant) was broadly sympathetic to reform movements within the Christian Church, declared after his execution that More had been "more pure than any snow" and that his genius was "such as England never had and never again will have." More was portrayed as a wise and honest statesman in the 1592 play ''Sir Thomas More'', which was probably written in collaboration by Henry Chettle, Anthony Munday, William Shakespeare, and others, and which survives only in fragmentary form after being censored by Edmund Tylney, Master of the Revels in the government of Queen Elizabeth I (any direct reference to the Act of Supremacy was censored out)...

This biography says:

#The Valiant Welchman, by Michael Drayton and Henry Chettle, February 1597-8. Printed in 1615. #Earl Goodwin and his Three Sons, Part I, by Michael Drayton, Henry Chettle, Thomas Dekker, and Robert Wilson, March 1598...

That biography says:

...Henslowe's Diary links Drayton's name with 23 plays from that period, and shows that Drayton almost always worked in collaboration with other Henslowe regulars, like Thomas Dekker, Anthony Munday, and Henry Chettle, among others. Of these 23 plays, only one has survived, that being Part 1 of Sir John Oldcastle, which Drayton composed in collaboration with Munday, Robert Wilson, and Richard Hathwaye...

This biography says:

...#The Conquest of Brute with the first finding of the Bath, by John Day, Henry Chettle, and John Singer. Same date. Not printed. #Hot Anger Soon Cold, by Henry Porter, Henry Chettle, and Ben Jonson, August 1598. Not printed. #Catiline's Conspiracy, by Robert Wilson and Henry Chettle. Same Date...

That biography says:

...In addition to The Isle of Dogs (1597), the records suggest these lost plays as wholly or partially Jonson's work: Richard Crookback (1602); Hot Anger Soon Cold (1598), with Porter and Henry Chettle; Page of Plymouth (1599), with Dekker; and Robert II, King of Scots (1599), with Chettle and Dekker...

This biography says:

...In 1592 Greene’s Groatsworth of Wit, supposedly the work of the recently deceased, and very popular, Robert Greene, was published, having been entered in the register of the Stationer's Company "at the peril of Henry Chettle". This offended at least two contemporary writers, including (it is thought) Christopher Marlowe and William Shakespeare. Although he denied it in the preface to his Kind Heart's Dream, published soon after, Chettle was widely suspected of having been the author, and some modern textual studies support this suspicion...

This biography says:

...#Femelanco, by Henry Chettle and ---- Robinson, September 1602. Not printed. #Lady Jane, Part I, by Henry Chettle, Thomas Dekker, Thomas Heywood, Wentworth Smith, and John Webster, November 1602. Not printed. #Lady Jane, Part II, by the same authors, Smith excepted...

That biography says:

...In any case, it should be noted that all or part of the Groats-Worth may have in fact been written shortly after Greene's death by one of his fellow writers (the pamphlet's printer, Henry Chettle, is one candidate) hoping to capitalize on it with a lurid tale of death-bed repentance....

This biography says:

...As early as 1598 Francis Meres includes Chettle in his Palladis Tamia as one of the "best for comedy," and Henslowe lists payments to him for thirty-six plays between 1598 and 1603, and he may been involved in as many as fifty plays, although only a dozen seem to be his alone. Chettle had regular association with Henry Porter, Thomas Dekker, and after 1600 with John Day. Of the thirteen plays usually attributed to Chettle's sole authorship only one was printed...

That biography says:

...There follow, before 1599, payments for work on The Triplicity of Cuckolds, The Mad Man's Morris, and Hannibal and Hermes. He worked on these plays with Robert Wilson, Henry Chettle, and Michael Drayton. With Drayton, he also worked on history plays on the French civil wars, Earl Godwin, and others...

That biography says:

...Henslowe's Diary mentions other plays, Love Prevented (1598), Hot Anger soon Cold, with Henry Chettle and Ben Jonson (1598), “the second part of The Two Angry Women of Abingdon” (1598), The Four Merry Women of Abingdon (1599), and The Spencers (1599), with Chettle...

This biography says:

...He seems to have been generally in debt, judging from numerous entries in Philip Henslowe's diary of advances for various purposes, on one occasion (January 17, 1599) to pay his expenses in the Marshalsea prison, on another (March 7, 1603) to get his play out of pawn...

That biography says:

...Between 1576 and 1586 Henslowe was involved in the trade in timber from Ashdown Forest. However, his main activity was as a landlord in Southwark. One of his authors, Henry Chettle, described him as being unscrupulously harsh with his poor tenants, even though Henslowe made many loans to Chettle and they seem to have been on friendly terms.

This biography says:

...#The Orphan's Tragedy, by Henry Chettle, September 1601. Not printed. #Too Good to be True, by Henry Chettle, Richard Hathwaye, and Wentworth Smith, November 1601. Not printed. #Love Parts Friendship, by Henry Chettle and Wentworth Smith, May 1602...

That biography says:

...For the Admiral's Men, 1601-1602: # The Conquest of the West Indies, with John Day and William Haughton, April-September 1601. # Cardinal Wolsey, Part I, with Henry Chettle, Michael Drayton and Anthony Munday, August-November 1601. # The Six Clothiers, Part I, with Richard Hathwaye and William Haughton, October-November 1601...

That biography says:

...He became a sizar of Caius College, Cambridge, in 1592, but was expelled in the next year for stealing a book. He became one of Philip Henslowe's playwrights, collaborating with Henry Chettle, William Haughton, Thomas Dekker, Richard Hathwaye and Wentworth Smith. There are 22 plays to which he is linked...

That biography says:

...*Songs: **2 Tennyson Settings, ?1909,Move Eastward, Happy Earth; The Snowdrop **The isle of lost dreams (William Sharp), ?1909 **Dream-Tryst (Francis Thompson), 1909 **Diaphenia (Henry Chettle), 1912 **Epitaph on Salathiel Pavy (Ben Jonson), 1912 **To Gratiana dancing and singing (Richard Lovelace), 1913 **Arabia (Walter de la Mare), 1914 *God is our Strength and Song (J...

That biography says:

...February 1597-8. Printed in 1601. * The Death of Robert Earl of Huntington, by Anthony Munday and Henry Chettle. February 1597-8. Printed in 1601. * The Funeral of Richard Cordelion, by Robert Wilson, Henry Chettle, Anthony Munday, and Michael Drayton...

That biography says:

...Thomas Millington published Henry Chettle's England's Mourning Garment in 1603, but then disappears from the historical record — as did fellow publisher Andrew Wise in the same year...